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Image of the quote is loading... SaveSave The most effective way of destroying art is the canonization of one given form. And one philosophy. - Quote by Yevgeny Zamyatin

The most effective way of destroying art is the canonization of one given form. And one philosophy.

Yevgeny Zamyatin
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So, take the idea of "rights" and drip some acid on it. Even the most adult of the Ancients knew: the source of a right is power, a right is a function of power. Take two trays of a weighing scale: put a gram on one, and on the other, put a ton. On one side is the "I", on the other is the "WE", the One State. Isn't it clear? Assuming that "I" has the same "rights" compared to the State is exactly the same thing as assuming that a gram can counterbalance a ton. Here is the distribution: a ton has rights, a gram has duties. And this is the natural path from insignificance to greatness: forget that you are a gram, and feel as though you are a millionth part of the ton...
Yevgeny Zamyatin
But you can't plead with autumn. No. The midnight wind stalked through the woods, hooted to frighten you, swept everything away for the approaching winter, whirled the leaves. ("The North")
Yevgeny Zamyatin
Do you believe that you will die? Yes, man is mortal, I am a man, ergo... No, that isn't what I mean. I know that you know that. What I'm asking is: Have you ever actually believed it, believe it completely, believe not with your mind but with your body, actually felt that one day the fingers now holding this very piece of paper will be yellow and icy...?
Yevgeny Zamyatin
More wine for me, pour me some more!" t"You smart girl, I knew you're a smart girl, just teasing...” tFaces turn red, the dark earth blood is rising. tThey wink at Pelka, wink at the host: "He knows his goods!" The women feel the buttons constricting them - they undo one, another, a third. By twos the guests go outside to get some air.t"Well, my dear guests, are you soaked to the gills? Eh? And now-to dance! Get lively!"tThe table and the chairs vanish. The middle of the room is empty. Ivan the Monk jumps out of his hole, a tambourine in his hands: "Tim-ta-a-am! Tim-ta-a-am!"t“Eh-hey!" the redhead suddenly snatches the tambourine and sweeps off, tapping wildly in a circle. Eyes closed: a white sleepless sun-a white night on the meadow-white columns of smoke swaying over fires...t"Eh-ah!"-to whirl herself to death, to whirl out everything, to empty herself - nothing has ever been...tHeavy boots are thumping on the floor, beards fly in the wind, the frock-coat tails go flying... hey, get going, faster, faster - a hundred versts an hour! ("The North")
Yevgeny Zamyatin
In the widely open cup of the armchair was I-330. I, on the floor, embracing her limbs, my head on her lap. We were silent. Everything was silent. Only the pulse was audible. Like a crystal I was dissolving in her, in I-330. I felt most distinctly how the polished facets which limited me in space were slowly thawing, melting away. I was dissolving in her lap, in her, and I became at once smaller and larger, and larger, unembraceable. For she was not she but the whole universe. For a second I and that armchair near the bed, transfixed with joy, we were one.
Yevgeny Zamyatin
They say there is a kind of flower that blooms only once a century, Then couldn't there be one that flowers only once every thousand years - or once every ten thousand years? Maybe there are and we just don't know it because today is itself that once-in-a-thousand-year moment.
Yevgeny Zamyatin
Gripped with bitter cold, ice-locked, Petersburg burned in delirium. One knew: out there, invisible behind the curtain of fog, the red and yellow columns, spires, and hoary gates and fences crept on tiptoe, creaking and shuffling. A fevered, impossible, icy sun hung in the fog - to the left, to the right, above, below - a dove over a house on fire. From the delirium-born, misty world, dragon men dived up into the earthly world, belched fog - heard in the misty world as words, but here becoming nothing - round white puffs of smoke. The dragon men dived up and disappeared again into the fog. And trolleys rushed screeching out of the earthly world into the unknown. ("The Dragon")
Yevgeny Zamyatin
The moon, our own, earthly moon is bitterly lonely, because it is alone in the sky, always alone, and there is no one to turn to, no one to turn to it. All it can do is ache across the weightless airy ice, across thousands of versts, toward those who are equally lonely on earth, and listen to the endless howling of dogs. (“A Story About The Most Important Thing”)
Yevgeny Zamyatin
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