Quotes by Spanish Authors - Page 18

The road to wealth is sown with false starts and failures that should in no way discourage the poor who make good or our neighbors with new found riches. We have to give it our all.
Roberto Bolaño
Circumstances are the seeds of literature.
Salvador de Madariaga
There is little more I can add short of dissecting the man, or going into intimate details such as the modest proportions and slight southeasterly curvature of his manhood.
Félix J. Palma
[A] writer’s most powerful weapon, his true strength, was his intuition, and regardless of whether he had any talent, if the critics combined to discredit an author’s nose for things, he would be reduced to a fearful creature who took a mistakenly guarded, absurdly cautious approach to his work, which would end up stifling his latent genius.
Félix J. Palma
Of course, they were other things too. Sometimes they were even everything all together, but not fame, which was rooted in delusion and lies, if not ambition. Also, fame was reductive. Everything that ended in fame and everything that issued from fame was inevitably diminished. Fame's message was unadorned. Fame and literature were irreconcilable enemies.
Roberto Bolaño
One night I dreamed of an angel: I walked into a huge, empty bar and saw him sitting in a corner with his elbows on the table and a cup of milky coffee in front of him. She’s the love of your life, he said, looking up at me, and the force of his gaze, the fire in his eyes, threw me right across the room. I started shouting, Waiter, waiter, then opened my eyes and escaped from that miserable dream. Other nights I didn’t dream of anyone, but I woke up in tears.
Roberto Bolaño
Do you like reading? It's the best thing that can happen to you in life. Writing has other implications.
Manuel Rivas
Ivanov had been a party member since 1902. Back then he had tried to write stories in the manner of Tolstoy, Chekhov, Gorky, or rather he had tried to plagiarize them without much success, which led him, after long reflection (a whole summer night), to the astute decision that he should write in the manner of Odoevsky and Lazhechnikov. Fifty percent Odoevsky and fifty percent Lazhecknikov. This went over well, in part because readers, their memories mostly faulty, had forgotten poor Odoevsky (1803-1869) and poor Lazhechnikov (1792-1869), who died the same year, and in part because literary criticism, as keen as ever, neither extrapolated nor made the connection nor noticed a thing.
Roberto Bolaño
We lose everything because everything remains except us. And therefore any form of posterity may be an affront, and perhaps any memory, as well.
Javier Marías
Another time, talking about his books, the baroness confessed that she had never bothered to read any of them, because she hardly ever read 'difficult' or 'dark' novels like the ones he wrote. With the years, too, this habit had grown entrenched, and once she turned seventy the scope of her reading was restricted to fashion or news magazines.
Roberto Bolaño
When people read his books they have an uncontrollable desire to hang the author in the town square. I can’t think of a higher honor for a writer.
Roberto Bolaño
Write in the morning, revise in the afternoon, read at night, and spend the rest of your time exercising your diplomacy, stealth, and charm.
Roberto Bolaño
Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity.
Carlos Ruiz Zafón
Ivanov's fear was of a literary nature. That is, it was the fear that afflicts most citizens who, one fine (or dark) day, choose to make the practice of writing, and especially the practice of fiction writing, an integral part of their lives. Fear of being no good. Also fear of being overlooked. But above all, fear of being no good. Fear that one's efforts and striving will come to nothing. Fear of the step that leaves no trace. Fear of the forces of chance and nature that wipe away shallow prints. Fear of dining alone and unnoticed. Fear of going unrecognized. Fear of failure and making a spectacle of oneself. But above all, fear of being no good. Fear of forever dwelling in the hell of bad writers.
Roberto Bolaño
He chose The Metamorphosis over The Trial, he chose Bartleby over Moby-Dick, he chose A Simple Heart over Bouvard and Pecuchet, and A Christmas Carol over A Tale of Two Cities or The Pickwick Papers. What a sad paradox, thought Amalfitano. Now even bookish pharmacists are afraid to take on the great, imperfect, torrential works, books that blaze paths into the unknown. They choose the perfect exercises of the great masters. Or what amounts to the same thing: they want to watch the great masters spar, but they have no interest in real combat, when the great masters struggle against that something, that something that terrifies us all, that something that cows us and spurs us on, amid blood and mortal wounds and stench.
Roberto Bolaño
A synonym is a word you use when you can't spell the other one.
Baltasar Gracián
If you really want to possess a woman, you must think like her, and the first thing to do is win over her soul. The rest, that sweet, soft wrapping that steals away your senses and your virtue, is a bonus.
Carlos Ruiz Zafón
Writers are the exorcists of their own demons.
Mario Vargas Llosa
A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.
Carlos Ruiz Zafón
Learn the rules like a pro, so you can break them like an artist.
Pablo Picasso
... helping each other to have a true gaze on reality, on the circumstances we are living in, is the first gesture of friendship we can offer each other for living like human beings in the presence of the needs of the world.
Julian Carron
A belief which leaves no place for doubt is not a belief; it is a superstition. -Jose Bergamin, author (1895-1983)
Jose Bergamin
Faith which does not doubt is dead faith. -Miguel de Unamuno, philosopher and writer (1864-1936)
Miguel de Unamuno
It is a part of our nature to survive. Faith is an instinctive response to aspects of existence that we cannot explain by any other means, be it the moral void we perceive in the universe, the certainty of death, the mystery of the origin of things, the meaning of our lives, or the absence of meaning. These are basic and extremely simple aspects of existence, but our limitations prevent us from responding in an unequivocal way and for that reason we generate an emotional response, as a defense mechanism. It's pure biology.
Carlos Ruiz Zafón
My heart in the East But the rest of me far in the West— How can I savor this life, even taste what I eat? How, in the bonds of the Moor, Zion chained to the Cross, Can I do what I’ve vowed to and must? Gladly I’d leave All the best of grand Spain For one glimpse of the ruined Shrine’s dust.
Yehuda HaLevi
Porque a volar no se aprende solo, pero a caer no se aprende nunca.
Ernesto Pérez Vallejo
Sólo la fiebre y la poesía provocan visiones. / Sólo el amor y la memoria. / No estos caminos ni estas llanuras. / No estos laberintos.
Roberto Bolaño
The muffled syllables that Nature speaksFill us with deeper longing for her word; She hides a meaning that the spirit seeks,She makes a sweeter music than is heard.
George Santayana
Only poetry isn't shit.
Roberto Bolaño
At five in the afternoon. It was exactly five in the afternoon. A boy brought the white sheet at five in the afternoon. A frail of lime ready prepared at five in the afternoon. The rest was death, and death alone
Federico García Lorca
With you a part of me hath passed away; For in the peopled forest of my mind A tree made leafless by this wintry wind Shall never don again its green array. Chapel and fireside, country road and bay, Have something of their friendliness resigned; Another, if I would, I could not find, And I am grown much older in a day. But yet I treasure in my memory Your gift of charity, and young hearts ease, And the dear honour of your amity; For these once mine, my life is rich with these. And I scarce know which part may greater be,-- What I keep of you, or you rob from me.
George Santayana
¡Los suspiros son aire y van al aire!¡Las lágrimas son agua y van al mar!Dime, mujer, cuando el amor se olvida¿sabes tú adónde va?
Gustavo Adolfo Bécquer
Verde que te quiero verde. Verde viento. Verdes ramas. El barco sobre la mar y el caballo en la montaña.
Federico García Lorca
I thought my fireplace dead and stirred the ashes. I burned my fingers.
Antonio Machado
There is a time for reciting poems and a time for fists.
Roberto Bolaño
My head is full of fireand grief and my tongueruns wild, piercedwith shards of glass.
Federico García Lorca
El reproche y la culpa solo sirven para aprisionarnos y para no dejarnos avanzar.
Miquel Reina
Se puede vivir sin leer, es cierto: pero también se puede vivir sin amar: el argumento hace aguas como una balsa capitaneada por ratas... Sólo quien ha estado enamorado sabe lo que el amor regala y quita: sólo quien ha leído sabe si la vida merece la pena de ser vivida sin la conciencia de aquellos hombres y mujeres que nos han escrito mil veces antes de que naciéramos. Y que nadie se sonría ante estas líneas. Por una vez, y sin que sirva de precedente, han sido escritas sólo desde la emoción.
Ricardo Menéndez Salmón
Very well, but - who are you?' again asked Gil Gil, in whom curiosity was beginning to get the better of every other feeling.'I told you that when I first spoke to you - I am your friend. And bear in mind that you are the only being on the face of the earth to whom I accord the title of friend. I am bound to you by remorse! I am the cause of all your misfortunes.''I do not know you,' replied the shoemaker.'And yet I have entered your house many times! Through me you were left motherless at your birth; I was the cause of the apoplectic stroke that killed Juan Gil; it was I who turned you out of the palace of Rionuevo; I assassinated your old house-mate, and, finally, it was I who placed in your pocket the vial of sulfuric acid.'Gil Gil trembled like a leaf; he felt his hair stand on end, and it seemed to him as if his contracted muscles must burst asunder.'You are the devil!' he exclaimed, with indescribable terror.'Child!' responded the black-robed figure in accents of amiable censure, 'what has put that idea into your head? I am something greater and better than the wretched being you have named.''Who are you, then?''Let us go into the inn and you shall learn.'Gil hastily entered, drew the Unknown before the modest lantern that lighted the apartment, and looked at him with intense curiosity.He was a person about thirty-three years old; tall, handsome, pale, dressed in a long black tunic and a black mantle, and his long locks were covered by a Phrygian cap, also black. He had not the slightest sign of a beard, yet he did not look like a woman. Neither did he look like a man... ("The Friend of Death")
Pedro Antonio de Alarcón
We have a long distance to travel,' said the Angel of Death to our friend Gil, as soon as they had left the Villa. 'I will order my chariot.' And he struck the ground with his foot. A hollow rumbling, like that which precedes an earthquake, sounded under the ground. Presently there rose round the two friends an ash-colored cloud of vapor, in the midst of which appeared a species of ivory chariot, resembling the chariots we see in the bas-reliefs of antiquity.A brief glance would have sufficed (we will not disguise the fact from out readers) to show that the chariot was not made of ivory, but solely and simply of human bones polished and joined together with exquisite skill, but retaining still their natural form.The Angel of Death gave his hand to Gil and they ascended the chariot, which rose into the air like the balloons of the present day, but with the difference that it was propelled by the will of its occupants. ("The Friend of Death")
Pedro Antonio de Alarcón
When they had ended their prayers, the Angel of Death recovered his loquacity and his gayety and ascending the chariot again, preceded by Gil Gil, spoke as follows.'The village you see on that mountain is Gethsemane. In it was the Garden of Olives. On the other side you can distinguish an eminence crowned by a temple which stands out against a starry sky - that is Golgotha. There I passed the greatest day of my existence. I thought I had vanquished God himself - and vanquished he was for some hours. But, alas! on that mount, too, it was that three days later I saw myself disarmed and my power brought to naught on the morning of a certain Sunday. Jesus had risen from the dead. There, too, took place on the same occasion my great single combat with Nature. There took place my duel with her, that terrible duel (at the third hour of the day, I remember it well), when, as soon as she saw me thrust the lance of Longinus in the breast of the Saviour she began to throw stones at me, to upturn the cemeteries, to bring the dead to life, and I know not what besides. I thought poor Nature had lost her senses.'The Angel of Death seemed to reflect for a moment... ("The Friend of Death")
Pedro Antonio de Alarcón
The moon fled eastward like a frightened dove, while the stars changed their places in the heavens, like a disbanding army.'Where are we?' asked Gil Gil.'In France,' responded the Angel of Death. 'We have now traversed a large portion of the two bellicose nations which waged so sanguinary a war with each other at the beginning of the present century. We have seen the theater of the War of Succession. Conquered and conquerors both lie sleeping at this instant. My apprentice, Sleep, rules over the heroes who did not perish then, in battle, or afterward of sickness or of old age. I do not understand why it is that below on earth all men are not friends? The identity of your misfortunes and your weaknesses, the need you have of each other, the shortness of your life, the spectacle of the grandeur of other worlds, and the comparison between them and your littleness, all this should combine to unite you in brotherhood, like the passengers of a vessel threatened with shipwreck. There, there is neither love, nor hate, nor ambition, no one is debtor or creditor, no one is great or little, no one is handsome or ugly, no one is happy or unfortunate. The same danger surrounds all and my presence makes all equal. Well, then, what is the earth, seen from this height, but a ship which is foundering, a city delivered up to an epidemic or a conflagration?''What are those ignes fatui which I can see shining in certain places on the terrestrial globe, ever since the moon veiled her light?' asked the young man.'They are cemeteries. We are now above Paris. Side by side with every city, every town, every village of the living there is always a city, a town, or a village of the dead, as the shadow is always beside the body. Geography, then, is of two kinds, although mortals only speak of the kind which is agreeable to them. A map of all the cemeteries which there are on the earth would be sufficient indication of the political geography of your world. You would miscalculate, however, in regard to the population; the dead cities are much more densely populated than the living; in the latter there are hardly three generations at one time, while, in the former, hundreds of generations are often crowded together. As for the lights you see shining, they are phosphorescent gleams from dead bodies, or rather they are the expiring gleams of thousands of vanished lives; they are the twilight glow of love, ambition, anger, genius, mercy; they are, in short, the last glow of a dying light, of the individuality which is disappearing, of the being yielding back his elements to mother earth. They are - and now it is that I have found the true word - the foam made by the river when it mingles its waters with those of the ocean.' The Angel of Death paused. ("The Friend of Death")
Pedro Antonio de Alarcón
The two friends went on and on toward the sierra, at times keeping the highway, at times. deviating from it.Whenever they passed through a town or a hamlet, the slow peal of bells tolling the death-knell announced to our hero that the Angel of Death was not losing his time; that his arm reached to every part of the world, and that, though Gil felt it now weighing upon his breast like a mountain of ice, none the less did it scatter ruin and desolation over the entire surface of the earth.As they went, the Angel of Death related many strange and wonderful things to his protege.The foe of history, he took pleasure in scoffing at its pretended utility, in disproof of which he narrated many facts as they had actually occurred, and not as they are recorded on monuments and in chronicles.The abysses of the past opened before the entranced imagination of Gil Gil, revealing to him facts of transcendent importance concerning the fate of man and of empires, disclosing to him the great mystery of the origin of life and the no less great and terrible mystery of the end to which we, wrongly called mortals, are progressing, and causing him, finally, to comprehend, by the light of this sublime philosophy, the laws which preside at the evolution of cosmic matter, and its various manifestations in those ephemeral and transitory forms which are called minerals, plants,animals, stars, constellations, nebula, and worlds. ("The Friend Of The Death")
Pedro Antonio de Alarcón
...and yet the idea is hard to accept, it's so hard to succeed in making something happen, even what's been decided on and planned out, not even the will of a god seems forceful enough to manage it, if our own will is made in its semblance. It may be, rather, that nothing is ever unmixed and the thirst for totality is never quenched, perhaps because it is a false yearning. Nothing is whole or of a single piece, everything is fractured and evenomed, veins of peace run through the body of war and hatred insinuates itself into love and compassion, there is truce amid the quagmire of bullets and a bullet amid the revelries, nothing can bear to be unique or prevail or be dominant and everything needs fissures and cracks, needs it negation at the same time as its existence. And nothing is known with certainty and everything is told figuratively.
Javier Marías
El silencio de la muerte es el peor de los silencios, porque el silencio rulfiano es un silencio aceptado y el rimbaudiano es un silencio buscado, pero el silencio de la muerte es el que corta de tajo lo que pudo ser y nunca más va a poder ser, lo que no sabremos jamás.
Roberto Bolaño
While he was waiting, leaning on the counter at a coffee place, he remembered the dream he'd had the night before about Antonio Jones, who had been dead for several years now. As before, he asked himself what Jones could have died of, and the one answer that occurred to him was old age. One day, walking down some street in Brooklyn, Antonio Jones had felt tired, sat down on the sidewalk, and a second later stopped existing.
Roberto Bolaño
The fact of having been born is a bad augury for immortality.
George Santayana
There is no cure for birth and death save to enjoy the interval
George Santayana
I am dying now, but I still have many things to say.
Roberto Bolaño
Heroes and scholars represent the opposite extremes... The scholar struggles for the benefit of all humanity, sometimes to reduce physical effort, sometimes to reduce pain, and sometimes to postpone death, or at least render it more bearable. In contrast, the patriot sacrifices a rather substantial part of humanity for the sake of his own prestige. His statue is always erected on a pedestal of ruins and corpses... In contrast, all humanity crowns a scholar, love forms the pedestal of his statues, and his triumphs defy the desecration of time and the judgment of history.
Santiago Ramón y Cajal
The diseased, anyway, are more interesting than the healthy. The words of the diseased, even those who can manage only a murmur, carry more weight than those of the healthy. Then, too, all healthy people will in the future know disease. That sense of time, ah, the diseased man’s sense of time, what treasure hidden in a desert cave. Then, too the diseased truly bite, whereas the healthy pretend to bite but really only snap at the air. Then, too, then, too, then, too.
Roberto Bolaño
I can't die yet, doctor. Not yet. I have things to do. Afterwords I'll have a whole lifetime in which to die.
Carlos Ruiz Zafón
Here lies a gentleman boldWho was so very braveHe went to lengths untold,And on the brink of the graveDeath had on him no hold.By the world he set small store--He frightened it to the core--Yet somehow, by Fate's plan,Though he'd lived a crazy man,When he died he was sane once more.
Miguel de Cervantes Saavedra
Remember me, even if it's only in a corner and secretly. Don't let me go.
Carlos Ruiz Zafón
I have hope in children. In children and warriors. In children who fuck like children and warriors who fight like brave men.
Roberto Bolaño
Hope says: one dayyou will see her, if you will only wait.Despair says:all you have left of her is your bitterness.Beat, heart…The earthhas not swallowed everything.
Antonio Machado
Please write an ending where the Martians are defeated. Don't take away your readers' hope.
Félix J. Palma
It isn’t true, is it, Daniel, that music can tame the beasts? Yet, in the end, a song lives.
Maria Àngels Anglada
I couldn't help thinking that if I, by pure chance, had found a whole universe in a single unknown book, buried in that endless necropolis, tens of thousands more would remain unexplored, forgotten forever.
Carlos Ruiz Zafón
Even on the poorest streets people could be heard laughing. Some of these streets were completely dark, like black holes, and the laughter that came from who knows where was the only sign, the only beacon that kept residents and strangers from getting lost.
Roberto Bolaño