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Sometimes I wish I could feel more painso I could touch that much more beauty.

Edward Fahey

Sometimes I wish I could feel more painso I could touch that much more beauty.

Edward Fahey
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I keep being told that my writing is getting better and better. - Now, at first I am thrilled by that, but then I think, Isn't everybody's? Do some authors grow cozy with their own style, and stay there?I think of writing fiction as an art form. As such, it's a constant exploration of new and developing ideas. If any of my books were much like my others, I don't think I'd even bother to write them.
Edward Fahey
[Charlie is dying:]After what seemed a long while, but hadn’t been, Marsh gave Paulette’s hand a warm and caring squeeze. “They’re here for him,” she said.But their heavenly visitors didn’t take him right away. They had to make room for the chaos of modern medical urgencies. To get out of the way of well-trained professionals who had dedicated their lives to holding back Heaven.Choppers are just as noisy and turbulent as we imagine them to be. One tore in over the hills and shattered every bit of peace Charlie otherwise could have lost himself into.In an instant the Med-Evac team was all over him. In the midst of that blatant orchestrated chaos Paulette fought to find her peace, and to hold him inside it.“Hang on, buddy,” techs kept telling him. “Don’t go leaving us now. You just hang in there.”But they didn’t understand, Paulette thought. It was his time.The chopper made a horrible racket carrying him off. Marsh, Paulette, and Ailana held their peace as its winds whipped their world into a froth.Harve’s face twisted with something that might conceivably have been rage.Then, all of a sudden, the birds sang, as though someone had given them a cue. “So that’s what it’s like,” Marsha said, very softly.“The afterlife.“My God, it’s so beautiful.
Edward Fahey
After finishing 1st draft of a novel, I have the characters, dialogue, scenes, and a plotline. I used to think this meant I knew where the story was going, and what the book was about.I have learned over the years, this ain’t so.As I work through its 2nd draft, characters start to nudge each other. The story itself takes its first soft and shallow breath, and one could imagine he hears a little bit of a heartbeat. Passions deepen, and emotional threads start to weave through what had earlier just been little more than a sequence of events.On the 3rd run through, the characters stand tall. Some break free of my earlier concepts of what they were all about, what they wanted, how they related to each other, and where they were going.From then on, THEY set the pace, and I do my best to honor them in becoming what THEY choose to be.From then on, my friends; we have a story!By the end of the 3rd draft, I have enough of an idea of where the characters are going, and how their passions empower the story, or tear it apart, that I can start cutting away, and cutting away, anything that isn’t that.Until we reach the point where there is not a single word left anywhere in the book, that isn’t a vital, dynamic, organic contributor to the living whole.
Edward Fahey
As so often happens in my strange writing process, after weeks of distraction; of not thinking about the book at all; yesterday I started writing before the sun was up, or coffee was made. Whipped out a whole chapter of probably six or seven separate scenes in less than two hours. Now today, the whole story has slipped into a deeper level of knowing and connections than has (as far as I know, anyway) ever really been written about before. This is much as my experience was with Ailana, when I kept slipping into deeper and deeper gears. Bringing forth insights I myself had never learned or suspected.
Edward Fahey
Paulette had never been flush with self-confidence. People took that as humility, but humility isn’t painful and crippling. She hadn’t yet learned that humble and self-destructive aren’t the same thing at all. They’re not even on the same team. - From "The Gardens of Ailana" handbook for healers & mystics
Edward Fahey
Broken hearts show us we’ve grown out of one stage, by ripping us wide open for the next.We’re forced to choose what we do with all that pain: turn it against ourselves, aim it at someone else, or tap all that power and reach higher.
Edward Fahey
Life is about trying to find our ways back to our one shared soul. When we’re looking out at the stars, we’re looking into ourselves.
Edward Fahey
Ancient philosophers and spiritual teachers were explorers. They wanted us to be as well. They thought we should understand this physical world, but not get stuck here. For thousands of years we have shared their insights, over-analyzed and repeated their words; quoting and re-translating until all meaning has been lost. These great minds, great souls, great beings sought to be jumping off points, not merely the originators of emptied out and desiccated clichés. They wanted to be doorways, not doorstops.
Edward Fahey
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