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When I was young” … “Before I was twenty, I mean, I used to think that life was a thing that kept gaining impetus, it would get richer and deeper each year. You kept learning more, getting wiser, having more insight, going further into the truth” – she hesitated.Port laughed abruptly. – “And now you know it’s not like that. Right? It’s more like smoking a cigarette. The first few puffs it tasted wonderful, and you don’t even think of its ever being used up. Then you begin taking it for granted. Suddenly you realize it’s nearly burned down to the end. And then’s when you’re conscious of the bitter taste.
Paul Bowles
Ymir was a frost giant; he was evil from the first. While he slept, he began to sweat. A man and woman grew out of the ooze under his left armpit, and one of his legs fathered a son on the other leg.
Kevin Crossley-Holland
The conventional use of words and of narrative structure is deliberately subverted in decadent fiction; language deviates from the established norms in an attempt to reproduce pathology on a textual level. With its emphasis on aberration and artifice, the decadents' approach to the language of fiction frequently leans towards the baroque and the obscure.
Asti Hustvedt
It hardly matters why a library is destroyed: every banning, curtailment, shredding, plunder or loot gives rise (at least as a ghostly presence) to a louder, clearer, more durable library of the banned, looted, plundered, shredded or curtailed.
Alberto Manguel
Renouncing false beliefs will not usher in the millennium. Few things about the strategy of contemporary apologists are more repellent than their frequent recourse to spurious alternatives. The lesser lights inform us that the alternative to Christianity is materialism, thus showing how little they have read, while the greater lights talk as if the alternative were bound to be a shallow and inane optimism. I don't believe that man will turn this earth into a bed of roses either with the aid of God or without it. Nor does life among the roses strike me as a dream from which one would not care to wake up after a very short time.
Walter Kaufmann
All European writers are ‘slaves of their baptism,’ if I may paraphrase Rimbaud; like it or not, their writing carries baggage from an immense and almost frightening tradition; they accept that tradition or they fight against it, it inhabits them, it is their familiar and their succubus. Why write, if everything has, in a way, already been said? Gide observed sardonically that since nobody listened, everything has to be said again, yet a suspicion of guilt and superfluity leads the European intellectual to the most extreme refinements of his trade and tools, the only way to avoid paths too much traveled. Thus the enthusiasm that greets novelties, the uproar when a writer has succeeded in giving substance to a new slice of the invisible; merely recall symbolism, surrealism, the ‘nouveau roman’: finally something truly new that neither Ronsard, nor Stendahl , nor Proust imagined. For a moment we can put aside our guilt; even the epigones begin too believe they are doing something new. Afterwards, slowly, they begin to feel European again and each writer still has his albatross around his neck.
Julio Cortázar
Modern poetry, for me, began not in English at all but in Spanish, in the poems of Lorca.
W.S. Merwin
Oh dire, dreadful death, you drag your heels.Why dawdle and draw back? You drown my heart.
Simon Armitage