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Music felt married to place, and the notion of “somewhere” predated the Internet’s seeming invention of “everywhere” (which often ends up feeling like “nowhere”).

Carrie Brownstein
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It was about having a box in the attic or basement or attic or garage, something we could return to over and over again, something that said, this is us, this is where we were last year, and this is where we'll stay, and this is where we'll pile on the memories, over and over again, until there are so many memories that it's blinding, the brightness of family, the way love and nurturing is like a color you can't name because it's so new.
Carrie Brownstein
I was shut off from my body; I had barely thought about sexuality or longing. Up until this point, my sexual experiences had felt business like or even transactional...I hadn't been suppressing urges or denying my needs. I didn't feel like I had any, not corporeal ones. My journal entries from that time speak to depression and feelings of isolation, fears that a friend would leave, a sense that I had been responsible for my mother's departure and would therefore cause anyone I loved or needed to leave. I was still spending most of my time in my head. I was removed from my own feelings.
Carrie Brownstein
I felt like no one was really looking out for me, that I was marginal and incidental. I compensated by being spongelike, impressionable, and available to whatever and whoever provided the most comfort, the most sense of belonging. I was learning two sets of skills simultaneously: adaptation - linguistic and aesthetic - in order to fit in, but also, how to survive on my own.
Carrie Brownstein
It's important to undermine yourself and create a level of difficulty so the work doesn't come too easily. The more comfortable you get, the more money you earn, the more successful you are, the harder it is to create situations where you have to prove yourself and make yourself not just want it, but need it. The stakes should always feel high.
Carrie Brownstein
I felt that first awareness that there’s a whole set of species whose sounds and calls you’ve never heard—the wonder of realizing that people are growing up with an entirely different sensory experience from yours. This whole country seemed so shiny to me.
Carrie Brownstein
Nostalgia is so certain: the sense of familiarity it instills makes us feel like we know ourselves, like we've lived. To get a sense that we have already journeyed through something - survived it, experienced it - is often so much easier and less messy than the task of currently living through something.
Carrie Brownstein
I never wanted to feel ashamed for striving, for desiring, for ambition. And I never wanted to judge another woman, or anyone, for that matter, for their own aspirations, even if they differed from my own
Carrie Brownstein
That’s why all of those records from high school sound so good. It’s. It that the songs were better- it’s that we were listening to them with our friends, drunk for the first time on liqueurs, touching sweaty palms, staring for hours at a poster on the wall, not grossed out by carpet or dirt or crumpled, oily bedsheets. These songs and albums were the best ones because of how huge adolescence felt then, and how nostalgia recasts it now. Nostalgia is so certain: the sense of familiarity it instills makes us feel like we know ourselves, like we’ve lived. To get a sense that we have already journeyed through something- survived it, experienced it- is often so much easier and less messy than the task of currently living though something. Though hard to grasp, nostalgia is elating to bask in- temporarily restoring color to the past. It creates a sense memory that momentarily simulates context. Nostalgia is recall without the criticism of the present day, all the good parts, memory without the pain. Finally, nostalgia asks so little of us, just to be noticed and revisited; it doesn’t require the difficult task of negotiation, the heartache and uncertainty that the present does.
Carrie Brownstein
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