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In my typical way, I declined to respond, saying that I didn’t want anyone to run to a store just because I endorsed a trend. Besides, a trend is good only if it works for you, your wardrobe, and your lifestyle.

Tim Gunn

In my typical way, I declined to respond, saying that I didn’t want anyone to run to a store just because I endorsed a trend. Besides, a trend is good only if it works for you, your wardrobe, and your lifestyle.

Tim Gunn
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The work is at such a high level and is so well executed, it really is a matter of taste... [Source: Project Runway — but consider, applied to the theme of book reviews, it seems apropos!]
Tim Gunn
Speaking of high-end shoe designers, in 2011 it was fascinating to see the design company of Christian Louboutin try to stop the company Yves Saint Laurent from producing high heels with red soles, claiming that Louboutin was the originator of the red sole. Louboutin lost, and I was glad. He was not the first person to paint a sole, and I am wary of patenting a color, like Tiffany blue. Why should we grant that entire history to Louboutin and say there are no predecessors and should be no successors?
Tim Gunn
I love the word 'fashion.' That's why I'm using it in the title of this book. Fashion is about change and about creating clothes within a historical context. To me, dismissing fashion as silly or unimportant seems like a denial of history and frequently a show of sexism—as if something that's traditionally a concern of women isn't valid as a field of academic inquiry. When the Parsons fashion department was founded in 1906, it was called 'costume design,' because fashion was then a verb: to fashion. But the word 'fashion' has evolved to mean something much more profound, and those who resist it seem to me to be on the wrong side of history.
Tim Gunn
A T-shirt is a T-shirt. Spending hundreds of dollars on it doesn't elevate it. He was under-dressed, even if his casual outfit did cost more than my suit and tie.I once had another fashion victim tell me, 'This T-shirt cost twelve thousand dollars!'What difference does that make? If that's the message you want to send about yourself and your fashion sense, you should wear the price tag, or that should be the message on your T-shirt: 'Hi. This T-shirt costs more than a semester of college.' Or: 'Hi. I have money to burn. Please help me get rid of all this wealth.' And my shirt, in turn, would say, 'Great. Please write a $12,000 check to charity.
Tim Gunn
Whether they come from Brooks Brothers or a thrift store, the sweaters we wear have a magnificent ancestry. Their history spans the worlds of Irish fishermen, French knights, World War I soldiers, busty Hollywood 'sweater girls,' and the television saint Mr. Rogers. That history lives in each garment. By being aware of it, we can better appreciate what we have.
Tim Gunn
In 1916, Infants' and Children's Wear Review insisted upon pink for boys and blue for girls. In 1939, Parents magazine claimed that pink was a good color for boys because it was a pale version of red, which was the color of Mars, the war god. Blue was good for girls because it was the color of Venus, and of the Virgin Mary. So, pink for girls is a relatively recent trend, and utterly random.
Tim Gunn
The message sent by this policy is that if women are to be accepted into the exclusive ranks of men, then they have to look like men: buttoned up, stuffy, and no-nonsense. As if to show a little cleavage, to highlight a curvaceous figure, or to in any way appear feminine would discount, discredit, and disqualify them.I strongly disagree with this idea. I feel that women should wear clothes that suit their bodies rather than forcing themselves into unflattering men's suits and that it is feminist to make a wide range of women's clothes acceptable business attire.
Tim Gunn
I would certainly rather the industry not go broke, but if that's what it takes for everyone to acquire some values and lose that sense of entitlement, maybe a little belt-tightening wouldn't be so tragic.
Tim Gunn
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