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Image of the quote is loading... SaveSave Everything else has vanished, so you take them now. Maybe if you're the one keeping them, I'll be the one feeling better. - Quote by Daniel Handler

Everything else has vanished, so you take them now. Maybe if you’re the one keeping them, I’ll be the one feeling better.

Daniel Handler
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Maybe, generations ago, young people rebelled out of some clear motive, but now, we know we’re rebelling. Between teen movies and sex-ed textbooks we’re so ready for our rebellious phase we can’t help but feel it’s safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.
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I know you can't see it, not you, Ed, but maybe if I tell you the whole plot you'll understand it this once, because even now I want you to see it. I don't love you anymore, of course I don't, but there's still something I can show you. You know I want to be a director, but you never truly see the movies in my head and that, Ed, is why we broke up.
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The movie was kickass, which was appropriate, because tonight it was called Kickass: The Movie.
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And then like a song we'd forgotten was even on the mix, you stepped into the house and my whole life.
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But before, not so long ago - my own rose from prom still OK on the mirror, dried but not a corpse - you were just Ed Slaterton, jocky hero, handsome in the student newspaper and star of a million strands of gossip. Now Annette was a person to me, standing right there, and not just an oh-my-God-have-you-heard, and I tried to put it together in my head, the print and the negative, the boyfriend and the celebrity shadow, like Theodora Sire sat next to me in history, borrowing pencils, but was still a movie star above my bed. Because as you came out of the dark to me, you were the boy I was kissing and wanted to kiss more, back to find me at a party like anybody might do, but you were Ed Slaterton too, and not the cad you are now, but just Ed Slaterton, co-captain, with a beer in your hand and Jillian Beach on your arm.
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She had the look in her eye when you kick and kick at the door and it doesn't open, when you write a boy letters and letters and he never loves you, not ‘til the day he dies. Not even then.
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If he’s not gay and he hung out with you the whole time, he wanted to be. It’s boyfriend or want to be boyfriend or I guess gay. Those are the choices.
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Phil Needle stood in the parking lot, suddenly grasping that this was so, that nothing is lost in a world utterly mapped, that nothing is rogue with everything cross-pollinated, as the shouts on the beach lured him across the street to the sand.
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