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Image of the quote is loading... SaveSave She thought it was strange that the mere sensation of savouring the prospect of something could make her think for a while that is must be the prospect of home. - Quote by Colm Tóibín

She thought it was strange that the mere sensation of savouring the prospect of something could make her think for a while that is must be the prospect of home.

Colm Tóibín
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Ending a novel is almost like putting a child to sleep – it can't be done abru
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It is terrible to be an unprotected being.
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She noticed then that Conor was watching her.'Are you going for a swim?' he asked her.'In a while. Why don't you go down and check if it's warm enough?''And if it's not warm enough?''We'll still go in. But at least we'll know.
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The idea that she would leave all of this - the rooms of the house once more familiar and warm and comforting - and go back to Brooklyn and not return for a long time again frightened her now. She knew as she sat on the edge of the bed and took her shoes off and then lay back with her arms behind her head that she had spent every day putting off all thought of her departure and what she would meet on her arrival.
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She has gone back to Brooklyn,' her mother would say. And, as the train rolled past Macmire Bridge on its way towards Wexford, Eilis imagined the years already when these words would come to mean less and less to the man who heard them and would come to mean more and more to herself. She almost smiled at the thought of it, then closed her eyes and tried to imagine nothing more.
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There will always be reservations, things one must leave out, events one can’t explain without handing over a full map of one’s life, unfolding it, making clear that all the lines and contours stand for long days and nights when things were bad or good, or when things were too small to be described at all: when things just were. This is a life.
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A novelist's job is almost to be a stupid as possible, except in the cunning moment when you need to structure something, when you need to be very intelligent indeed. The rest of the time, you need almost an empty mind, where you can let any image in, follow it along, and allow an emotional charge, almost the way actors and singers can work. The more instinct you have as a novelist, and the less intelligence, the better.
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He had grown fat on solitude, he thought, and had learned to expect nothing from the day but at best a dull contentment. Sometimes the dullness came to the fore with a strange and insistent ache which he would entertain briefly, but learn to keep at bay. Mostly, however, it was the contentment he entertained; the slow ease and the silence could, once night had fallen, fill him with a happiness that nothing, no society nor the company of any individual, no glamour or glitter, could equal.
Colm Tóibín
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