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Image of the quote is loading... SaveSave He knew these last lines by heart and mouthed them now in the darkness. My reason for life. Not living, but life. That was the touch. And she was his reason for life, and why he must survive. - Quote by Ian McEwan

He knew these last lines by heart and mouthed them now in the darkness. My reason for life. Not living, but life. That was the touch. And she was his reason for life, and why he must survive.

Ian McEwan
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See? Reading you all night has strengthened me. That’s what God’s love does. If you’re beginning to feel uncomfortable now, it’s because the changes in you are already beginning to happen and one day you’ll be glad to say, Deliver me from meaninglessness.
Ian McEwan
He's never quite got the trick of conversation, tending to hear in dissenting views, however mild, a kind of affront, an invitation to mortal combat.
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...they knew each other as much as they knew themselves, and their intimacy, rather like too many suitcases, was a matter of perpetual concern; together they moved slowly, clumsily, effecting lugubrious compromises, attending to delicate shifts of mood, repairing breaches. As individuals they didn't easily take offense; but together they managed to offend each other in surprising, unexpected ways; then the offender - it had happened twice since their arrival - became irritated by the cloying susceptibilities of the other, and they would continue to explore the twisting alleyways and sudden squares in silence, and with each step the city would recede as they locked tighter into each other's presence.
Ian McEwan
When they kissed she immediately felt his tongue, tensed and strong, pushing past her teeth, like some bully shouldering his way into a room. Entering her.
Ian McEwan
People sometimes forget how to be happy due to a "failure to grasp the simple truth that other people are as real as you. And only in a story could you enter these different minds and show how they had an equal footing. That was the only moral a story must have.
Ian McEwan
It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us.
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Not everyone knows what it is to have your father’s rival’s penis inches from your nose.
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She had the power to remove a child from an unkind parent and she sometimes did. But remove herself from an unkind husband? When she was weak and desolate? Where was her protective judge?
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