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Image of the quote is loading... SaveSave You know what I regret the most?” Trinity says, her voice just above a whisper.tI don’t answer. All I can think about is how crappy it is that my fourteen-year-old sister already has regrets. - Quote by Paula Stokes

You know what I regret the most?” Trinity says, her voice just above a whisper.tI don’t answer. All I can think about is how crappy it is that my fourteen-year-old sister already has regrets.

Paula Stokes
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Our “protective bubbles”—our houses, our cars, our friends, our online identities—might make us feel secure, but most of it’s just an illusion. It’s easy to get hurt, just like it’s easy to hurt other people.
Paula Stokes
There are so many different ways for someone to say your name. I’m not sure I ever realized that before I met Jesse. Prior to him, it was just Rose calling out to me with love and affection or Gideon relaying his quiet approval or disapproval. Crisp, clear notes. When Jesse says my name, it’s a chord, a mash-up of several intense emotions all reflected in two syllables.
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The truth never hurts worse than finding out someone you care about lied to you.
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But if you want him, you might have to fight for him." I let my head fall to the tabletop. "For the love of all that is dead and Chinese, please, no more fighting. This army needs a break.
Paula Stokes
Standing up for yourself is about more than flinging barbed-wire insults around. Its about picking your battles, knowing when to fight, knowing exactly what and who is worth fighting for.
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Jesse and I might as well be caught in a snow globe. Tonight is just a single perfect moment trapped in glass. Tomorrow our protective bubble will be shattered.
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I can’t seem to wipe away the blood. I rub my hands against my nightgown, but traces of the red remain, staining the lines of my palms and the crescents beneath my fingernails. I wipe harder, gathering and bunching the soft cotton inside my fists. The fabric has been slit up the center and for a moment I worry that I’ve been cut, that maybe the blood is my own. I try to ask what’s happening, but there’s a mask over my mouth and nose. Suddenly it hits me—I’m in an ambulance.I don’t remember how I got here.
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I dream of a small room and a man with one eye. Blood seeps like scarlet tears from his empty socket. I turn away and the room becomes a hallway that becomes a stairway that becomes a roof. The wind tugs at my body; the sky tries to wrap me in stars. Below me, a gazebo glows with red light. A line of black cars crawls like cockroaches through the streets. An air conditioner exhaust fan chitters angrily near the roof’s edge, one of its blades bent just enough to scrape against the side of the casing. For a second I let the wind push me close enough to the fan’s razor- sharp blades that a lock of my hair gets snipped and sent out into the night. As it twists and flutters toward the gazebo, I think about just letting go, letting the breeze carry my body into the whirling blades, the wind scattering pieces of me throughout the city. Blood and flesh seeping into the cracked pavement. Flowers blooming wherever I land.
Paula Stokes
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