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Maybe it’s a whole lot less about focusing on the fact that we’re all victims and a whole lot more about the changing the fact that we’re all careless, as that is what victimized all of us in the first place.
Craig D. Lounsbrough
The real promise in too many promises is a promise that I’m going to be disappointed.
Craig D. Lounsbrough
Whatever the depth of our darkness, God navigated it eons before it was dark. And whatever the duration of our nights, God was there long before it ever turned to night. Therefore, despite our frequent feelings to the contrary, there is no place we might be where God was not lovingly waiting for us an eternity before we got there.
Craig D. Lounsbrough
If economies collapse and lawlessness rules and resources are scarce, many people who claim with their mouths that they follow Jesus... will abandon him with their lives.
Brandon Andress
She leaves my side and heads deeper intothe apartment singing, “—if the spirit tries to hide, its temple far away… acopper for those they ask, a diamond for those who stay.
Nathan Reese Maher
I bought this place for a pittance, because it was a dump. Rejected, abandoned, unwanted. Like me. I fixed it up. Made it mine.
Jasinda Wilder
I tend to walk around convinced that any amount of forgiveness that I could extend could never possibly compensate for the offenses that I’ve had to endure. Yet, maybe the greater offense is that I’ve got that backwards.
Craig D. Lounsbrough
It’s really a rather simple thing to bring balance to my anger. All I need to do is remember that the ‘hand of cards’ that have been dealt to me pale in comparison to the ‘deck of cards’ that I’ve thrown at others.
Craig D. Lounsbrough
When we step onto the bridge, Nathan turns and spreads his arms out wide. ‘Welcome to Pont des Arts, a.k.a. The Lock Bridge.
Ashley Earley
The boy took my sketchbook.
Ashley Earley
I head in the direction of the Eiffel Tower when I exit the alley, relieved to be out of the dark.
Ashley Earley
He smirks, shaking his head and letting his eyes wander. I watch him carefully, wondering what I can say to get him to leave. “I’m not leaving until you answer some questions. Plus, I’m holding your sketchbook hostage, so you might want to cooperate.” I raise an eyebrow at him. I guess there isn’t much I can say. “This isn’t a hostage negotiation.” He chuckles half-heartedly as his eyes take me in, almost sizing me up. “I guess I should introduce myself.” He holds a hand out for me to shake. “I’m Nathan.” I stare at his hand for a moment. “Taylor,” I reply, meeting his eyes again without taking his hand. He lets his hand fall back to his side. “At least I got you to say something non-hostile.” “I haven’t been hostile,” I object. His eyebrows shoot up. “Oh, haven’t you?” “Why don’t you leave me alone?” I snap. “Leave and don’t come back.” I move passed him, heading for my apartment. He can’t follow and annoy me if I lock the door. “Where are you going?” he demands. I look back over my shoulder and roll my eyes at him, indicating the answer should be obvious: anywhere he isn’t. Once inside, I slam the door behind me. “That was totally not hostile!” he calls after me, sarcastically. I quickly head for my bedroom door, slamming it, too.
Ashley Earley
I grab the nearest lamppost when my knees threaten to give out, panting for breath as the words rip through me
Ashley Earley
One of his hands move away from my face to flatten against my back, pulling me closer to him as he deepens the kiss. He parts my lips under his as my mind seems to sign quietly in content. I kiss him back as fiercely as he kisses me, unable to control the infatuation that rushes through me - feeling almost like fireworks. Not so careful anymore.Little shivers of urgency shoot through me. I push off the window, pressing closer to him. The rush of sensation that is coursing through me feels like I've drunk a gallon of coffee. It feels like an electric buzz is flooding between us.
Ashley Earley
He drinks his coffee tentatively, glancing at me every few seconds, watching me. Every time he glances in my direction, I quickly turn away though he obviously knows I'm watching him. I know he's wondering why I'm staring at him, but he doesn't ask.I finally take a sip of coffee, set the mug back on the table, and voice what's on my mind, "I want to draw you.
Ashley Earley
The paralyzing fear of being lost is fed solely by the irrational fear that we will never be found.
Craig D. Lounsbrough
She could spin it between her legs, skip with it, twirl it around her neck and transfer it from one arm to the other. Shelly hooped because she enjoyed it; it calmed her whenever she would have an argument or a bad day at school, and it also allowed her to think. Today, she needed to hoop more than ever.
Nathan Reese Maher
Somehow her hula hoop had cut into the driver’s side door like the vehicle was made of cheese.
Nathan Reese Maher
Shelly shook her head and made sure she had plenty of space so that she wouldn’t hit anything. As many times before, she kept the hoop close to her waist and then twirled it with small, tight bursts of speed. As the hoop gathered in momentum it started to give off a hum that soon took on a light blue illumination far brighter than the streetlamps. It was so bright, that it lit up the entire backyard.
Nathan Reese Maher
The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.
Nathan Reese Maher
Because I am, just as you are you. We don’t always get to pick who we are, Shelly Wynn, but we can choose to celebrate it.
Nathan Reese Maher
There’s nothing wrong with you at all. Sometimes people say or do things that are mean because there's something the matter with them. With Lydia, it seems there’s always something wrong with her.
Nathan Reese Maher
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