Quotes by German Authors - Page 75

Hurried reading can never be good reading
Georg Joachim Goschen
So I had nothing to distract me from my books and their other worlds that swallowed me whole, from Narnia to the Wisconsin woods, from a small town in Sweden to the red earth of Prince Edward Island. Nothing and no one interested me as much as my books.
Luisa Weiss
The books and magazines streamed in. He could buy them all, they piled up around him and even while he read, the number of those still to be read disturbed him. … they stood in rows, weighing down his life like a possession which he did not succeed in subordinating to his personality.
Thomas Mann
Reading is thinking with someone else's head instead of ones own.
Arthur Schopenhauer
This week I've been reading a lot and doing little work. That's the way things ought to be. That's surely the road to success.
Anne Frank
Life must not be a novel that is given to us, but one that is made by us.
Novalis
If you truly love film, I think the healthiest thing to do is not read books on the subject. I prefer the glossy film magazines with their big color photos and gossip columns, or the National Enquirer. Such vulgarity is healthy and safe.
Werner Herzog
She read and read and read, but she was stuffing herself with the letters on the page like an unhappy child stuffing itself with chocolate. They didn’t taste bad, but she was still unhappy.
Cornelia Funke
One can never read too little of bad, or too much of good books: bad books are intellectual poison; they destroy the mind.In order to read what is good one must make it a condition never to read what is bad; for life is short, and both time and strength limited.
Arthur Schopenhauer
It was a joy! Words weren't dull, words were things that could make your mind hum. If you read them and let yourself feel the magic, you could live without pain, with hope, no matter what happened to you.
Charles Bukowski
The worst readers are those who behave like plundering troops: they take away a few things they can use, dirty and confound the remainder, and revile the whole.
Friedrich Nietzsche
... that when you're buying books, you're optimistically thinking you're buying the time to read them.(Paraphrase of Schopenhauer)
Arthur Schopenhauer
Reading is an intelligent way of not having to think.
Walter Moers
Somebody who only reads newspapers and at best books of contemporary authors looks to me like an extremely near-sighted person who scorns eyeglasses. He is completely dependent on the prejudices and fashions of his times, since he never gets to see or hear anything else.
Albert Einstein
Take a good book to bed with you—books do not snore.
Thea Dorn
I had considered myself some kind of genius and had considerably underestimated the toils and difficulties encountered along the path to an art.
Hermann Hesse
if you have to wait for it to roar out ofyou,then wait patiently.if it never does roar out of you,do something else.
Charles Bukowski
unless it comes out ofyour soul like a rocket,unless being still woulddrive you to madness orsuicide or murder,don’t do it.unless the sun inside you isburning your gut,don’t do it.when it is truly time,and if you have been chosen,it will do it byitself and it will keep on doing ituntil you die or it dies in you.there is no other way.and there never was.
Charles Bukowski
In the end the soul is itself the longing of the soulless for salvation.
Theodor W. Adorno
As the philosopher Gilles Deleuze put it, no painter ever stands before a completely blank canvas, no author ever sits before a blank page. In fact, the surface confronting the modern artist is full of inherited images that must first be cleared from the imagination before one can begin to create one's own.
Marie Luise Knott
Having small touches of colour makes it more colourful than having the whole thing in colour
Dieter Rams
Art as the single superior counter-force against all will to negation of life, art as the anti-Christian, anti-Buddhist, anti-Nihilist par excellence.
Friedrich Nietzsche
[N]othing is more easily corrupted than an artist.
Friedrich Nietzsche
Why can't a tree be called Pluplusch?
Hugo Ball
It was shameless how life made fun of one; it was a joke, a cause for weeping! Either one lived and let one's senses play, drank full at the primitive mother's breast—which brought great bliss but was no protection against death; then one lived like a mushroom in the forest, colorful today and rotten tomorrow. Or else one put up a defense, imprisoned oneself for work and tried to build a monument to the fleeting passage of life—then one renounced life, was nothing but a tool; one enlisted in the service of that which endured, but one dried up in the process and lost one's freedom, scope, lust for life...Ach, life made sense only if one achieved both, only if it was not split by this brittle alternative! To create, without sacrificing one's senses for it. To live, without renouncing the mobility of creating. Was that impossible?
Hermann Hesse
The true artist is not proud, he unfortunately sees that art has no limits; he feels darkly how far he is from the goal; and though he may be admired by others, he is sad not to have reached that point to which his better genius only appears as a distant, guiding sun. I would, perhaps, rather come to you and your people, than to many rich folk who display inward poverty.
Ludwig van Beethoven
Anyone who knew the recipe of the alchemists could make gold, but only the artisans of Murano could make glass so fine, one could nearly touch one's fingers together on either side; cristallo without an imperfection or blemish, clear as the sky, with a sparkle to rival that of diamonds.
Ruth Nestvold
But what is the use of the humanities as such? Admittedly they are not practical, and admittedly they concern themselves with the past. Why, it may be asked, should we engage in impractical investigations, and why should we be interested in the past? The answer to the first question is: because we are interested in reality. Both the humanities and the natural sciences, as well as mathematics and philosophy, have the impractical outlook of what the ancients called vita contemplativa as opposed to vita activa. But is the contemplative life less real or, to be more precise, is its contribution to what we call reality less important, than that of the active life? The man who takes a paper dollar in exchange for twenty-five apples commits an act of faith, and subjects himself to a theoretical doctrine, as did the mediaeval man who paid for indulgence. The man who is run over by an automobile is run over by mathematics, physics and chemistry. For he who leads the contemplative life cannot help influencing the active, just as he cannot prevent the active life from influencing his thought. Philosophical and psychological theories, historical doctrines and all sorts of speculations and discoveries, have changed, and keep changing, the lives of countless millions. Even he who merely transmits knowledge or learning participates, in his modest way, in the process of shaping reality - of which fact the enemies of humanism are perhaps more keenly aware than its friends. It is impossible to conceive of our world in terms of action alone. Only in God is there a "Coincidence of Act and Thought" as the scholastics put it. Our reality can only be understood as an interpenetration of these two.
Erwin Panofsky
The future belongs to us. I think that art is a force that can change the world.
Shahin Najafi
Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity.
Erwin Panofsky
He loved the sea for deep-seated reasons: the hardworking artist's need for repose, the desire to take shelter from the demanding diversity of phenomena in the bosom of boundless simplicity, a propensity—proscribed and diametrically opposed to his mission in life and for that very reason seductive—a propensity for the unarticulated, the immoderate, the eternal, for nothingness. To repose in perfection is the desire of all those who strive for excellence, and is not nothingness a form of perfection?
Thomas Mann
These two developments throw light on what is perhaps the most fundamental difference between the Renaissance and all previous periods of art. We have repeatedly seen that there were these circumstances which could compel the artist to make a distinction between the "technical" proportions and the "objective;" the influence of organic movement, the influence of perspective foreshortening, and the regard for the visual impression of the beholder. These three factors of variation have one thing in common: they all presuppose the artistic recognition of subjectivity. Organic movement introduces into the calculus of artistic composition the subjective will and the subjective emotions of the thing represented; foreshortening the subjective visual experience of the artist; and those "eurhythmic" adjustments which alter that which is right in favor of what seems right, the subjective visual experience of a potential beholder. And it is the Renaissance which, for the first time, not only affirms but formally legitimizes and rationalizes these three forms of subjectivity.
Erwin Panofsky
All art moves between the extremes.
Jan Fries
The expressions of those moving about a picture gallery show ill-concealed disappointment that they only find pictures there.
Walter Benjamin
With the plundered people transferring their energies into relaxed and receptive thoughts, degradation and lust for power produced art.
Peter Weiss
Dalin must have whiffed the anarch in me, a man with no ties to state or society. Still, he was unable to sense an autonomy that puts up with these forces as objective facts but without recognizing them. What he lacked was a grounding in history.Opposition is collaboration; this was something from which Dalin, without realizing it, could not stay free. Basically, he damaged order less than he confirmed it. The emergence of the anarchic nihilist is like a goad that convinces society of its unity.The anarch, in contrast, not only recognizes society a priori as imperfect, he actually acknowledges it with that limitation. He is more or less repulsed by state and society, yet there are times and places in which the invisible harmony shimmers through the visible harmony. This is obviously chiefly in the work of art. In that case, one serves joyfully.But the anarchic nihilist thinks the exact opposite. The Temple of Artemis, to cite an example, would inspire him to commit arson. The anarch, however, would have no qualms about entering the temple in order to meditate and to participate with an offering. This is possible in any temple worthy of the name.
Ernst Jünger
I set about seeking a thread, a theme, a style, in the realm of legend. Something that might allow me to give free rein to my juvenile sense of romanticism and the beautiful image.
Leni Riefenstahl
...I thought, with a certain amount of sorrow, how much enormous talent there must be in the world for nature simply to toss it away so arbitrarily! But nature could not care less what we think about it, and as far as talent is concerned, there is such an excess that our artists will soon become their own audiences, and audiences made up of ordinary people will no longer exist.
Hermann Hesse
The painter must give a completely free rein to any feeling or sensations he may have and reject nothing to which he is naturally drawn.
Lucian Freud
It's the only dish I serve my craziness for color in.
Josef Albers
What did one see if one looked in any depth into the world of this writer's fiction? Elegant self-control concealing from the world's eyes until the very last moment a state of inner disintegration and biological decay; sallow ugliness, sensuously marred and worsted, which nevertheless is able to fan its smouldering concupiscence to a pallid impotence, which from the glowing depths of the spirit draws strength to cast down a whole proud people at the foot of the Cross and set its own foot upon them as well; gracious poise and composure in the empty austere service of form; the false, dangerous life of the born deceiver, his ambition and his art which lead so soon to exhaustion ---
Thomas Mann
In the twentieth century, one encounters artworks that seek to cancel the difference between a real and an imagined reality by presenting themselves in ways that make them indistinguishable from real objects. Should we take this trend as an internal reaction of art against itself? … No ordinary object insists on being taken for an ordinary thing, but a work that does so betrays itself by this very effort. The function of art in such a case is to reproduce the difference of art. But the mere fact that art seeks to cancel this difference and fails in its effort to do so perhaps says more about art than could any excuse or critique.
Niklas Luhmann
There were profound reasons for his attachment to the sea: he loved it because as a hardworking artist he needed rest, needed to escape from the demanding complexity of phenomena and lie hidden on the bosom of the simple and tremendous; because of a forbidden longing deep within him that ran quite contrary to his life's task and was for that very reason seductive, a longing for the unarticulated and immeasurable, for eternity, for nothingness. To rest in the arms of perfection is the desire of any man intent upon creating excellence; and is not nothingness a form of perfection?
Thomas Mann
Even in a personal sense, after all, art is an intensified life. By art one is more deeply satisfied and more rapidly used up. It engraves on the countenance of its servant the traces of imaginary and intellectual adventures, and even if he has outwardly existed in cloistral tranquility, it leads in the long term to overfastidiousness, over-refinement, nervous fatigue and overstimulation, such as can seldom result from a life of the most extravagant passions and pleasures.
Thomas Mann
Art has nothing to do with taste. Art is not there to be tasted
Max Ernst
Truly, art is embedded in nature; he who can extract it, has it.
Albrecht Dürer
A work of art wastes away and becomes lustreless in surroundings where it has a price but not a value. It radiates only when surrounded by love. It is bound to wilt in a world where the rich have no time and the cultivated no money. But it never harmonizes with borrowed greatness.
Ernst Jünger
Human perfection and technical perfection are incompatible. If we strive for one, we must sacrifice the other: there is, in any case, a parting of the ways. Whoever realises this will do cleaner work one way or the other.Technical perfection strives towards the calculable, human perfection towards the incalculable. Perfect mechanisms - around which, therefore, stands an uncanny but fascinating halo of brilliance - evoke both fear and Titanic pride which will be humbled not by insight but only by catastrophe.The fear and enthusiasm we experience at the sight of perfect mechanisms are in exact contrast to the happiness we feel at the sight of a perfect work of art. We sense an attack on our integrity, on our wholeness. That arms and legs are lost or harmed is not yet the greatest danger.
Ernst Jünger
Think it a vile habit to alter works of good composers, to omit parts of them, or to insert new-fashioned ornaments. This is the greatest insult you can offer to Art.
Robert Schumann
Color has got me. I no longer need to chase after it. It has got me for ever. I know it. That is the meaning of this happy hour.
Paul Klee
Art does not reproduce what is visible, it makes things visible.
Paul Klee
Art is creative for the sake of realization, not for amusement: for transfiguration, not for the sake of play. It is the quest of our self that drives us along the eternal and never-ending journey we must all make.
Max Beckmann
Without enthusiasm nothing great can be effected in art.
Robert Schumann
Colors are light's suffering and joy
Johann Wolfgang von Goethe
This is what is known as perspective, and it is a swindle.
Kurt Schwitters
Take lights and deform them as brutally as you can.
Kurt Schwitters
Anything that is not necessary to the painting damages it." Henri Matisse
Volkmar Essers
That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.
Friedrich Nietzsche
Art breaks open a dimension inaccessible to other experience, a dimension in which human beings, nature, and things no longer stand under the law of the established reality principle...The encounter with the truth of art happens in the estranging language and images which make perceptible, visible, and audible that which is no longer, or not yet, perceived, said, and heard in everyday life.
Herbert Marcuse
An artist is like a woman who can do nothing but love, and who succumbs to every stray male jackass.
Heinrich Böll