Cinema Quotes - Page 2

I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.

Kim Ki-duk

Don't be a zombie for anyone, if your oppressor likes zombies, cinemas are not located in mars.

Michael Bassey Johnson

I think cinema, movies, and magic have always been closely associated. The very earliest people who made film were magicians.

Francis Ford Coppola

In childhood we inhabit a world of wonderful contrasts that later we often come to see as bizarre and do our best to rearrange, with everything in its 'proper' place. Unusual juxtapositions we label surrealistic. Yet what is surrealism but a second childhood with Freudian overtones which we have to be re-educated to enjoy? -- part of the tragedy of growing up

Ken Russell

Dying is not a solution.. I want to live with You..!

K Hari Kumar

A movie that gets closer to the life's reality of the society finds always more words of mouth publicity in entirety.

Testy McTesterson

There either is or is not, that’s the way things are. The colour of the day. The way it felt to be a child. The saltwater on your sunburnt legs. Sometimes the water is yellow, sometimes it’s red. But what colour it may be in memory, depends on the day. I’m not going to tell you the story the way it happened. I’m going to tell it the way I remember it.— Great Expectations (1998) directed by Alfonso Cuarón

Mitch Glazer

Often interfaces are assumed to be synonymous with media itself. But what would it mean to say that “interface” and “media” are two names for the same thing? The answer is found in the remediation or layer model of media, broached already in the introduction, wherein media are essentially nothing but formal containers housing other pieces of media. This is a claim most clearly elaborated on the opening pages of Marshall McLuhan’s Understanding Media. McLuhan liked to articulate this claim in terms of media history: a new medium is invented, and as such its role is as a container for a previous media format. So, film is invented at the tail end of the nineteenth century as a container for photography, music, and various theatrical formats like vaudeville. What is video but a container for film. What is the Web but a container for text, image, video clips, and so on. Like the layers of an onion, one format encircles another, and it is media all the way down. This definition is well-established today, and it is a very short leap from there to the idea of interface, for the interface becomes the point of transition between different mediatic layers within any nested system. The interface is an “agitation” or generative friction between different formats. In computer science, this happens very literally; an “interface” is the name given to the way in which one glob of code can interact with another. Since any given format finds its identity merely in the fact that it is a container for another format, the concept of interface and medium quickly collapse into one and the same thing.

Alexander R. Galloway

I wouldn’t be a good wife, but I would be a wife in a way that was cinematically compelling.

Gabby Bess

He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon.

Steven Millhauser

I look at the world and I see absurdity all around me. People do strange things constantly, to the point that, for the most part, we manage not to see it.

David Lynch

She was born under the sign of Gemini. And that stands for the good and evil twin. Dr. Jekyll and Mr. Hyde both hiding and residing inside her heart. Her good twin was not bad at all. But her evil twin was even better, and showed up to be way too fatal!

Ana Claudia Antunes

Reality is not art, but a realist art is one that can create an integral aesthetic of reality.

André Bazin

There is no end. There is no beginning. There is only the infinite passion of life.

Federico Fellini

Gene [Siskel] often mentioned something François Truffaut once told him: the most beautiful sight in a movie theater is to walk down to the front, turn around, and look at the light from the screen reflected on the upturned faces of the members of the audience.

Roger Ebert

Usually when you see females in movies, they feel like they have these metallic structures around them, they are caged by male energy.

Björk

The Government set the stage economically by informing everyone that we were in a depression period, with very pointed allusions to the 1930s. The period just prior to our last 'good' war. ... Boiled down, our objective was to make killing and military life seem like adventurous fun, so for our inspiration we went back to the Thirties as well. It was pure serendipity. Inside one of the Scripter offices there was an old copy of Doc Smith's first LENSMAN space opera. It turned out that audiences in the 1970s were more receptive to the sort of things they scoffed at as juvenilia in the 1930s. Our drugs conditioned them to repeat viewings, simultaneously serving the ends of profit and positive reinforcement. The movie we came up with stroked all the correct psychological triggers. The fact that it grossed more money than any film in history at the time proved how on target our approach was.''Oh my God... said Jonathan, his mouth stalling the open position.'Six months afterward we ripped ourselves off and got secondary reinforcement onto television. We pulled a 40 share. The year after that we phased in the video games, experimenting with non-narcotic hypnosis, using electrical pulses, body capacitance, and keying the pleasure centers of the brain with low voltage shocks. Jesus, Jonathan, can you *see* what we've accomplished? In something under half a decade we've programmed an entire generation of warm bodies to go to war for us and love it. They buy what we tell them to buy. Music, movies, whole lifestyles. And they hate who we tell them to. ... It's simple to make our audiences slaver for blood; that past hasn't changed since the days of the Colosseum. We've conditioned a whole population to live on the rim of Apocalypse and love it. They want to kill the enemy, tear his heart out, go to war so their gas bills will go down! They're all primed for just that sort of denouemment, ti satisfy their need for linear storytelling in the fictions that have become their lives! The system perpetuates itself. Our own guinea pigs pay us money to keep the mechanisms grinding away. If you don't believe that, just check out last year's big hit movies... then try to tell me the target demographic audience isn't waiting for marching orders. ("Incident On A Rainy Night In Beverly Hills")

David J. Schow

A sex worker deserves a billion times more respect, than the mystical fraudsters of the society, such as astrologers, psychics and tarot card readers.

Abhijit Naskar

A sex worker deserves a billion times more respect, than the mystical fraudsters of the society, such as astrologers, psychics and tarot card readers.

Abhijit Naskar

No other art can compare with cinema in the force, precision, and starkness with which it conveys awareness of facts and aesthetic structures existing and changing within time.

Andrei Tarkovsky

Don't wake me for the end of the world unless it has very good special effects.

Roger Zelazny

Make films that purify the soul with the flow of rational, vigorous and compassionate thinking.

Abhijit Naskar

Use filmmaking for a greater purpose, than to just entertain some drowsy minds. Wake the whole world up with your movies. It has been sleeping for long. Its eternal sleep has become its darkest nemesis. Now is the time to wake it up.

Abhijit Naskar

Take the clapper and become the alarm that the world so desperately needs.

Abhijit Naskar

Whatever genre you deem suitable for your taste – romance, comedy, action, mystery, sci-fi or anything else, make sure it has the plain everyday human kindness.

Abhijit Naskar

Use filmmaking to eliminate racism – use to it terminate misogyny – use it to destroy homophobia and all other primitiveness.

Abhijit Naskar

The art of filmmaking is the most influential form of art that has ever existed throughout the history of human artistic endeavors.

Abhijit Naskar

Filmmaking has the power to fortify the feeble, unify the divided, raise the abandoned and inspire the ignorant.

Abhijit Naskar

A movie is not a movie, it is a potential nuclear furnace of inspiration, courage and conscience.

Abhijit Naskar

Make movies my friend – make nice, inspiring and bold movies that will penetrate the darkest corners of the human mind and illuminate the soul.

Abhijit Naskar

Give people films, they will forget after a few weeks, but give people ideas, they will assimilate them into their consciousness.

Abhijit Naskar

That was horrible. Horrible. That poor little guy."Pex was unrepentant. "Yeah, well, he asked for it. Calling us ... all those things."But---buried alive! That's like in that horror movie. Y'know -- the one with all the horror."I think I saw that one. With all the words going up on the screen at the end?"Yeah, that was it. Tell you the truth, those words kinda ruined it for me.

Eoin Colfer

Cinema is the ultimate pervert art. It doesn't give you what you desire - it tells you how to desire.

Slavoj Žižek

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Cinema Quotes - Page 2

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