Allegory Quotes

The calf is capable of walking quite well now," Dazu said. "He never stumbles.""But I told you to carry him back here," the teacher said. "The first thing a soldier must learn is to obey orders."Every day, the calf grew a little heavier, and every day, Dazu had to struggle a little harder. He would collapse, exhausted, when he finally got to the ranch, and the calf would bound out of his arms, glad to be able to walk on his own and stretch out.When winter rolled around again, Médo handed him a wooden sword and asked him to strike as hard as he could at the practice dummy. Dazu looked with distaste at the crude weapon with no edge, but he swung obediently.The wooden dummy fell in half, cut clean through. He looked at the sword in his hand with wonder."It's not the sword," his teacher said. "Have you looked at yourself lately?" He brought Dazu to stand in front of a brightly polished shield.The young man could hardly recognize the reflection. His shoulders filled the frame of the mirror. His arms and thighs were twice as thick as he remembered, and his chest bulged over his narrow waist."A great warrior trusts not his weapons, but himself. When you possess true strength, you can deal a killing blow even if all you have is a blade of grass."Now you're finally ready to learn from me. But first, go thank the calf for making you strong.

Ken Liu

On this material plane, each living being is like a street lantern lamp with a dirty lampshade.The inside flame burns evenly and is of the same quality as all the rest—hence all of us are equal in the absolute sense, the essence, in the quality of our energy.However, some of the lamps are “turned down” and having less light in them, burn fainter, (the beings have a less defined individuality, are less in tune with the universal All which is the same as the Will)—hence all of us are unequal in a relative sense, some of us being more aware (human beings), and others being less aware (animal beings), with small wills and small flames.The lampshades of all are stained with the clutter of the material reality or the physical world.As a result, it is difficult for the light of each lamp to shine through to the outside and it is also difficult to see what is on the other side of the lampshade that represents the external world (a great thick muddy ocean of fog), and hence to “feel” a connection with the other lantern lamps (other beings).The lampshade is the physical body immersed in the ocean of the material world, and the limiting host of senses that it comes with.The dirt of the lampshade results from the cluttering bulk of life experience accumulated without a specific goal or purpose.The dirtier the lampshade, the less connection each soul has to the rest of the universe—and this includes its sense of connection to other beings, its sense of dual presence in the material world and the metaphysical world, and the thin connection line to the wick of fuel or the flow of electricity that resides beyond the material plane and is the universal energy.To remain “lit” each lantern lamp must tap into the universal Source of energy.If the link is weak, depression and-or illness sets in.If the link is strong, life persists.This metaphor to me best illustrates the universe.

Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.

Ô, the wine of a womanfrom heaven is sent, more perfect than allthat a man can invent.When she came to my bed and begged me with sighsnot to tempt her towards passion nor actions unwise, tI told her I’d spare her and kissed her closed eyes, then unbraided her body of its clothing disguise.While our bodies were nude bathed in candlelight fineI devoured her mouth, tender lips divine;and I drank through her thighs her feminine wine.Ô, the wine of a woman from heaven is sent,more perfect than all that a man can invent.

The world is a book and those who do not travel read only one page.

Augustine of Hippo

Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.

Ernest Hemingway