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When a writer first begins to write, he or she feels the samefirst thrill of achievement that the young gambler or oboeplayer feels: winning a little, losing some, the gambler sees theglorious possibilities, exactly as the young oboist feels an indescribablethrill when he gets a few phrases to sound like realmusic, phrases implying an infinite possibility for satisfactionand self-expression. As long as the gambler or oboist is onlyplaying at being a gambler or oboist, everything seems possible.But when the day comes that he sets his mind on becoming a professional, suddenly he realizes how much there is to learn, how little he knows.
