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[On one of his comrades depicted in the book:]”Sasha was my friend … Like me, he was 19. But he didn’t come home. He was killed 12 hours after this photo was taken.

Vladislav Tamarov
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On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems.And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.
Vladislav Tamarov
Someone once said that a minesweeper makes only two mistakes: the first is when he decides to be one. The second …
Vladislav Tamarov
There's nothing I can do to erase the shadow of misery and despair from the eyes looking back at me from the photos [that I took in Afghanistan].
Vladislav Tamarov
When I came home, I was asked to put my pictures in a photo exhibit at the Cinematography College ... my pictures won first prize. I began to ask myself what I was doing, and why. A few months after the exhibit, I dropped out of college, left my wife and began to write this book.
Vladislav Tamarov
The photos I took in Afghanistan are lying in front of me. I peer into the faces of those who were with me there and who are so far away from me now, into the faces of those who were dying right next to me and those who were hiding behind my back. I can make these photos larger or smaller, darker or lighter. But what I can't do is bring back those who are gone forever.
Vladislav Tamarov
When you live next to death ... you don't think about it anymore, you just try to encounter it as seldom as possible.
Vladislav Tamarov
In forty minutes, people will be shooting at these 19 year old boys. And they will shoot back, and they will kill. That is the law of war: if you don’t kill first, they’ll kill you. We didn’t invent this law.But having landed in a war, we have to live by its rules. And the quicker you learn the rules, the longer you have to live by them. You don’t think about whether you are defending someone’s revolution or defending the ‘southern borders of the motherland’. You simply shoot at those who are shooting at you and at your friend behind you – you shoot at the guys whose mines blew away your friend yesterday.
Vladislav Tamarov
By 1989, the total number of Vietnam veterans who had died in violent accidents or by suicide after the war exceeded the total number of American soldiers who died during the war.
Vladislav Tamarov
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