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Image of the quote is loading... SaveSave Dying for love might be pitiable, but it wasn't much different, finally, from any other kind of dying. - Quote by Richard Yates

Dying for love might be pitiable, but it wasn’t much different, finally, from any other kind of dying.

Richard Yates
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He found it so easy and so pleasant to cry that he didn’t try to stop for a while, until he realized he was forcing his sobs a little, exaggerating their depth with unnecessary shudders.…The whole point of crying is to quit before you coined it up. The whole point of grief itself was to cut it out while it was still honest, while it still meant something. Because the thing was so easily corrupted
Richard Yates
He's been living on the fringes of art for so many years, talking and talking about it, that he's come to expect all the prerogatives of being an artist without ever doing the work. I mean he's an art bum...
Richard Yates
I still had this idea that there was a whole world of marvelous golden people somewhere, as far ahead of me as the seniors at Rye when I was in the sixth grade; people who knew everything instinctively, who made their lives work out the way they wanted without even trying, who never had to make the best of a bad job because it never occured to them to do anything less then perfectly the first time. Sort of heroic super-people, all of them beautiful and witty and calm and kind, and I always imagined that when I did find them I'd suddenly know that I Belonged among them, that I was one of them, that I'd been meant to be one of them all along, and everything in teh meantime had been a mistake; and they'd know it too. I'd be like the ugly duckling among the swans.
Richard Yates
Do you know what the definition of insane is? Yes. It’s the inability to relate to another human being. It’s the inability to love.
Richard Yates
As a writer, I like the list of "things to strive for" that Richard Yates kept above his typewriter:genuine claritygenuine feelingthe right wordthe exact English sentencethe eloquent detailthe rigorous dramatization of story
Richard Yates
Our ability to measure and apportion time affords an almost endless source of comfort.“Synchronise watches at oh six hundred,” says the infantry captain, and each of his huddled lieutenants finds a respite from fear in the act of bringing two tiny pointers into jeweled alignment while tons of heavy artillery go fluttering overhead; the prosaic, civilian looking dial of the watch has restored, however briefly, an illusion of personal control. Good, it counsels, looking tidily up from the hairs and veins of each terribly vulnerable wrist; fine: so far, everything’s happening right on time…“Oh, let me see now,” says the ancient man, tilting his withered head to wince and blink at the sun in bewildered reminiscence, “my first wife passed away the spring of -” and for a moment he is touched with terror. The spring of what? Past? Future? What is any spring but a mindless rearrangement of cells in the crust of the spinning earth as it floats in endless circuit of its sun? What is the sun itself but one of a billion insensible stars forever going nowhere into nothingness? Infinity! But soon the merciful valves and switches of his brain begin to do their tired work, and “The spring of Nineteen-Ought-Six,” he is able to say. “Or no, wait-” and his blood runs cold again as the galaxies revolve. “Wait! Nineteen-Ought — Four.”… He may have forgotten the shape of his first wife’s smile and the sound of her voice in tears, but by imposing a set of numerals on her death, he has imposed coherence on his own life and on life itself… “Yes sir,” he can say with authority, “nineteen-Ought-Four,” and the stars tonight will please him as tokens of his ultimate heavenly rest. He has brought order out of chaos.
Richard Yates
Never say anything that doesn't improve on silence.
Richard Yates
if you wanted to do something absolutely honest, something true, it always turned out to be a thing that had to be done alone.
Richard Yates
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