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Jimi on the box, thirty stories up, everything immediate, yet distanced. Jimi’s chords locked in aerial dogfights, gliding, riding, sliding, hiding, belligerent bursts, hallucinogenic, a head-warping face-wiping mind melt, chords live dive bombers screaming in for the kill, scintillating, serrated chords shot through with arc-light shrieks of staccato mayhem, as immediate and horrific as the firefight racketing away this very second below our red and puffy eyes; chords that hang in the air like the retinal reflection of an eerie afterburn, the stars displaced and the smell of a world that burned. Overhead, night birds flying, Huey, Apache, Chinook, whooshing with murderous potential. And over everything – every apocalyptic bang, boom, and rattle – Jimi, bleating like Braxton and bonding with the bombast.
