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Image of the quote is loading... SaveSave 156/ I'd be very good at being rich, but no one has offered to test my talents in that department. ... New York was like a wealthy, handsome, intensely artistic, complex, slightly manic man who, for some inexplicable reason, was enthralled with me. Not that I ever met a man like that. Who needed men anyway? I'll take Manhattan. - Quote by Kim Addonizio

156/ I’d be very good at being rich, but no one has offered to test my talents in that department. … New York was like a wealthy, handsome, intensely artistic, complex, slightly manic man who, for some inexplicable reason, was enthralled with me. Not that I ever met a man like that. Who needed men anyway? I’ll take Manhattan.

Kim Addonizio
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The truth is that writing is simply not reliable. You can't count on it to be there just because you've made some space for it. In fact, making space might make it disappear. You tell yourself you can't write in the middle of your daily life, with all its distractions and commitments, and when you finally clear the decks, light off for someplace scenic or at least private, you sit there completely paralyzed. You have devoted yourself to writing, but it has not returned your devotion. If writing were a person, you would be in an abusive relationship. The healthy thing to do would be to get a restraining order and shut it right out of your heart.
Kim Addonizio
Give me the strongest cheese, the one that stinks best;and I want the good wine, the swirl in crystalsurrendering the bruised scent of blackberries,or cherries, the rich spurt in the backof the throat, the holding it there before swallowing.Give me the lover who yanks open the doorof his house and presses me to the wallin the dim hallway, and keeps me there until I’m drenchedand shaking, whose kisses arrive by the boatloadand begin their delicious diasporathrough the cities and small towns of my body.To hell with the saints, with martyrsof my childhood meant to instruct mein the power of endurance and faith,to hell with the next world and its pallid angelsswooning and sighing like Victorian girls.I want this world. I want to walk intothe ocean and feel it trying to drag me alonglike I’m nothing but a broken bit of scratched glass,and I want to resist it. I want to gostaggering and flailing my waythrough the bars and back rooms,through the gleaming hotels and weedylots of abandoned sunflowers and the parkswhere dogs are let off their leashesin spite of the signs, where they sniff eachother and roll together in the grass, I want tolie down somewhere and suffer for love untilit nearly kills me, and then I want to get up againand put on that little black dress and waitfor you, yes you, to come over hereand get down on your knees and tell mejust how fucking good I look.- “For Desire
Kim Addonizio
I'm so in love with you I can't stand up.
Kim Addonizio
And finallythe glass that contains and spills this stuff continuallywhile the drinker hunches before it, while the bartender gathersup empties, gives back the drinker's own face. Who knows what it looks like;who cares whether or not it was young once, or ever lovely,who gives a shit about some drunk rising to stagger towardthe bathroom, some man or woman or even lostangel who recklessly threw it all over—heaven, the ether,the celestial works—and said, Fuck it, I want to be human?
Kim Addonizio
Maybe you're one of those people who writes poems, but rarely reads them. Let me put this as delicately as I can: If you don't read, your writing is going to suck.
Kim Addonizio
Love me like a wrong turn on a bad roadlate at night.
Kim Addonizio
. . . All artists’ work is autobiographical. Any writer’s work is a map of their psyche. You can really see what their concerns are, what their obsessions are, and what interests them.
Kim Addonizio
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