Quotes by Historians

During the persecutions under the Emperor Domitian, John was summoned to Rome, where he was tortured by immersion in a pot of boiling oil and subsequently banished to the island of Patmos in the Aegean sea. It was there he wrote his Apocalypse. It was only after the death of Domitian, in A.D. 96, that he returned to Ephesus, where he was still living during the reign of the Emperor Trajan (A.D. 98-117). He became so old and frail that he could no longer walk and had to be carried to meetings and services. All he could manage to say was, "My little children, love one another." He repeated this over and over.
Gilles Quispel
Truth is not exciting enough to those who depend on the characters and lives of their neighbors for all their amusement
George Bancroft
Never speak about private affairs for the general public to hear.
Habeeb Akande
In Russia everything is a secret, but there is no secrecy.
Robert K. Massie
Whoever gossips to you will gossip of you"; "It is easier to be critical than correct"- avoid criticism about other officers, and never vent destructive criticism of your service, your unit, or your superiors.
Kenneth W. Estes
I have long since chosen him for my only good, my all; my pleasure, my happiness in this world as in the world to come... -Susanna Wesley
Arnold A. Dallimore
For a once renowned woman who loved telling tales of dodging bullets, wielding grenades and subverting dogs trained to kill, Christine's story is, surprisingly, little known today.
Clare Mulley
She could do anything with dynamite, except eat it.
Clare Mulley
Wherever he went he left footprints so firm that nobody could later efface or blur them, not even he himself, when on rare occasions he was tempted to do so.
Isaac Deutscher
She had privacy, and the privilege of walking up and down the same battlements as the sentries.
John Peter Nettl
The great biographers take excessive liberties in denigrating his person, and, in doing so, they make it difficult to comprehend
Russel H.S. Stolfi
As concerns the question of the psychological engine that drove Hitler, the conventional interpretation of lusting after power is, in final analysis, the refuge of lack of comprehen
Russel H.S. Stolfi
The intellectually-inclined biographers stray from the point that the message is directed through the spoken word at the broad masses and not writing to an inbred, self-adoring intellectual e
Russel H.S. Stolfi
Although characterized as uncultured and unread, Hitler comes off in his demands to create a monumental signature for a Greater Germany as historically and artistically gi
Russel H.S. Stolfi
To comprehend the Hitler of 1919 is to comprehend the Hitler of the entire period from 1919 through
Russel H.S. Stolfi
(...)it seems more probable that his anti-Semitism was less emotional and more objective than has been assumed to the pre
Russel H.S. Stolfi
Hitler took the action of pitiless massacre as a last resort in the face of a perceived irreconcilable e
Russel H.S. Stolfi
Politics for Hitler must be seen as a distant, prophetic vision to be fulfilled and not as an exercise in personal power. There was no political theory for Hitler and no necessity for adherence to any political programs. There was only tactical political flexibility in the service of seizure of power and the establishment of a Greater Germany in Eu
Russel H.S. Stolfi
And in contrast to the Communist revolution in Russia and the Communist attempts at revolution in Germany from 1918 through 1923, Hitler's were virtually blood
Russel H.S. Stolfi
Hitler derived several things from his experience and achievements in World War I, without which his rise to power in 1933 would have been at the least problematical, and at the most inconceivable. Hitler survived the war as a combat soldier—a rifle carrier—in a frontline infantry regiment. The achievement was an extraordinary one based on some combination of near-miraculous luck and combat skill. The interpretive fussing over whether or not Hitler was a combat soldier because he spent most of the war in the part of the regiment described as regimental headquarters can be laid to rest as follows: Any soldier in an infantry regiment on an active front in the west in World War I must be considered to have been a combat soldier. Hitler’s authorized regimental weapon was the Mauser boltaction, magazine-fed rifle. This gives a basic idea of what Hitler could be called upon to do in his assignment at the front. As a regimental runner, he carried messages to the battalions and line companies of the regiment, and the more important ones had to be delivered under outrageously dangerous circumstances involving movement through artillery fire and, particularly later in the war, poison gas and the omnipresent rifle fire of the skilled British sniper detach
Russel H.S. Stolfi
In the well reported Kubizek period from late 1904 through mid-1908, with its additiona data from the circumstances of failure at school, lung ailment, and tragic episode of his mother’s death, the picture remains the same. Hitler’s character is one of bold license for a youngster, but not directed toward dissolute behavior or activity that gives a hint of evil. Hitler devoured grand opera and classical music, painted, sketched, planned a great new Linz; he wrote sonnets, communed with nature, and exuded politeness and reserve. These are activities and qualities that suggest potential, although overblown, aspirations to artistic genius. What we see, like it or not, is morally laudable behavior and aspiration on the part of a young man in his teens. But is there a dark side somewhere in this picture?If there were a dark side, it probably would have been the light gray of the contempt that he had for many of his school teachers and his resistance to formal education. Hitler’s comments in Mein Kampf support such contempt and are buoyed by his indelible comment, about his tour of the customs office where his father worked, that the clerks and officials squatted about as monkeys in
Russel H.S. Stolfi
In his thoughtful and complex style of analysis, Hitler continued on to note the following: “Since the newspapers in question did not enjoy an outstanding reputation ... I regarded them more as the products of anger and envy than the [representation] of a principled, though perhaps mistaken, point of view.” In the lines above, we see Hitler begin to wrestle with anti- Semitism, flatly reject religious anti-Semitism as unworthy of Austrian cultural tradition, and suspect that the arguments of the anti-Semitic press and gutter pamphlets were exaggerated beyond credibility by too much subjective and too little objective and principled argument. The view of virtually every Hitler biographer that he based his anti-Semitism on arguments derived from the gutter press and pamphlets of Vienna does not hold up in the face of the words above. To the contrary, we see Hitler take the measure of that liter
Russel H.S. Stolfi
Virtually every literary piece written about Adolf Hitler in more than half a century since 1945 has been based on anti
Russel H.S. Stolfi
The principal error that befalls those who want to depict men is to suppose that they have a fixed character rather than a life that is but a tissue of contradictions: the more deeply one studies them, the less one dares to delineate them.
Charles Pinot Duclos
The very qualities that had led to Johnson's political and legislative success were precisely those that now operated to destroy him: his inward insistence that the world adapt itself to his goals; his faith in the nation's limitless capacity; his tendency to evaluate all human activity in terms of its political significance; his insistence on translating every disruptive situation into one where bargaining was possible; his reliance on personal touch; his ability to speak to each of his constituent groups on its own terms. All these gifts, instead of sustaining him, now conspired to destroy him.
Doris Kearns Goodwin
This marriage had resulted from impulse: he had seen her on a high-flying swing at Tsarkoe Selo and her skirt, flared by the breeze, had exposed her ankles; he had proposed the following day.
Robert K. Massie
I despise the cowardly clinging to life, purely for the sake of life, that seems so deeply ingrained in the American temperament.
Christopher Lasch
According to accepted newspaper clichés, we all go down fighting. The other day I even read that an 18-month-old baby had died after a long battle with cancer. That has become the mandatory phrase for all who expire, disease-ridden. They battled valiantly; they lost. When I finally depart I hope somebody will write, instead, that I died after a long battle with life.
Pierre Berton
History is for human self-knowledge…the only clue to what man can do is what man has done. The value of history, then, is that it teaches us what man has done and thus what man is.
R.G. Collingwood
Self-respect cannot be hunted. It cannot be purchased. It is never for sale. It cannot be fabricated out of public relations. It comes to us when we are alone, in quiet moments, in quiet places, when we suddenly realize that, knowing the good, we have done it; knowing the beautiful, we have served it; knowing the truth we have spoken it
Alfred Whitney Griswold
The type of nothing from which something can arise is truly something.
John K. Brown
As the shabby section of the audience rose to its feet, waving its hats and food-wrappers, a rich, stale smell wafted through the auditorium. It had something of the fog on the boulevard outside, where the pavements were sticky with rain, but also something more intimate : it suggested old stew and course tobacco, the coat racks and bookshelves of a pawnshop, and damp straw mattresses impregnated with urine and patchouli. It was - as though the set designer had intended some ironical epilogue - the smell of the real Latin Quarter.
Graham Robb
In those days, long before, a view over the rooftops of Paris was an unaffordable luxury. The apartment he had shared with a mousy young writer from Laon had a view of the Jardin de Luxembourg – if he stuck his head out of the window as far as it would go and twisted it to the left, a smudge of green foliage appeared in the corner of one eye. That had been his best apartment to date. They had decorated it in the ‘Bohemian’ style of the 1830s : a few volumes of Shakespeare and Victor Hugo, a Phrygian cap, an Algerian hookah, a skull on a broomstick handle (from the brother of a friend, Charles Toubin, who was an intern at one of the big hospitals) and, of course, a window box of geraniums, which was not only pretty but also illegal. (Death by falling window box was always high up the official list of fatalities.) For a proper view of Paris, they visited Henry’s painter friends who lived in a warren of attic rooms near the Barriere d’Enfer and called themselves the Water-Drinkers. When the weather was fine and the smell of their own squalor became unbearable, they clambered onto the roof and sat on the gutters and ridges, sketching chimneyscapes, and sending up more smoke from their pipes than the fireplaces below.Three of the Water-Drinkers had since died of various illnesses known collectively as ‘lack of money’. When the last of the three was buried, in the spring of 1844, Henry and the others had found themselves at the graveside without a sou to give a gravedigger. ‘Never mind’, said he, “you can pay me the next time, ‘ and then, to his collegue : ‘It’s all right – these gentlemen are a regular customers.
Graham Robb
That name was a sadistic play on the Underground Railroad that smuggled American slaves north. The old Nazis set up their own version and used it mainly to move their people. They called it Die Spinne.
John Pearce
Dear Artie: “The young fellow has disappeared into a dead end. I think the long-necked bastard planned to wind up in Paris and sent him there but he may also have used the underground railroad. Ask your round-heeled contact. Maybe you can find more than I could. “Roy
John Pearce
Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors.In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of “bohemian Paris,” where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on flying in the face of respectable middle-class values. But by the 1920s, Montmartre represented an established artistic tradition, not the challenge to bourgeois life that it had been at the fin de siècle. Entertainment culture was rapidly changing both in substance and style in the postwar era, and a desire for new sounds, including foreign music and exotic art, was quickly replacing the love for the cabarets’ French chansons. Jazz was not entirely to blame for such changes, of course. Commercial pressures, especially the rapidly growing tourist trade, eroded the popularity of old Montmartre cabarets, which were not always able to compete with the newer music halls and dance halls. Yet jazz bore much of the criticism from those who saw the changes in Montmartre as the death of French popular entertainment. Montparnasse, on the other hand, was the face of a modern Paris. It was the international crossroads where an ever changing mixture of people celebrated, rather than lamented, cosmopolitanism and exoticism in all its forms, especially in jazz bands. These different attitudes within the entertainment districts and their institutions reflected the impact of the broader trends at work in Paris—the influx of foreign populations, for example, or the advent of cars and electricity on city streets as indicators of modern technology—and the possible consequences for French culture. Jazz was at the confluence of these trends, and it became a convenient symbol for the struggle they represented.
Jeffrey H. Jackson
The nation had had two symbols of solitude, the forest and the prairies; now it had a third, the mountains.
Bernard DeVoto
Anyone intent on moral clarity might want to find another book and, in fact, might not want to go anywhere near the enduring chasm of race in the United States.
Timothy B. Tyson
The Constitution. . . illustrates the complexity of the American system: that it serves the interests of a wealthy elite, but also does enough for small property owners, for middle-income mechanics and farmers, to build a broad base of support. The slightly prosperous people who make up this base of support are buffers against the blacks, the Indians, the very poor whites. They enable the elite to keep control with a minimum of coercion, a maximum of law--all made palatable by the fanfare of patriotism and unity.
Howard Zinn
The American system is the most ingenious system of control in world history. With a country so rich in natural resources, talent, and labor power the system can afford to distribute just enough wealth to just enough people to limit discontent to a troublesome minority. It is a country so powerful, so big, so pleasing to so many of its citizens that it can afford to give freedom of dissent to the small number who are not pleased. There is no system of control with more openings, apertures, leeways, flexibilities, rewards for the chosen, winning tickets in lotteries. There is none that disperses its controls more complexly through the voting system, the work situation, the church, the family, the school, the mass media--none more successful in mollifying opposition with reforms, isolating people from one another, creating patriotic loyalty.
Howard Zinn
In many respects, the United States is a great country. Freedom of speech is protected more than in any other country. It is also a very free society. In America, the professor talks to the mechanic. They are in the same category.
Noam Chomsky
The new crimes that the US and Israel were committing in Gaza as 2009 opened do not fit easily into any standard category—except for the category of familiarity.
Noam Chomsky
Since chess was such a painful test of intellect, it affected his emotions too much to be sport.
Paul C. Nagel
We survive on adversity and perish in ease and comfort.
Livy
In the case of Tunisia, it was indeed this single act that sparked what had been long-standing active protest movements and moved them forward. But that's not so unusual. Let's look at our own history. Take the civil rights movement. There had been plenty of concern and activism about violent repression of blacks in the South, and it took a couple of students sitting in at a lunch counter to really set it off. Small acts can make a big difference when there is a background of concern, understanding, and preliminary activism.
Noam Chomsky
People will love him (Theodore Roosevelt) for the enemies he has made.
Doris Kearns Goodwin
I remember the philosopher Bertrand Russell was asked why he spent his time protesting against nuclear war and getting arrested on demonstrations. Why didn’t he continue to work on the serious philosophical and logical problems which have major intellectual significance? And his answer was pretty good. He said: “Look, if I and others like me only work on those problems, there won’t be anybody around to appreciate it or be interested.
Chomsky Noam
The creative writer is compulsively concrete . . . . His fictional house should be haunted by ideas, not inhabited by them; they should flit past the windows after dark, not fill the rooms. The moment anyone tries to make poems or stories of ideas alone he is at the edge of absurdity; he can only harangue, never interest and persuade, because ideas in their conceptual state are simply not dramatic. They have to be put into the form of people and actions . . .
Wallace Stegner
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Being adults, they had forgotten what every child understands, which is giving and taking a meaning is not automatic and inevitable
Jacques Barzun
There are many rules of good writing, but the best way to find them is to be a good reader.
Stephen E. Ambrose
For us the chief point of interest is the place where the game is played. Generatly it is a simple circle, dyutamandalam, drawn on the ground. The circle as such, however, has a magic significance. It is drawn with great care, all sorts of precautions being taken against cheating. The players are not allowed to leave the ring until they have discharged their obligations. But, sometimes a special hall is provisionally erected for the game, and this hall is holy ground. The Mahabharata devotes a whole chapter to the erection of the dicing hall - sabha - where the Pandavas are to meet their prtners. Games, of chance, therefore, have their serious side. They are included in ritual.
Johan Huizinga
Our point of departure must be the conception of an almost childlike play-sense expressing itself in various play-forms, some serious, some playful, but all rooted in ritual and productive of culture by allowing the innate human need of rhythm, harmony, change, alternation, contrast and climax, etc., to unfold in full richness.
Johan Huizinga
For us the chief point of interest is the place where the game is played. Generally it is a simple circle, dyutamandalam, drawn on the ground. The circle as such, however, has a magic significance. It is drawn with great care, all sorts of precautions being taken against cheating. The players are not allowed to leave the ring until they have discharged their obligations. But, sometimes a special hall is provisionally erected for the game, and this hall is holy ground. The Mahabharata devotes a whole chapter to the erection of the dicing hall - sabha - where the Pandavas are to meet their prtners. Games, of chance, therefore, have their serious side. They are included in ritual.
Johan Huizinga
You will never become who you want to be if you keep blaming everyone else for who you are.
Habeeb Akande
Beaten armies always shout, "TREASON!
John Taliaferro
Monsters’ can help us by giving a tangible form to our secret fears. It is less widely appreciated today that ‘wonders’ such as the unicorn legitimize our hopes. But all imaginary animals, to some degree all animals, are ultimately both monsters and wonders, which assist us by deflecting and absorbing our uncertainties . It is hard to tell ‘imaginary animals’ from symbolic, exemplary, heraldic, stylized, poetic, literary, or stereotypical ones. What is reality? Until we answer that question with confidence, a sharp differentiation between real animals and imaginary ones will remain elusive. There is some yeti in every ape, and a bit of Pegasus in every horse. Men and women are not only part angel and part demon, as the old cliché goes; they are also part centaur, part werewolf, part mandrake, and part sphinx.
Boria Sax
Their bodies lay flatly on the rocks, and their eyes regarded him with evil interest: but it does not appear that Mr. Fison was afraid, or that he realized that he was in any danger. Possibly his confidence is to be ascribed to the limpness of their attitudes. But he was horrified, of course, and intensely excited and indignant at such revolting creatures preying upon human flesh. He thought they had chanced upon a drowned body. He shouted to them, with the idea of driving them off, and, finding they did not budge, cast about him, picked up a big rounded lump of rock, and flung it at one.And then, slowly uncoiling their tentacles, they all began moving towards him - creeping at first deliberately, and making a soft purring sound to each other.
H.G.Wells
Thinking about language, while thinking _in_ language, leads to puzzles and paradoxes.
James Gleick
Nowhere in the world, Rud reflected, was journalism anything but a malignant and wanton power. Later on, as the Common-sense Movement grew, he had to think a lot about that. He had to spread a new system of ideas throughout the world, and journalism would neither instruct nor inform nor lend itself consistently to any sustained propaganda.
H.G.Wells
The bit is a fundamental particle of a different sort: not just tiny but abstract—a binary digit, a flip-flop, a yes-or-no. It is insubstantial, yet as scientists have finally come to understand information, they wonder whether it may be primary: more fundamental than matter itself. They suggest that the bit is the irreducible kernel and that information forms the very core of existence.
James Gleick