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In the early twelfth century century the Virgin had been the supreme protectress of civilisation. She had taught a race of tough and ruthless barbarians the virtues of tenderness and compassion. The great cathedrals of the Middle Ages were her dwelling places upon earth. In the Renaissance, while remaining the Queen of Heaven, she became also the human mother in whom everyone could recognise qualities of warmth and love and approachability…The stabilising, comprehensive religions of the world, the religions which penetrate to every part of a man’s being–in Egypt, India or China–gave the female principle of creation at least as much importance as the male, and wouldn’t have taken seriously a philosophy that failed to include them both…It’s a curious fact that theall-male religions have produced no religious imagery–in most cases have positively forbidden it. The great religious art of the world is deeply involved with the female principle.
