Quotes by Poets

Tell me you didn’t,” she groaned, knowing it would not be the truth. “Please tell me you didn’t take advantage of these poor people.”t“I didn’t,” he chirped.t“Liar.”tWith an irritated sigh he tried to convince her. “Amora, you’re not seeing things from an immortal perspective. The people who built this temple…”t“Temple?” she cried, cutting him off. “You forced these people to build you a temple? Why? Because all of a sudden you’re God now?”tPerturbed by her interruption, he raised a warning finger. “No, no, Amora, not God. But from their viewpoint I may seem a bit…..god-like.”tShe rolled her eyes in an exaggerated manner.t“If you would let me finish,” he went on, “these particular individuals had no part in the construction of that monument; it was their ancestors who erected it. And I must say, they did a fine job. My likeness has weathered the centuries quite well.”t“You’re despicable.”tHe frowned at the insult. “Nobody was forced to build us a temple, Amora. They chose to do so.”t“You were that impressive to them, huh?”t“Apparently.” His eyes twinkled at the memory. He took a few steps toward the distant city, pulling Eena along. “Come on, let’s go have some fun.”t“No way.” She planted her feet, refusing. Surprisingly it put a stop to him. t“And why not?”t“Because your sudden appearance will upset them! No doubt you’ll want to show off with some shockingly grand entrance. I’m not going to take part in a game of deceit.”t“I’m not deceiving anyone,” Edgar disputed. “I can’t help it if they happen to think I’m perfectly magnificent.”tHis pompous view of himself earned a nasty look as well as a lecture. “I can’t believe you’re okay with selling people lies that affect the way they live and think! You’re not even close to being a god, Edgar, and yet you allow them to accept you as some sort of deity because of your unusual abilities. For centuries now you’ve abandoned this world and a population who probably looked to you and your lousy sisters for help. It’s all a big, disgusting sham!”tEdgar pouted like a child. “Fine—spoil all my fun. We’ll go do something else. Something that doesn’t include your poor, fragile, stupid mortals.”t“They’re not stupid.”t“They think I’m a god,” he sn
I truly don’t understand why at every Q and A, someone always asks, “Do you have a routine?” or “Do you write every morning?” Why those questions remain interesting, I really have no idea. But since no one’s putting a gun to their head to ask them, they must compel. They’re probably necessary on a symbolic level more than a literal one, as people cobble together an imagination of what a life devoted to “making” might be like.[I think people want a path to follow. They want a checklist so they can say, “Alright cool, so if I get up at six and I write for this long and I watch this film and I do that…”]It’s weird, because I might have wanted that, too. I used to dance in New York. My Lower East Side days. Modern dance, or whatever. One thing I learned as a dancer was that people learn combinations different ways. Some people, if they get the right side, they can also get the left side right off the top of their head. Some people need to be taught both right and left. Some people count, some people never count, you know? I noticed then that, for me, it was really watching the whole person dancing, trying to take in the whole combination at once, that helped me learn it. I think I’m the same way as a reader—I like to take in the whole book, not getting too specific about how they did it, but ride the bigger example.I mean, at the end of the day, the answer to the question “How did you do it?” is right there, on the page. They’re showing you how they did it, by doing it. Maybe it’s different with art, when you don’t know if someone had all their sculptures knitted or welded by elves somewhere, but with writing, the answer to the question “How do you write a book like this?” is usually, “Like this” [points to book].