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consistent affection for his characters is what sets Tolstoy apart. Flaubert is equally “objective,” he says, but “Flaubert’s objectivity is charged with irritability and Tolstoy’s with affection. For Flaubert everyone and everything is somehow at fault. For Tolstoy everyone and everything has a saving grace.”“By loving people without cause, he discovered indubitable causes for loving them.” It would be hard to find a more succinct description of the chief work of the Holy Spirit in the human heart.
