Quotes by French Authors - Page 43

In a few years, it is very likely that this series will be considered a milestone in the history of Singapore photography.
Raphael Millet
If I like a photograph, if it disturbs me, I linger over it. What am I doing, during the whole times I remain with it? I look at it, I scrutinize it, as if I wanted to know more about the thing or the person it represents... I want to outline the loved face by thought, to make it into the unique field of an intense observation; I want to enlarge this face in order to see it better, to understand it better, to know its truth.
Roland Barthes
— How do you make your pictures? — I don’t know, it’s not important.
Henri Cartier-Bresson
Ultimately, what I am seeking in the photograph taken of me... is Death: Death is the eidos of that Photograph
Ronald Barthes
I feel that the Photograph creates my body or mortifies it, according to its caprice (apology of this mortiferous power: certain Communards paid with their lives for their willingness or even their eagerness to pose on the barricades: defeated, they were recognized by Thiers's police and shot, almost every one).
Roland Barthes
It is by studium that I am interested in so many photographs, whether I receive them as political testimony or enjoy them as good historical scenes: for it is culturally (this connotation is present in studium) that I participate in the figures, the faces, the gestures, the settings, the actions.
Roland Barthes
Hence the detail which interests me is not, or at least is not strictly intentional, and probably must not be so; it occurs in the field of the photographed thing like a supplement that is at once inevitable and delightful; it does not necessarily attest to the photographer's art; it says only that the photographer was there, or else, still more simply, that he could not (i)not(i) photograph the partial object at the same time as the total object (how could Kerész have 'separated' the dirt road from the violinist walking on it?). The Photographer's 'second sight' does not consist in 'seeing' but in being there. And above all, imitating Orpheus, he must not turn back to look at what he is leading — what hi is giving to me!
Roland Barthes
The (i)studium(i) is ultimately always coded, the (i)punctum is not)...
Roland Barthes
I don't trust words. I trust pictures.
Gilles Peress
Photography is simultaneously and instantaneously the recognition of a fact and the rigorous organization of visually perceived forms that express and signify that fact
Henri Cartier-Bresson
Usually the amateur is defined as an immature state of the artist: someone who cannot — or will not — achieve the mastery of a profession. But in the field of photographic practice, it is the amateur, on the contrary, who is the assumption of the professional: for it is he who stands closer to the (i)noeme(i) of Photography.
Roland Barthes
I imagine that the essential gesture of the Operator is to surprise something or someone (through the little hole in the camera), and that this gesture is therefore perfect when it is performed unbeknownst to the subject being photographed. From this gesture derive all photographs whose principle (or better whose alibi) is “shock”; for the photographic “shock” consists less in traumatizing than in revealing what was so well hidden that the actor himself was unaware or unconscious of it.
Roland Barthes
One of the marks of our world is perhaps this reversal: we live according to a generalized image-repertoire. Consider the United Sates, where everything is transformed into images: only images exist and are produced and are consumes ... Such a reversal necessarily raises the ethical question: not that the image is immoral, irreligious, or diabolic (as some have declared it, upon the advent of the Photograph), but because, when generalized, it completely de-realizes the human world of conflicts and desires, under cover of illustrating it.
Roland Barthes
The unary Photograph has every reason to be banal, 'unity' of composition being the first rule of vulgar (and notably, of academic) rhetoric: 'The subject,' says one handbook for amateur photographers, 'must be simple, free of useless accessories; this is called the Search for Unity.
Roland Barthes
Another unary photograph is the pornographic photograph (I am not saying the erotic photograph: the erotic is a pornographic that has been disturbed, fissured). Nothing more homogeneous than a pornographic photograph. It is always a naive photograph, without intention and without calculation. Like a shop window which shows only one illuminated piece of jewelry, it is completely constituted by the presentation of only one thing: sex: no secondary, untimely object ever manages to half conceal, delay, or distract... A proof a contrario: Mapplethorpe shifts his close-ups of genitalia from the pornographic to the erotic by photographing the fabric of underwear at very close range: the photograph is no longer unary, since I am interested in the texture of the material. The presence (the dynamics) of this blind field is, I believe, what distinguishes the erotic photograph from the pornographic photograph. Pornography ordinarily represents the sexual organs, making them into a motionless object (a fetish), flattered like an idol that does not leave its niche; for me, there is no punctum in the pornographic image; at most it amuses me (and even then, boredom follows quickly). The erotic photograph, on the contrary (and this is its very condition), does not make the sexual organs into a central object; it may very well not show them at all; it takes the spectator outside its frame, and it is there that I animate this photograph and that it animates me.
Roland Barthes
I am a professional photographer by trade and an amateur photographer by vocation.
Elliot Erwitt
For Death must be somewhere in a society; if it is no longer (or less intensely) in religion, it must be elsewhere; perhaps in this image which produces Death while trying to preserve life. Contemporary with the withdrawal of rites, Photography may correspond to the intrusion, in our modern society, of an asymbolic Death, outside of religion, outside of ritual, a kind of abrupt dive into literal Death.
Roland Barthes
For the photograph's immobility is somehow the result of a perverse confusion between two concepts: the Real and the Live: by attesting that the object has been real, the photograph surreptitiously induces belief that it is alive, because of that delusion which makes us attribute to Reality an absolute superior, somehow eternal value; but by shifting this reality to the past ('this-has-been'), the photograph suggests that it is already dead.
Roland Barthes
We know the original relation of the theater and the cult of the Dead: the first actors separated themselves from the community by playing the role of the Dead: to make oneself up was to designate oneself as a body simultaneously living and dead: the whitened bust of the totemic theater, the man with the painted face in the Chinese theater, the rice-paste makeup of the Indian Katha-Kali, the Japanese No mask ... Now it is this same relation which I find in the Photograph; however 'lifelike' we strive to make it (and this frenzy to be lifelike can only be our mythic denial of an apprehension of death), Photography is a kind of primitive theater, a kind of Tableau Vivant, a figuration of the motionless and made-up face beneath which we see the dead.
Roland Barthes
It is as if the Photograph always carries its referent with itself, both affected by the same amorous or funereal immobility, at the very heart of the moving world: they are glued together, limb by limb, like the condemned man and the corpse in certain tortures; or even like those pairs of fish (sharks, I think, according to Michelet) which navigate in convoy, as though united by an eternal coitus.
Roland Barthes
Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.
Roland Barthes
What pricks me is the discovery of this equivalence. In front of the photograph of my mother as a child, I tell myself: She is going to die: I shudder… over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.
Roland Barthes
A photograph can be an instant of life captured for eternity that will never cease looking back at you.
Brigitte Bardot
To photograph: it is to put on the same line of sight the head, the eye and the heart.
Henri Cartier-Bresson
When we define the Photograph as a motionless image, this does not mean only that the figures it represents do not move; it means that they do not (i)emerge(i), do not (i)leave(i): they are anesthetized and fastened down, like butterflies.
Roland Barthes
The photograph is literally an emanation of the referent. From a real body, which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being, as Sontag says, will touch me like the delayed rays of a star.
Roland Barthes
The Photograph is an extended, loaded evidence — as if it caricatured not the figure of what it represents (quite the converse) but its very existence ... The Photograph then becomes a bizarre (i)medium(i), a new form of hallucination: false on the level of perception, true on the level of time: a temporal hallucination, so to speak, a modest (o)shared(i) hallucination (on the one hand 'it is not there,' on the other 'but it has indeed been'): a mad image, chafed by reality.
Roland Barthes
In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The 'anything whatever' then becomes the sophisticated acme of value.
Roland Barthes
Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close your eyes. 'The necessary condition for an image is sight,'Janouch told Kafka; and Kafka smiled and replied: 'We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.
Roland Barthes
The whole point of taking pictures is so that you don’t have to explain things with words.
Elliott Erwitt
Good bones of Bonesville," Sherlock Bones said. "If you know what you fear, you'll fear it less.
Jean-Luc Fromental
There is no need, in order to explain three-quarters of the opinions held about people, to go so far as a love that has been spurned or an exclusion from political power. Our judgment remains unsure: an invitation refused or received determines it.
Marcel Proust
There isn't a man on earth who doesn't at times pronounce an opinion on good and evil, even if it be only to find fault with somebody else.
Simone Weil
No one is responsible for what he is nor even for what he does. This is obvious and everyone more or less agrees that it is so. Then why celebrate or denigrate? Because to exist is to evaluate, to emit judgments, and because abstention, when it is not the effect of apathy or cowardice, requires an effort no one manages to make.
Emil M. Cioran
People hasten to judge in order not to be judged themselves.
Albert Camus
I gazed upon the earth and saw that a body, in its tender faithlessness, had located it in the sky. A splendid scarf of blood, looming above the abyss.
Joë Bousquet
What a grand thing, to be loved! What a grander thing still, to love!
Victor Hugo
All round there was a rising tide of beer, widow Désir's barrels had all been broached, beer had rounded all paunches and was overflowing in all directions, from noses, eyes - and elsewhere. People were so blown out and higgledy-piggledy, that everybody's elbows or knees were sticking into his neighbour and everybody thought it great fun to feel his neighbour's elbows. All mouths were grinning from ear to ear in continuous laughter.
Émile Zola
My greatest discovery has been my love of boredom and to get fun out of it.
Julien Torma
All human wisdom is contained in these two words: 'wait' and 'hope'".
Alexandre Dumas
Men whose only concern is other people's opinion of them are like actors who put on a poor performance to win the applause of people of poor taste; some of them would be capable of good acting in front of a good audience. A decent man plays his part to the best of his ability, regardless of the taste of the gallery.
Nicolas Chamfort
I do as I please, Monsieur Beauchamp, and believe me, what I do is always well done.
Alexandre Dumas
I do what I please, M. Beauchamp, and it is always well done.
Alexandre Dumas
You are your own refugeThere is no otherYou cannot save anotherYou can only save yourself.
Guillaume Musso
In ocean of tears, the heart of stone sinks. (Dans l'océan de larmes, - Le coeur de pierre donc coule.)
Charles de Leusse
He feels himself buried in those two infinities, the ocean and the sky, at one and the same time: the one is a tomb; the other is a shroud.
Victor Hugo
Doesn't it seem to you," asked Madame Bovary, "that the mind moves more freely in the presence of that boundless expanse, that the sight of it elevates the soul and gives rise to thoughts of the infinite and the ideal?
Gustave Flaubert
Where are your free and compulsory schools? Does every one know how to read in the land of Dante and of Michael Angelo? Have you made public schools of your barracks? Have you not, like ourselves, an opulent war-budget and a paltry budget of education? Have not you also that passive obedience which is so easily converted into soldierly obedience? military establishment which pushes the regulations to the extreme of firing upon Garibaldi; that is to say, upon the living honor of Italy? Let us subject your social order to examination, let us take it where it stands and as it stands, let us view its flagrant offences, show me the woman and the child. It is by the amount of protection with which these two feeble creatures are surrounded that the degree of civilization is to be measured. Is prostitution less heartrending in Naples than in Paris? What is the amount of justice springs from your tribunals? Do you chance to be so fortunate as to be ignorant of the meaning of those gloomy words: public prosecution, legal infamy, prison, the scaffold, the executioner, the death penalty? Italians, with you as with us, Beccaria is dead and Farinace is alive. And then, let us scrutinize your state reasons. Have you a government which comprehends the identity of morality and politics? You have reached the point where you grant amnesty to heroes! Something very similar has been done in France. Stay, let us pass miseries in review, let each one contribute in his pile, you are as rich as we. Have you not, like ourselves, two condemnations, religious condemnation pronounced by the priest, and social condemnation decreed by the judge? Oh, great nation of Italy, thou resemblest the great nation of France! Alas! our brothers, you are, like ourselves, Misérables.
Victor Hugo
Military men are the scourges of the world.
Guy de Maupassant
People will never respond to you more positively than when you seek to make your impact felt at the human level.
Cendrine Marrouat
Determining who the members of your audience are is the most important piece in the business puzzle.
Cendrine Marrouat
The way you react to challenging situations will say a lot about you. Actually, it will make or break your business.
Cendrine Marrouat
People do not just buy products. They buy better versions of themselves. And the packages in which they want the products to be delivered must come from humble and approachable brands. People have no patience for fluff.
Cendrine Marrouat
People do not want more noise in their social media streams. They want entertainment, uplifting conversations, and products that last. Most importantly, they want to be taken seriously.
Cendrine Marrouat
While paying attention to positive and negative feedback is very important, it is not enough. What also matters is acknowledging and responding to this feedback. This is how you nurture your relationship with your audience.
Cendrine Marrouat
Social media is much more than self-promotion. It is a two-way street, a set of tools that allow you to reach out to people and become the bringer of positive things and experiences. In turn, these people will not just support you. They will be there to help you increase your reach and audience – and turn your business into a viable endeavour.
Cendrine Marrouat
More sensitive to Rome's prejudices than I was aware, I recalled that although they grant sensuality a rôle they see only shameful folly in love;
Marguerite Yourcenar
The manner of giving is worth more than the gift.
Pierre Corneille
Why does a steward steal? He steals because he's not sure he'll always remain with his master and wants to make his future secure.
Alexandre Dumas
Melancholy in a capitalist, like the appearance of a comet, presages some misfortune to the world.
Alexandre Dumas