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Image of the quote is loading... SaveSave I hear her slip into bed with him, and I hear everything that happens after that. Sex is such a strange and sloppy business, why bother to recount every slurp and moan that ensued? Tom and Honey deserve their privacy, and for that reason I will end my report of the night's activities here. If some readers object, I ask them to close their eyes and use their imaginations. - Quote by Paul Auster

I hear her slip into bed with him, and I hear everything that happens after that. Sex is such a strange and sloppy business, why bother to recount every slurp and moan that ensued? Tom and Honey deserve their privacy, and for that reason I will end my report of the night’s activities here. If some readers object, I ask them to close their eyes and use their imaginations.

Paul Auster
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These are treacherous times, and I know how easily perceptions can be twisted by a single word spoken into the wrong ear. Impugn a man's character, and everything that man does is made to seem underhanded, suspect, fraught with double motives.
Paul Auster
Every life is inexplicable, I kept telling myself. No matter how many facts are told, no matter how many details are given, the essential thing resists telling. To say that so and so was born here and went there, that he did this and did that, that he married this woman and had these children, that he lived, that he died, that he left behind these books or this battle or that bridge – none of that tells us very much.
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Bit by bit, I found myself relaxing into the conversation. Kitty had a natural talent for drawing people out of themselves, and it was easy to fall in with her, to feel comfortable in her presence. As Uncle Victor had once told me long ago, a conversation is like having a catch with someone. A good partner tosses the ball directly into your glove, making it almost impossible for you to miss it; when he is on the receiving end, he catches everything sent his way, even the most errant and incompetent throws. That’s what Kitty did. She kept lobbing the ball straight into the pocket of my glove, and when I threw the ball back to her, she hauled in everything that was even remotely in her area: jumping up to spear balls that soared above her head, diving nimbly to her left or right, charging in to make tumbling, shoestring catches. More than that, her skill was such that she always made me feel that I had made those bad throws on purpose, as if my only object had been to make the game more amusing. She made me seem better than I was, and that strengthened my confidence, which in turn helped to make my throws less difficult for her to handle. In other words, I started talking to her rather than to myself, and the pleasure of it was greater than anything I had experienced in a long time.
Paul Auster
(...) Taking the journalist's vow of impartiality and objectivity was not unlike joining an order of monks and spending the rest of your life in a glass monastery - removed from the world of human affairs even as it continued to whirl around you on all sides. To be a journalist meant you could never be the person who tossed the brick through the window that started the revolution. You could only watch the man toss the brick, you could try to understand why he had tossed the brick, you could explain to others what significance the brick had in starting the revolution, but you yourself could never toss the brick or even stand in the mob that was urging the man to throw it.
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There it was: a full confession. Sherlock Holmes had done it again, and as I marveled at my devastating powers of deduction, I wished there had been two of me so I could have patted myself on the back. I know it sounds arrogant, but how often does one achieve a mental triumph of that magnitude? After listening to her speak just two words, I had nailed the whole bloody thing. If Watson had been there, he would have been shaking his head and muttering under his breath.
Paul Auster
You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one.
Paul Auster
A lot of film people are like that– especially the ones below the line, the blue-collar guys, the grunts. They like putting their hands on the equipment and getting it to do things for them. It's not about art or ideas. It's about working at something and making it come out right.
Paul Auster
The world is governed by chance. Randomness stalks us every day of our lives.
Paul Auster
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