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Stirton’s work, he says, is now all about investigation. ‘You literally are trying to find out what’s happening and, finally, manoeuvre yourself to the point where you can take a picture, and then you’re presented with a 20-minute window where it’s: Okay, now get your picture!’ His voice is charged with emotion. ‘Fucking angst and worry and, you know, FEAR of failure – every aspect of that comes into those 20 minutes, so it’s a very intense experience. So when I make those pictures, I’m worried; I’m nervous.

Antonella Gambotto-Burke

Stirton’s work, he says, is now all about investigation. ‘You literally are trying to find out what’s happening and, finally, manoeuvre yourself to the point where you can take a picture, and then you’re presented with a 20-minute window where it’s: Okay, now get your picture!’ His voice is charged with emotion. ‘Fucking angst and worry and, you know, FEAR of failure – every aspect of that comes into those 20 minutes, so it’s a very intense experience. So when I make those pictures, I’m worried; I’m nervous.

Antonella Gambotto-Burke
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I don't know why I wanted a girl,' he says, as if to himself. 'I mean, I wouldn't swap Louis, but when they said, 'It's a boy!', I thought: 'Oh, well.' Everyone else was incredibly pleased that it was a boy – grandparents are always very pleased when it's a boy for some reason. Another one's on the way, and I hope it's going to be a girl. After that, I'll stop. I think it can be a real mistake to sort of plug away for a particular sex … you end up having millions and they're all boys.
Antonella Gambotto-Burke
What's required of me in the field is to feel,' Stirton says with emphasis. 'And trying to take that feeling and put it in a form that communicates a particular set of emotions or circumstances - whether that involves depicting masculine pride, or a particular kind of suffering, or love, or closeness - my primary job is to feel and to try to put that feeling into some kind of visual form. My goal is to get to the heart of each story, you know? I’m trying to evolve in my work.
Antonella Gambotto-Burke
They sit beside each other on one of the sofas, Warwick leaning forward with his elbows on his knees, Joanne resting back with her arms behind her head. Never known as advocates of establishmentarianism, they have been applauded, ridiculed, and misunderstood by the media, and, in particular, criticized for their avarice. They have agreed to do this interview without "cabbage" (payment), but generally charge ten to twenty thousand dollars for the privilege. Even so, why should they be castigated for exploiting a medium that has exploited them? They see the situation simply enough: quid pro quo, and hold the mustard.
Antonella Gambotto-Burke
Corruption,' Jordan Belfort believes, 'is endemic to human being. I mean, even men in monasteries - where enticement is hard to come by – even men in those circumstances have sex with other men and abuse children. Look at the Catholic Church! Man is an imperfect animal and he is corruptible, okay? And in finance, the liquid nature of the market makes corruption very easy. On Wall Street, this liquidity is so in your face -' he suddenly grits his teeth - 'that if you have even the slightest predisposition to the dark side, you become corrupted. In addition to which, those attracted to Wall Street have a predisposition to greed.
Antonella Gambotto-Burke
Ninety-six per cent of juvenile prostitutes are fugitives from abusive domestic situations; 66 per cent began working before they turned 16. (Prostitution is their only perceived means of survival.) Millions of children work as prostitutes around the world. A third are male. One study revealed that over 50 per cent of prostitutes are the children of alcoholics or substance abusers, and 90 per cent are deflowered through incest or rape. Ninety-one per cent of prostitutes do not speak of the abuse. (The truth of life is told through the language of behavior.) Abused children suffer Post-Traumatic Stress Disorder, guilt, self-destructive impulses, suspicion, fear. Seventy-five per cent of prostitutes attempt suicide. (Imagine their scrapbook of memories.)
Antonella Gambotto-Burke
My handsome husband and I didn’t make love for almost six months. I was enraptured, lost to my old life, and, in this obsession, disregarded author Ayelet Waldman – who famously wrote of her 'smug well-being' and 'always vital, even torrid' sex life in the wake of childbirth: I ignored my husband as a man. Instead, I revelled in him as a different thing altogether, far more seductive and important, and infinitely more resonant. My husband was no longer just a man: he was the father of my child.
Antonella Gambotto-Burke
We watched each other evolve into parents, with all the fear, rage and confusion evolution can involve. Our eight-year-old is the incarnation of our union; we are forever fused by her blood. My old take on romance seemed vaguely ludicrous, as affected as a pair of spats. I no longer saw the point in 'getting back to normal', that pantomime of pretending nothing had changed; I wanted to evolve from sexual posturing into a deeper consciousness, that of love.
Antonella Gambotto-Burke
On first hearing that little voice – as fine and friable, I felt, as cotton thread, the impact on my soul was that of the highest magnitude of earthquake, those that occur every hundred years, say, or every thousand. The old shell I called myself cracked and was swallowed by a sudden crevasse, and just as suddenly was lost in the commotion.
Antonella Gambotto-Burke
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