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Image of the quote is loading... SaveSave It is all about numbers. It is all about sequence. It's the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness--cry and then walk--but what really breaks us cleanest are the losses that happen out of order. - Quote by Aimee Bender

It is all about numbers. It is all about sequence. It’s the mathematical logic of being alive. If everything kept to its normal progression, we would live with the sadness–cry and then walk–but what really breaks us cleanest are the losses that happen out of order.

Aimee Bender
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I give boring people something to discuss over corn.
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It was the kind of conversation you could only hold in whispers.
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He made a good salary but he did not flaunt it. He’d been raised in Chicago proper by a Lithuanian Jewish mother who had grown up in poverty, telling stories, often, of extending a chicken to its fullest capacity, so as soon as a restaurant served his dish, he would promptly cut it in half and ask for a to-go container. Portions are too big anyway, he’d grumble, patting his waistline. He’d only give away his food if the corners were cleanly cut, as he believed a homeless person would just feel worse eating food with ragged bitemarks at the edges – as if, he said, they are dogs, or bacteria. Dignity, he said, lifting his half-lasagna into its box, is no detail.
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We're like the couple on the sitcom that has good sparks but never get together for the sake of ratings.
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Nothing...They're from nothing,' he said. 'They came in the book...I found the book and inside were these flowers...They were in the book when I bought it... I bought it used...Because they meant something."'To someone else.' 'To someone.
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It is difficult to want to tell a grave that it is not immortal. It's so obvious at that point.
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I wanted to bathe in plum juice, rediscover my body and adorn it in kiwi circles.
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George Malcolm: half white, half black, with messy tousled hair, rumpled and tugged between kind of curly and extremely curly. Once, a year or so before, he'd been at our house and he'd pulled out a lock of his hair and used it to teach me about eddies and helixes. It's a circular current into a central station, he'd explained, giving me one to hold. I pulled on the spring. Nature is full of the same shapes, he said, taking me to the bathroom sink and spinning on the top and pointing out the way the water swirled down the drain. Taking me to the bookshelf and flipping open a book on weather and showing me a cyclone. Then a spiral galaxy. Pulling me back to the bathroom sink, to my glass jar of collected seashells, and pointing out the same curl in a miniature conch. See? he said, holding the seashell up to his hair. Yes! I clapped. His eyes were warm with teaching pleasure. It's galactic hair, he said, smiling.At school, George was legendary already. He was so natural at physics that one afternoon the eighth-grade science teacher had asked him to do a preview of the basics of relativity, really fast, for the class. George had stood up and done such a fine job, using a paperweight and a yardstick and the standard-issue school clock, that the teacher had pulled a twenty-dollar bill from his wallet. I'd like to be the first person to pay you for your clarity of mind, the teacher had said. George used the cash to order pizza for the class. Double pepperoni, he told me later, when I'd asked.
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