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Image of the quote is loading... SaveSave End of story. ‘Happily ever after’ fell on everyone like a guillotine’s blade. - Quote by Michael Cunningham

End of story. ‘Happily ever after’ fell on everyone like a guillotine’s blade.

Michael Cunningham
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It’s the country that would have him, since he lacked the necessary papers for more promising places.
Michael Cunningham
He could see himself selling himself as a compelling mutation, a young god, proud to the point of sexy arrogance of his anatomical deviation: ninety percent thriving muscled man-flesh and ten percent glorious blindingly white angel
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This love of theirs, with its reassuring domesticity and its easy silences, its permanence, has yoked Sally directly to the machinery of mortality itself. Now there is a loss beyond imagining.
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She pauses several treads from the bottom, listening, waiting; she is again possessed (it seems to be getting worse) by a dream-like feeling, as if she is standing in the wings, about to go onstage and perform in a play for which she is not appropriately dressed, and for which she has not adequately rehearsed.
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A stray fact: insects are not drawn to candle flames, they are drawn to the light on the far side of the flame, they go into the flame and sizzle to nothingness because they're so eager to get to the light on the other side.
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Barret thinks- he thinks, briefly- of turning around and leaving the park; of being, this time, the vanisher, the man who leaves you wondering, who offers no explanation, not even the sour satisfaction of a real fight; who simply drifts away, because (it seems) there's affection and there's sex but there's no urgency, no little hooks clasping little eyes; no binding, no dogged devotions, no prayers for mercy, not when mercy can be so easily self-administered. What would it be like, Barrett wonders, to be the other, the man who's had the modest portion he thinks of as enough, who slips away before the mess sets in, before he's available to accusation and recrimination, before the authorities start demanding of him When, and Why, and With Whom
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I was not ladylike, nor was I manly. I was something else altogether. There were so many different ways to be beautiful.
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Tyler. His handsome, lion-eyed ravagement. His capacity for devotion. Which is so sexy. Why do so many gay men lack that? Why are they so distracted, so in love with the idea of more and more and then more, again?
Michael Cunningham
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