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Image of the quote is loading... SaveSave How can we know the dancer from the dance? Did Yeats create his poems, or did his poetry make him a poet? How does one separate the creator from hiscreation? They create each other. On a mutual plane of reference, one has no existence without the other. - Quote by Indu Muralidharan

How can we know the dancer from the dance? Did Yeats create his poems, or did his poetry make him a poet? How does one separate the creator from hiscreation? They create each other. On a mutual plane of reference, one has no existence without the other.

Indu Muralidharan
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Fourteen is the age when time first starts to make its presence felt. Time took on such a variety of hues in those days that even my frozen mind sometimes reflected the colours of the world around me, and I could feel my thoughts fluttering in the humid, salty breeze. At such moments, when the brilliant blue skies, the flaming carpets beneath the Gulmohur trees in the school grounds and the nut-brown twinkle in Sonia’s eyes splashed into the moments of my life, I felt alive. Only time had no colour in the library. In the library, time simply ceased to be.
Indu Muralidharan
Did you know that Bharatiyar used the pen name “Shelley-dasan”? He admired the poems of Shelley so deeply that he wrote under the name “Shelley’s servant”. Wasn’t that a wonderful gesture of humility by someonewho was such a great poet himself? And later, Bharatiyar had his own dasan, the poet Subburathinam, who tookthe pen name Bharathidasan. Subburathinam’s poetry inspired yet another poet who wrote as Surada, short for Subburathina-dasan. And to think this long chain of inspiration spans centuries, going back to the poets who inspired Wordsworth, who inspired Shelley, who inspired our own Bharati.
Indu Muralidharan
Work is of utmost importance in a person’s life and not only as a means of meeting one’s needs at various levels of Maslow’s pyramid. Believe me, I speak from experience when I say that good, focused hard work is also one of the most effective remedies for depression.
Indu Muralidharan
our situation reminded me of a fable I had read somewhere. Chased by a tiger, a man slips and falls over the edge of a mountain. As he falls, he manages to grab a bush growing by the side of the mountain and hangs on to it for dear life. The bush is laden with wild strawberries that hang tantalizingly near his mouth. As the tiger snarls above his head and a gorge stretches beneath his dangling feet, the man takes a bite from a luscious berry. ‘How sweet,’ he exclaims as he relishes its taste.I do not remember the moral attached to the fable. It might have been a commentary on the ephemeral nature of life, on how foolish it is to imagine that there is happiness to be found in the world when death is certain and likely to happen at any time. Or it might have been an exhortation to seize the day and squeeze the most out of every moment, for, in any case, we areall going to die. It might have made a reasonably good ad for strawberries, which were so good that you simply had to eat them, even if it was the last thing you did.
Indu Muralidharan
Recognising clichés is a sign of aging.
Indu Muralidharan
Often, people get a temporary high, a fleeting sense of belonging and well-being from the illusion of strength that comes from attaching themselves to gurus, without realizing that the energy they associate with the so called holy person comes from within themselves.
Indu Muralidharan
I already knew the next story that I was going to rewrite from the beginning. Mine.
Indu Muralidharan
I have often thought that Walter Mitty had it in him to be more than a hen-pecked loser. Instead of living it up as a flamboyant daredevil in his dreams, he could have chosen to be a responsible man in real life, going about his work with dignity, and people may just have treated him with respect. Did his failures in life lead him to seek solace in daydreams or did his wandering mind stand in the way of his potential success? One must have triggered the other, and then it would have been both working together. An empty life drives you to fantasies of fulfilment, which then form a deadly, vicious circle which can turn you into a cartoon, as it did poor Mitty. Or lead you to ruin like Madame Bovary.
Indu Muralidharan
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