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Image of the quote is loading... SaveSave Obscenity is a function of culture - a function in the mathematical sense, I mean, its value changing with that of the variables on which it depends. - Quote by A.P.

Obscenity is a function of culture – a function in the mathematical sense, I mean, its value changing with that of the variables on which it depends.

A.P.
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Serena had to cross her legs: in moments of dire amusement her bladder tended to play tricks.
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All eyes turned to look at us' would be a slipshod way of putting it; eyes don't turn anyway, heads do, but as our little group joined the fringe of the assembly, there was a discernible swivelling of attention in our direction.
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...nothing more excruciating when you are fighting for your life than to have healthy people round you, squabbling over futilities. Who do you love best, and who most do you want with you? Blithering idiots: it's life itself, can't you see? It's life I love best, and life I want with me. Go hang yourselves, all of you, you're only sapping my strength when most I need it. Leave me in peace and let me grapple.
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Even the biggest blaze, though, has to start somewhere, with a tiny spark, or arsonists would be out of business.
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Sabine used to maintain that preparation for a dance is comparable to what goes on in the back room of a butcher's shop: the meat for consumption is sliced and dressed and put in nice little paper packages, ready for the kitchen.
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Love is about giving, about caring for the other person's welfare. Love is treating someone, in the Kantian sense, never as a means but as an end in themselves. Love is sacrifice, love is something you work at, something you build like a house or tend like a plant, brick by brick, drop by drop, day by day. Nonsense. Old wives' tales, old husbands' tales. That is affection they are talking about, that is companionship, that is charity, that is tickets for the Cancer Research Ball. You must ask the young if you want to know what love is. Only they are deep enough in it to describe. We older ones have clues and simulacra, we base our judgement, like pathologists do, on the dents and scars and sediments of hearts long kept in formaldehyde. It is the pulsing heart you want to probe: the pulsing, beating, leaping, dipping, fluttering heart of a seventeen-year-old.
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An hour would be enough. An hour with my head on the pillow beside yours, foreheads touching, eyes locked with eyes (just the two of us, mind you, minus that sodding cat); an hour to smell the smell of you - garlic and all, I wouldn't mind, no, I wouldn't mind. An hour to press you close the whole length of our bodies and feel the shudder of your laugh. An hour to tell you I'm so glad I knew you. An hour, just an hour. I have time now like hedgehogs have fleas: I an lose it, waste it, squander it, kill it, and there will still be more to follow, but that hour I'll never have. Never.
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Where is the pain when your pride is wounded? And why do we say that: wounded? There is no gash, no blood, not even a scratch. Which part of us hurts? The brain cells? The neurons? What, for goodness' sake, what?
A.P.
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