Quotes by Cultural Critics

You cannot change people but you can change the system so that people are not pushed into doing evil things.
Slavoj Žižek
The root difficulty in all cases was the state of being blind and deaf to words-- not seeing the words for the prose. Being adults, they had forgotten what every child understands, which is giving and taking a meaning is not automatic and inevitable
Jacques Barzun
We just start putting our ideas out there, yet how do we actually attack contemporary problems? We do what some of the most successful American businesses do. We outsource and collaborate
Baratunde R. Thurston
Work on good prose has three steps: a musical stage when it is composed, an architectonic one when it is built, and a textile one when it is woven.
Walter Benjamin
Plain English - everybody loves it demands it - from the other fellow.
Jacques Barzun
Who hesitate and falter life away and lose tomorrow the ground won today.
Matthew Arnold
This strange disease of modern life with its sick hurry its divided aims.
Matthew Arnold
Teaching is not a lost art but the regard for it is a lost tradition.
Jacques Barzun
The pursuit of the perfect then is the pursuit of sweetness and light.
Matthew Arnold
In any assembly the simplest way to stop the transacting of business and split the ranks is to appeal to a principle.
Jacques Barzun
Resolve to be thyself and know that he who finds himself loses his misery.
Matthew Arnold
Resolve to be thyself ... he who finds himself loses his misery!
Matthew Arnold
Bald as the bare mountain tops are bald with a baldness full of grandeur.
Matthew Arnold
The same heart beats in every human breast.
Matthew Arnold
Journalism is literature in a hurry.
Matthew Arnold
Nature with equal mind sees all her sons at play sees man control the wind the wind sweep man away.
Matthew Arnold
Resolve to be thyself ... he who finds himself loses his misery!
Matthew Arnold
Bald as the bare mountain tops are bald with a baldness full of grandeur.
Matthew Arnold
The same heart beats in every human breast.
Matthew Arnold
Journalism is literature in a hurry.
Matthew Arnold
Nature with equal mind sees all her sons at play sees man control the wind the wind sweep man away.
Matthew Arnold
In any assembly the simplest way to stop transacting business and split the ranks is to appeal to a principle.
Jacques Barzun
We forget because we must And not because we will.
Matthew Arnold
They who await no gifts from chance have conquered fate.
Matthew Arnold
Resolve to be thyself and know that who finds himself loses his misery.
Matthew Arnold
Is it so small a thing to have enjoyed the sun to have lived light in the spring to have loved to have thought to have done?
Matthew Arnold
The nice sense of measure is certainly not one of Nature's gifts to her English children ... we have all of us yielded to infatuation at some moment of our lives.
Matthew Arnold
The test and the use of man's education is that he finds pleasure in the exercise of his mind.
Jacques Barzun
Art distills sensation and embodies it with enhanced meaning in memorable form - or else it is not art.
Jacques Barzun
Poetry is simply the most beautiful impressive and widely effective mode of saying things.
Matthew Arnold
Whoever wants to know the hearts and minds of America had better learn baseball.
Jacques Barzun
Ultimately,we hear things because we cannot see everything.
Slavoj Žižek
Journalism is literature in a hurry.
Matthew Arnold
Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.
Walter Benjamin
The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.
Walter Benjamin
The film is the first art form capable of demonstrating how matter plays tricks on man.
Walter Benjamin
But what about the apparent absurdity of the idea of dignity, freedom, and reason, sustained by extreme military discipline, including of the practice of discarding weak children? This “absurdity” is simply the price of freedom—freedom is not free, as they put it in the film [300]. Freedom is not something given, it is regained through a hard struggle in which one should be ready to risk everything. Spartan ruthless military discipline is not simply the opposite of Athenian “liberal democracy,” it is its inherent condition, it lays the foundation for it: the free subject of Reason can only emerge through ruthless self-discipline. True freedom is not a freedom of choice made from a safe distance, like choosing between a strawberry cake and a chocolate cake; true freedom overlaps with necessity, one makes a truly free choice when one’s choice puts at stake one’s very existence—one does it because one simply “cannot do otherwise.” When one’s country is under foreign occupation and one is called by a resistance leader to join the fight against the occupiers, the reason given is not “you are free to choose,” but: “Can’t you see that this is the only thing you can do if you want to retain your dignity?
Slavoj Žižek
We’re not dreamers. We’re awaking from a dream turning into a nightmare. We’re not destroying anything. We’re watching the system destroy itself.
Slavoj Žižek
Georgi M. Derluguian's Bourdieu's Secret Admirer in the Caucasus tells the extraordinary story of Musa Shanib from Abkhazia, the leading intellectual of this turbulent region whose incredible career passed from Soviet dissident intellectual through democratic political reformer and Muslim fundamentalist war leader up to respected professor of philosophy, his entire career marked by the strange admiration for Pierre Bourdieu's thought. There are two ways to approach such a figure. The first reaction is to dismiss it as local eccentricity, to treat it with benevolent irony - "what a strange choice, Bourdieu - who knows what this folkloric guy sees in Bourdieu...". The second reaction is to directly assert the universal scope of theory - "see how universal theory is: every intellectual from Paris to Chechenia and Abkhazia can debate his theories..." The true task, of course, is to avoid both these options and to assert the universality of a theory as the result of a hard theoretical work and struggle, a struggle that is not external to theory: the point is not (only) that Shanib had to do a lot of work to break the constraints of his local context and penetrate Bourdieu - this appropriation of Bourdieu by an Abkhazian intellectual also affects the substance of the theory itself, transposing it into a different universe. Did - mutatis mutandis - Lenin not do something similar with Marx? The shift of Mao with regard to Lenin AND Stalin concerns the relationship between the working class and peasants: both Lenin and Stalin were deeply distrustful towards the peasants, they saw as one of the main tasks of the Soviet power to break the inertia of the peasants, their substantial attachment to land, to "proletarize" them and thus fully expose them to the dynamics of modernization - in clear contrast to Mao who, in his critical notes on Stalin's Economic Problems of Socialism in the USSR (from 1958) remarked that "Stalin's point of view /.../ is almost altogether wrong. The basic error is mistrust of the peasants." The theoretical and political consequences of this shift are properly shattering: they imply no less than a thorough reworking of Marx's Hegelian notion of proletarian position as the position of "substanceless subjectivity," of those who are reduced to the abyss of their subjectivity.
Slavoj Žižek
And the non-reading of books, you will object, should be characteristic of all collectors? This is news to me, you may say. It is not news at all. experts will bear me out when I say that it is the oldest thing in the world. Suffice it to quote the answer which Anatole France gave to a philistine who admired his library and then finished with the standard question, “And you have read all these books, Monsieur France?” “Not one-tenth of them. I don’t suppose you use your Sevres china every day?
Walter Benjamin
Without the communist oppression, I am absolutely sure I would now be a local stupid professor of philosophy in Ljubljana.
Slavoj Žižek
Prose divides shame into stations.
Wayne Koestenbaum
It is so small a thing to have enjoyed the sun, to have lived light in the spring, to have loved, to have thought, to have done.
Matthew Arnold
Humanity is OK, but 99% of people are boring idiots.
Slavoj Žižek
For rigorous teachers seized my youth, And purged its faith, and trimm'd its fire, Show'd me the high, white star of Truth, There bade me gaze, and there aspire. Even now their whispers pierce the gloom: What dost thou in this living tomb?
Matthew Arnold
The “pursuit of happiness” is such a key element of the “American (ideological) dream” that one tends to forget the contingent origin of this phrase: “We holds these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.” Where did the somewhat awkward “pursuit of happiness” come from in this famous opening passage of the US Declaration of Independence? The origin of it is John Locke, who claimed that all men had the natural rights of life, liberty, and property— the latter was replaced by “the pursuit of happiness” during negotiations of the drafting of the Declaration, as a way to negate the black slaves’ right to property.
Slavoj Žižek
The cliche about prison life is that I am actually integrated into it, ruined by it, when my accommodation to it is so overwhelming that I can no longer stand or even imagine freedom, life outside prison, so that my release brings about a total psychic breakdown, or at least gives rise to a longing for the lost safety of prison life. The actual dialectic of prison life, however, is somewhat more refined. Prison in effect destroys me, attains a total hold over me, precisely when I do not fully consent to the fact that I am in prison but maintain a kind of inner distance towards it, stick to the illusion that ‘real life is elsewhere’ and indulge all the time in daydreaming about life outside, about nice things that are waiting for me after my release or escape. I thereby get caught in the vicious cycle of fantasy, so that when, eventually, I am released, the grotesque discord between fantasy and reality breaks me down. The only true solution is therefore fully to accept the rules of prison life and then, within the universe governed by these rules, to work out a way to beat them. In short, inner distance and daydreaming about Life Elsewhere in effect enchain me to prison, whereas full acceptance of the fact that I am really there, bound by prison rules, opens up a space for true hope.
Slavoj Žižek
I advise you to be suspicious of any black American whose family does not claim a blood connection to Native Americans. That’s a clear sign of a racial infiltrator who has not done enough research.
Baratunde R. Thurston
If you chose Option 2 [confrontation], you did well. People will be less likely to engage you in office small talk of any kind, but that's likely a benefit when you consider the fact that every ten minutes of office small talk takes one year off of your life.
Baratunde R. Thurston
I like to search for class struggle in strange domains. For example it is clear that in classical Hollywood, the couple of vampires and zombies designates class struggle. Vampires are rich, they live among us. Zombies are the poor, living dead, ugly, stupid, attacking from outside. And it's the same with cats and dogs. Cats are lazy, evil, exploitative, dogs are faithful, they work hard, so if I were to be in government, I would tax having a cat, tax it really heavy.
Slavoj Žižek
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed; an architectural one, where it is constructed; and finally, a textile one, where it is woven.
Walter Benjamin
the day is all about getting connected.
Judith Shulevitz
Heschel calls the Sabbath a cathedral in time.
Judith Shulevitz
The Sabbath, I said, is not only an idea. It is also something you keep. With other people. You can’t just extract lessons from it.
Judith Shulevitz
There is no better point of entry to the religious experience than the Sabbath, for all its apparent ordinariness. Because of its ordinariness. The extraordinariness of the Sabbath lies in its being commonplace.
Judith Shulevitz
If the secret core of potlatch is the reciprocity of exchange, why is this reciprocity not asserted directly, why does it assume the “mystified” form of two consecutive acts each of which is staged as a free voluntary display of generosity? Here we encounter the paradoxes of forced choice, of freedom to do what is necessary, at its most elementary: I have to do freely what I am expected to do. (If, upon receiving a gift, I immediately return it to the giver, this direct circulation would amount to an extremely aggressive gesture of humiliation, it would signal that I refused the other’s gifts — recall those embarrassing moments when elderly people forget and give us last year’s present once again … ) …the reciprocity of exchange is in itself thoroughly ambiguous; at its most fundamental, it is destructive of the social bond, it is the logic of revenge, tit for tat. To cover this aspect of exchange, to make it benevolent and pacific, one has to pretend that each person’s gift is free and stands on its own. This brings us to potlatch as the “pre-economy of the economy,” its zero-level, that is, exchange as the reciprocal relation of two non-productive expenditures. If the gift belongs to Master and exchange to the Servant, potlatch is the paradoxical exchange between Masters. Potlach is simultaneously the zero-level of civility, the paradoxical point at which restrained civility and obscene consumption overlap, the point at which it is polite to behave impolitely.
Slavoj Žižek
Any order is a balancing act of extreme precariousness.
Walter Benjamin
What one should add here is that self-consciousness is itself unconscious: we are not aware of the point of our self-consciousness. If ever there was a critic of the fetishizing effect of fascinating and dazzling "leitmotifs", it is Adorno: in his devastating analysis of Wagner, he tries to demonstrate how Wagnerian leitmotifs serve as fetishized elements of easy recognition and thus constitute a kind of inner-structural commodification of his music. It is then a supreme irony that traces of this same fetishizing procedure can be found in Adorno's own writings. Many of his provocative one-liners do effectively capture a profound insight or at least touch on a crucial point (for example: "Nothing is more true in pscyhoanalysis than its exaggeration"); however, more often than his partisans are ready to admit, Adorno gets caught up in his own game, infatuated with his own ability to produce dazzlingly "effective" paradoxical aphorisms at the expense of theoretical substance (recall the famous line from Dialectic of Englightment on how Hollywood's ideological maniuplation of social reality realized Kant's idea of the transcendental constitution of reality). In such cases where the dazzling "effect" of the unexpected short-circuit (here between Hollywood cinema and Kantian ontology) effectively overshadows the theoretical line of argumentation, the brilliant paradox works precisely in the same manner as the Wagnerian leitmotif: instead of serving as a nodal point in the complex network of structural mediation, it generates idiotic pleasure by focusing attention on itself. This unintended self-reflexivity is something of which Adorno undoubtedly was not aware: his critique of the Wagnerian leitmotif was an allegorical critique of his own writing. Is this not an exemplary case of his unconscious reflexivity of thinking? When criticizing his opponent Wagner, Adorno effectively deploys a critical allegory of his own writing - in Hegelese, the truth of his relation to the Other is a self-relation.
Slavoj Žižek
Half the urge to write is the premonition that later the thought I am having might disappear so I had better write it down while I still have the inclination, however overshadowed this desire is by indolence.
Wayne Koestenbaum
You don't get your prebaby body back, ever, because you cannot go back to being a person who hasn't had a baby. Because you had a baby.
Wednesday Martin