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Image of the quote is loading... SaveSave He wore his medals. He had a surprising number of them, the real kind, not the ones you got for turning up. Although turning up was no mean thing, some days. - Quote by Nick Harkaway

He wore his medals. He had a surprising number of them, the real kind, not the ones you got for turning up. Although turning up was no mean thing, some days.

Nick Harkaway
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Modernism isn't a design ethos any more, it's an economy of scale, and a marketing tool to sell the ordinary as something special, the sexless as erotic. A technological device without a specific, personalized identity has a subtext: it asserts the value of instrumentality. Its design is a reflection of its role... The anonymity of these objects is part of what they are: interchangeable commodities whose uniqueness in so far as they possess any is created by what is done with them. Function is an identity. And that identity is something we are encouraged to incorporate into our perception of self, that anonymity is proposed as something to emulate. Whimsy and uniqueness are indulgences.
Nick Harkaway
You end up with a machine which knows that by its mildest estimate it must have terrible enemies all around and within it, but it can't find them. It therefore deduces that they are well-concealed and expert, likely professional agitators and terrorists. Thus, more stringent and probing methods are called for. Those who transgress in the slightest, or of whom even small suspicions are harboured, must be treated as terrible foes. A lot of rather ordinary people will get repeatedly investigated with increasing severity until the Government Machine either finds enemies or someone very high up indeed personally turns the tide... And these people under the microscope are in fact just taking up space in the machine's numerical model. In short, innocent people are treated as hellish fiends of ingenuity and bile because there's a gap in the numbers.
Nick Harkaway
This place does not feel like my country. It feels like countries I have read about where things are very bad. It feels, in fact, like exactly the kind of thing we were protesting against, but we thought it was elsewhere. It is not heartening to find that it has come to us.
Nick Harkaway
Joe Spork opens the door. The man departs. Joe turns to Polly to say something about how they’re obviously not going to Portsmouth, and finds an oyster knife balanced on his cheek, just under his eye.“Can we be very clear,” Polly Cradle murmurs, “that I am not your booby sidekick or your Bond girl? That I am an independent supervillain in my own right?”Joe swallows. “Yes, we can,” he says carefully.“There will therefore be no more ‘Say hello, Polly’?”“There will not.
Nick Harkaway
Another important consequence in the arrival of digital technology and its facilitation of feedback is that we can look at large systems and recognize them once more not only as part of ourselves, but also as components that can change... Now, though, we live in a world where text is fluid, where is responds to our instructions. Writing something down records it, but does not make it true or permanent. So why should we put up with a system we don't like simply because it's been written somewhere?
Nick Harkaway
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