Art Quotes - Page 16

The principle of art is to pause, not bypass. The principles of true art is not to portray, but to evoke. This requires a moment of pause--a contract with yourself through the object you look at or the page you read. In that moment of pause, I think life expands. And really the purpose of art--for me, of fiction--is to alert, to indicate to stop, to say: Make certain that when you rush through you will not miss the moment which you might have had, or might still have. That is the moment of finding something which you have not known about yourself, or your environment, about others and about life.

Jerzy Kosiński

I reread these negative remarks and realize that I do not know whether music can despair of music or marble of marble. I do know that literature is an art that can foresee the time when it will be silenced, an art that can become inflamed with its own virtue, fall in love with its own decline, and court its own demise.

Jorge Luis Borges

The measure of a work of art is how much art it has in it, not how much ‘relevance’. Relevant to whom? Relevant to what? Nothing is more ephemeral than a hot topic.

Edward St. Aubyn

Every man's work, whether it be literature, or music or pictures or architecture or anything else, is always a portrait of himself.

Tis true what Hemingway says--if we're lucky enough to live our dreams in youth, as Ernest Hemingway did in 1920's Paris and I did with the Beat poets, then youth's dreams become a moveable feast you take wherever you go--youthful love remains the repast plentiful; exquisite, substantive and good. You can live on happy memories. Eat of them forever.

Alison Winfield Burns

Reagan's failure to become a truly great movie star has been ascribed to project menace, sexuality, or even moral ambiguity.

Literature decays only as men become more and more corrupt.

Johann Wolfgang von Goethe

The mythic voice rising from literature and art allows us to be humane. We are not humane because of political power, or education, or even religion. We are humane because we recognize the humanity of others. The writer and the artist appeal to that humanity. For that reason, literature and art are the bones of civilization.

Jack Cady

My heart was full and uplifted; it seemed that in my soul the question arose whether such things as Art, literature, science encompassed and completed life or whether there was still something in the distance which encompassed it even more completely and filled it with a far greater happiness.

Adalbert Stifter

It’s a powerful moment, when you discover a vocabulary exists for something you’d thought incommunicably unique. Personally, I felt it reading Joseph Conrad’s “Lord Jim.” I have friends who’ve found themselves described in everything from science fiction to detective novels. This self-recognition through others is not simply a by-product of art — it’s the whole point.

Phil Klay

Get thee to the novel! - the novel, that word-woven submarine, piloted by intimation and intuition, that will dive you to the deeps of the heart's maelstrom.

You can't memorize poetry and stay a fake. Sooner or later, you start to understand what these poets are saying, and it makes you feel life has something quite special, with certain layers of meaning to it.

If a novel's salient aim is virtue, I want to throw it against the wall.

For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm. There are not many such books. All the rest is either topical trash or what some call the Literature of Ideas, which very often is topical trash coming in huge blocks of plaster that are carefully transmitted from age to age until somebody comes along with a hammer and takes a good crack at Balzac, at Gorki, at Mann.

Vladimir Nabokov

LatelyI’ve been dreaming about youAbout usSharing our secretsTalking, even if we arguedKept talking, till we sleptMaybe I woke upOn the wrong side of bedMaybe I thought about youJust a little too much

I grow weary of the loveThat lasts for a nightWhen it should be thereThe next sunrise

When my words are concealedWith lies and disguises, truth and beyondInsecurities in the veil of trustBetrayal in bounds of liesIt’s just the charm of words darlingGiving the illusion of happiness inside misery

InsomniaI wonderIf those talks matterFew done in the clarity of dayOr the manyDone at 3 a.m. in the morning

Vladimir Nabokov“... one cannot read a book: one can only reread it. A good reader, a major reader, an active and creative reader is a rereader. And I shall tell you why. When we read a book for the first time the very process of laboriously moving our eyes from left to right, line after line, page after page, this complicated physical work upon the book, the very process of learning in terms of space and time what the book is about, this stands between us and artistic appreciation. When we look at a painting we do no have to move our eyes in a special way even if, as in a book, the picture contains elements of depth and development. The element of time does not really enter in a first contact with a painting. In reading a book, we must have time to acquaint ourselves with it. We have no physical organ (as we have the eye in regard to a painting) that takes in the whole picture and can enjoy its details. But at a second, or third, or fourth reading we do, in a sense, behave towards a book as we do towards a painting. However, let us not confuse the physical eye, that monstrous achievement of evolution, with the mind, an even more monstrous achievement. A book, no matter what it is - a work of fiction or a work of science (the boundary line between the two is not as clear as is generally believed) - a book of fiction appeals first of all to the mind. The mind, the brain, the top of the tingling spine, is, or should be, the only instrument used upon a book.” ― Vladimir Nabokov, Lectures on Literature

Vladimir Nabokov

Half of all the great art and literature in existence went unrecognised during the lifetimes of its creators.

Alastair Reynolds

The topic was eloquence, something Christians had been conflicted about since the first-century church when Paul wrote that in bringing the gospel, he did not come with “eloquence.” A few centuries later, Saint Augustine wrestled with the value of eloquence, associating it with his pagan background and training in Greek rhetoric while simultaneously employing it winsomely in his Christian writings. Such suspicion of beauty and form, whether in art, literature, speech, or human flesh, has shadowed Christian thought throughout the history of the church; sadly so, considering God is the author of all beauty.

Karen Swallow Prior

The curious fact is that biology tells us nothing about desire. And, when you think about it, culture -- novels, movies, opera, and quite a lot of painting -- is about desire, how we manage desire, how we suffer from it, and how it brings us joy when we get things right. A story without desire -- and that means without the insistence of desire -- will be empty, dry, and more or less aimless. That is one reason we read novels, to see how people fall into awkward moral situations and then try to extricate themselves. This is why there is so much anguish in the world: frustrated desire is every bit as miserable as poverty, because desire is no respecter of one’s position in life: everyone goes through it.

Of all the art forms, poetry is the most economical. It is the one which is the most secret, which requires the least physical labor, the least material, and the one which can be done between shifts, in the hospital pantry, on the subway, and on scraps of surplus paper. Over the last few years, writing a novel on tight finances, I came to appreciate the enormous differences in the material demands between poetry and prose. As we reclaim our literature, poetry has been the major voice of poor, working class, and Colored women. A room of one's own may be a necessity for writing prose, but so are reams of paper, a typewriter, and plenty of time.

Publishers are businesses and I don’t blame them for that. If they didn’t make money by publishing books, there wouldn’t be any books.

My thoughts about pornography tend to revolve around the fact that while very few of us are zombies, detectives, cowboys, or spacemen, there are an infinite number of books that are recounting the stories of those lifestyles. However, all of us have some sort of feelings or opinions about sex. And yet the only art form which in any way is able to discuss sex, or depict sex, is this grubby despised under the counter art form, which has absolutely no standards. This was what Lost Girls was intended as a remedy for, that there is no reason why a horny piece of literature, that is purely about sex, could not be as beautiful, as meaningful, and have as absorbing characters as any other piece of fiction.

Young would-be novelists and poets believe that art is eternal. Au contraire: we are in the business of ephemera, the era of floating islands of trash, and most of the things we feel deeply and inscribe on the page will disappear.

Julie Schumacher

Only after a writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, "It is the trade entering his body." The art must enter the body, too.

The writer who develops a beautiful style, but has nothing to say, represents a kind of arrested esthetic development; he is like a pianist who acquires a brilliant technique by playing finger-exercises, but never gives a concert.

Ayn Rand

A cardinal principle of good fiction [is]: the theme and the plot of a novel must be integrated—as thoroughly integrated as mind and body or thought and action in a rational view of man.

Ayn Rand

In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which is not worth contemplating in life, is not worth re-creating in art.

Ayn Rand

He had liked to listen to the exotic (to a Belsey) chatter of business and money and practical politics; to hear that Equality was a myth, and Multiculturalism was a fatuous dream; he thrilled at the suggestion that Art was a gift from God, blessing only a handful of masters, and most Literature merely a veil for poorly reasoned left-wing ideologies.

Our existence has always and everywhere been tragic, but man has converted these numberless tragedies into works of art. I know of nothing more astonishing or more wonderful than this transformation.

A picture is worth a thousand words, but the way I paint I'm going to need to contact an editor. Even if I were to abstractly paint the phrase "I love you," it would be the visual equivalent of Joyce's Ulysses.-James Lee Schmidt and Jarod Kintz

James Lee Schmidt

What people say realistic, may not necessarily the same as what we think. At the end we will know which one Is ourselves, which one is not.

I like the confusion you get between science and religion … that’s where belief lies and art as well.

Remember that "seeing is believing" puts the cart before the horse. Art is the concrete artifact of faith and expectation, the realization of a world that would otherwise be little more than a veil of pointless consciousness stretched over a gulf of mystery.

I am about tribal feminine power. As a leader, I may stumble but my essence lives to the future-- of my people, of my literature, of my art. And when a tribesman turn against its leader, that tribe will become two. It may faulter my course, but it will not stifle my ending. I rule only among my believers.

Kristie LeVangie

... but I believe that music can change a life, because it changed mine.

Charlotte Eriksson

If we don't value the people who inspire us (and money is one mark of that) then what kind of culture are we building?

Positive thinking relates to an art of reasoning with the quality of hope for a better future either in the face of difficulties or in the presence of abundance of opportunities.

Israelmore Ayivor

I grew up in an era that was a golden age of the blockbuster, when something we might call a family film could have universal appeal. That's something I want to see again. In terms of the tone of the film, it looks at where we are as a people and has a universality about human experience.

Christopher J. Nolan

Film photography will always be superior to digital - because no matter how many lasers and instant buttons and HD pixels you've got, a human being can take a photograph with much more integrity and meaning than one a built-in robot took.

We make, see, and love films, not digitals. To convert all of our movies, home videos, theaters, photographs and television to digital would be like telling a painter to throw away his brushes and canvas for an I-Pad. Celluloid isn't just nostalgic, it's an art form and, like it or not, it's superior to digital. It lasts much longer, it provides grain and brighter colors, and it takes more effort so that it produces something wonderful. With the inferior binary codes, pixels and untested shelf-life of digital files, plus the fact that these days anyone with a digital camera, even a two-year-old, can make a video and pollute the world with self-photography and cat pictures, film has a lot more integrity and worth than digital.

Oftentimes she wondered what had happened to super 8. Sure, it made perfect sense that nobody wanted the hassle of spending money on a three-minute cartridge of film and threading it through a projector, but though digital cameras were convenient and cheap, Mandy didn’t care. Super 8 had integrity, it wasn’t just nostalgia, it was art, it was history, it was a little recording medium that somehow possessed the power to evoke lost memories, to turn back time, and there was something dazzling about waiting excitedly for a reel of film to come back in its yellow and red Kodak envelope, eating buttered popcorn while the projector paraded life’s best moments, and capturing something beautiful in only three minutes.

in the corner of the painting of successthe signature is blurred

Kelli Russell Agodon

We create our own reality. The blessing (or problem) with this is that when one creates one's own reality, one must live it! Are you living a blessing or is it a curse?

She has given me a way out.

If it aint broke, break it. Then build something better.

Jonathan Culver

Innate in nearly every artistic nature is a wanton, treacherous penchant for accepting injustice when it creates beauty and showing sympathy for and paying homage to aristocratic privilege.

There is nothing in the world which an artist cannot recreate into something poetic, ennobling. And why do we read these things? They are not facts, they do not improve our business skills, our techniques in manufacturing goods, the management of a home. That is what most of you will be doing anyway. We read these because they teach us about people, we can see ourselves in them, in their problems. And by seeing ourselves in them, we clarify ourselves, we explain ourselves to ourselves, so we can live with ourselves…

F. Sionil Jose'

The most beautiful work of art that we can create is this life.

At least I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had. Not to preach to them, but to give it to them if they cared to hear it.

With cold eyes and indifferent mind the spectators regard the work. Connoissers admire the "skill" (as one admires a tightrope walker), enjoy the "quality of painting" (as one enjoys a pasty). But hungry souls go hungry away. The vulgar herd stroll through the rooms and pronounce the pictures "nice" or "splendid." Those who could speak have said nothing, those who could hear have heard nothing.

Wassily Kandinsky

Just as no monkey is as good-looking as the ugliest of humans, no academic is worthier than the worst of the creators

Nassim Nicholas Taleb

Art for Art’s Sake is for the well fed. The well fed are all the babies in cradles and my kitty along with them, and I am happy if my writings are for my kitty.

The basket would never make her famous or end up in a museum. The best part of it was the making of it, sitting at the table weaving while outside the lake crashed into shore and the seagulls roosted somewhere for the night and two women stopped for a moment to watch.

If it’s a pure expression of yourself no matter what it is or what medium, it’s going to shine. It’s going to resonate. You could look inside of yourself and you could have a canvas and you could paint a dot in it, but if that is where your creative purpose is taking you then it needs to be that dot.

No matter how hard they try, they'll never create anything so perfectly beautiful as what plays out in my own imagination.

Richelle E. Goodrich

One should not confuse creativity with whining.

Silvia Hartmann

One is either an artist or one is not. It is not something one becomes. It is something that one is from birth. We do not study to be artists. We study to become more proficient. To understand more.

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