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The problem with romance is the occlusion. The tunnel vision, drawing your every gaze downstream, into those other eyes, the flotsam of your better self, your clearer self, along for the ride. It doesn’t matter what secrets swirl and bob in the waters beneath you, as you float toward that lady at Delphi, who, you imagined, reading Mythology, must have been beautiful. It doesn’t matter that Charybdis, with no body, with no form, with only a mouth-as-being, couldn’t have been evil, because she lacked the brain for it. It doesn’t matter that following the logical course of events, the natural course, always disadvantages someone else, because love, after all, is simply a competition for resources, made infinitely complex and unknowable when squared and cubed and raised to every other emotional exponent – and then layered with sex and society and a bad memory for what those resources were in the first place.
