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Each of us, I think, adopts a comfortable and familiar era or place in which to plant ourselves; and from then on, that which disagrees with our memories — a new building here, a change in paint there — is forever jarring and anachronistic.
Each of us, I think, adopts a comfortable and familiar era or place in which to plant ourselves; and from then on, that which disagrees with our memories — a new building here, a change in paint there — is forever jarring and anachronistic.
