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Image of the quote is loading... SaveSave My optimism? Where I grew up our principal cultural expression was the funeral. Whatever keeps me going, it isn't optimism. - Quote by Robert Stone

My optimism? Where I grew up our principal cultural expression was the funeral. Whatever keeps me going, it isn’t optimism.

Robert Stone
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There were icons of the Magdalen on the walls and paintings in the Western manner, all kitsch, trash. Mary M., Lucas thought, half hypnotized by the chanting in the room beside him; Mary Moe, Jane Doe, the girl from Migdal in Galilee turned hooker in the big city. The original whore with the heart of gold. Used to be a nice Jewish girl, and the next thing you know, she's fucking the buckos of the Tenth Legion Fratensis, fucking the pilgrims who'd made their sacrifice at the Temple and were ready to party, the odd priest and Levite on the sly."Maybe she was smart and funny. Certainly always on the lookout for the right guy to take her out of the life. Like a lot of whores, she tended towards religion. So along comes Jesus Christ, Mr. Right with a Vengeance, Mr. All Right Now! Fixes on her his hot, crazy eyes and she's all, Anything, I'll do anything. I'll wash your feet with my hair. You don't even have to fuck me.
Robert Stone
But Moby-Dick is the explanation of America. It’s not just a novel. It is a book of prophecy. It is the book. It is the book of America.
Robert Stone
The border between the State of Israel and the occupied Gaza Strip had always reminded him of the line between Tijuana and greater San Diego. There, too, ragged men the color of earth waited with the mystical patience of the very poor on the pleasure of crisply uniformed, well-nourished officials. Some months before, Lucas had come down for the dawn shape-up at the checkpoint, and he had not forgotten the drawn faces in the half-light, the terrible smiles of the weak, straining to make themselves agreeable to the strong.
Robert Stone
The scene is a writer's study, shabby, drafty but tax-deductible. The writer is reading the last hundred pages of his work in progress. For the past fifty or so, a kind of slow terror has been rising in his breast. All these pages had seemed necessary. They contain many good things. Ironies. Insights. And yet they seem to have a certain ineffable unsatisfactoriness. There is a word to describe this quality, the writer thinks, a horrible word. The B word. He begins to strike his forehead with a sweaty palm.
Robert Stone
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