We must change life,’ the poet [Rimbaud] had written, and so the Situationists set out to transform everyday life in the modern world through a comprehensive program that included above all else the construction of ‘situations’ — defined in 1958 as moments of life ‘concretely and deliberately constructed by the collective organization of a unitary ambiance and a play of events’ — but that also necessary entailed the supersession of philosophy, the realization of art, the abolition of politics, and the fall of the ‘spectacle-commodity economy.

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