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Quotes by American Authors
- Page 3117
Behold yon rough and flinty roadWhere youth, now youth no more,Gropes whining, seeking crumbs of loavesHe cast away of yore.
Emma Ghent Curtis
He calls me desperate (on my tombstone)I hope poetic license will allow: HUNGRY
Eli Coppola
You and those shot-glass eyes, deep swirling pools of 80-proof firewater, with the depth and profundity of Saturn’s spinning pulsars…
Brandi L. Bates
Why covet a knowledge of new facts? Day and night, house and garden, a few books, a few actions, serve us as well as would all trades and all spectacles. We are far from having exhausted the significance of the few symbols we use. We can come to use them yet with a terrible simplicity.
Ralph Waldo Emerson
Moon, that against the lintel of the westYour forehead lean until the gate be swung,Longing to leave the world and be at rest,Being worn with faring and no longer young,Do you recall at all the Carian hillWhere worn with loving, loving late you lay,Halting the sun because you lingered still,While wondering candles lit the Carian day?Ah, if indeed this memory to your mindRecall some sweet employment, pity me,That even now the dawn's dim herald see!I charge you, goddess, in the name of oneYou loved as well: endure, hold off the sun.
Edna St. Vincent Millay
Which the Chicken and Which the Egg?He drinks because she scolds, he thinks;She thinks she scolds because he drinks;And nether will admit what's true,That he's a sot and she's a shrew.
Ogden Nash
The life spills over, some days.She cannot be at rest,Wishes she could explodeLike that red tree—The one that bursts into fireAll this week.Senses her infinite smallnessBut can’t seize it,Recognizes the folly of desire,The folly of withdrawal—Kicks at the curb, the pavement,If only she could, at this moment,When what she’s doing is ploddingTo the bus stop, to go to school,Passing that fiery tree—if only she couldBe making love,Be making a painting,Be exploding, be speeding through the universeLike a photon, like a showerOf yellow flames—She believes if she could only catch upWith the riding rhythm of things, of her own electrons,Then she would be at rest—If she could forget school,Climb the tree,Be the tree,burn like that.
Alicia Suskin Ostriker
I could give all to Time except -- exceptWhat I myself have held. But why declareThe things forbidden that while the Customs sleptI have crossed to Safety with? For I am There,And what I would not part with I have kept.
Robert Frost
When I took my poetry class in school. I read an e. e. cummings poem. I don’t mind eels except how they feels and maybe as meals. I knew there was hope for me.
Stanley Victor Paskavich
Thinking has a quiet skin. But I feel the and of things inside it. Blue hills most gentle in calm light, then stretches of assailAnd ransack. Such tangles of charred wreckage, shrapnel-bits Singling and singeing where they fall. I feel the stumbling gait of what I am,The quiet uproar of undone, how to be hidden is a tempting, violent thing— Each thought breaking always in another.All the unlawful elsewheres rushing in.
Laure Sheck
When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism.The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them.In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void.Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.
John Crowley
The first inkling of this notion had come to him the Christmas before, at his daughter's place in Vermont. On Christmas Eve, as indifferent evening took hold in the blue squares of the windows, he sat alone in the crepuscular kitchen, imbued with a profound sense of the identity of winter and twilight, of twilight and time, of time and memory, of his childhood and that church which on this night waited to celebrate the second greatest of its feasts. For a moment or an hour as he sat, become one with the blue of the snow and the silence, a congruity of star, cradle, winter, sacrament, self, it was as though he listened to a voice that had long been trying to catch his attention, to tell him, Yes, this was the subject long withheld from him, which he now knew, and must eventually act on.He had managed, though, to avoid it. He only brought it out now to please his editor, at the same time aware that it wasn't what she had in mind at all. But he couldn't do better; he had really only the one subject, if subject was the word for it, this idea of a notion or a holy thing growing clear in the stream of time, being made manifest in unexpected ways to an assortment of people: the revelation itself wasn't important, it could be anything, almost. Beyond that he had only one interest, the seasons, which he could describe endlessly and with all the passion of a country-bred boy grown old in the city. He was beginning to doubt (he said) whether these were sufficient to make any more novels out of, though he knew that writers of genius had made great ones out of less. He supposed really (he didn't say) that he wasn't a novelist at all, but a failed poet, like a failed priest, one who had perceived that in fact he had no vocation, had renounced his vows, and yet had found nothing at all else in the world worth doing when measured by the calling he didn't have, and went on through life fatally attracted to whatever of the sacerdotal he could find or invent in whatever occupation he fell into, plumbing or psychiatry or tending bar. ("Novelty")
John Crowley
Though the body is itsgenesis, a poem is the vision of a processCarved in space, vision your poor eye's singlearmor against winter spring summer fall
Frank Bidart
For the past thirty years or so, much American poetry has been marked by an earnestness that rejects the comic. This has nothing to do with seriousness. The comic can be very serious. The trouble with the earnest is that it seeks to be commended. It seeks to be praised for its intention more than for what it is saying.
Stephen Dobyns
Poetry, if it is not to be a lifeless repetition of forms, must be constantly exploring "the frontiers of the spirit." But these frontiers are not like the surveys of geographical explorers, conquered once for all and settled. The frontiers of the spirit are more like the jungle which, unless continuously kept under control, is always ready to encroach and eventually obliterate the cultivated area.
T.S Eliot
It was useless trying to explain to Cecila that poetry wasn't a commodity, that it could never be bought or sold, that it was, in fact, unteansferrable, remaining forever a part of the one who wrote it.
Tennessee Williams
crawled like a blind slug into the web
Charles Bukowski
We are metered only by our own machines,while the book is a clock that forgets her machanics.
Amy King
Literature is news which stays news.
Ezra Pound
I leave the kitchen table to bathe, and to dress for church. If only my closet held on its shelves an array of faces I could wear rather than dresses, I would know which face to put on today. As for the dresses, I haven't a clue.
Tim Cummings
I wouldn't be surprised if poetry - poetry in the broadest sense, in the sense of a world filled with metaphor, rhyme, and recurring patterns, shapes, and designs - is how the world works. The world isn't logical; it's a song.
David Byrne
There is a master way with words which is not learned but is instead developed: a deaf man develops exceptional vision, a blind man exceptional hearing, a silent man, when given a piece of paper...
Criss Jami
Authors can write stories without people assuming that they are autobiographies, but songwriters and poets are often considered to be the characters in their works. I like Michelangelo's vision, 'I saw the angel in the marble and carved until I set him free.
Criss Jami
A poet is a verb that blossoms light in gardens of dawn, or sometimes midnight.
Aberjhani
the inletour friend looks as he didwhen we first knew him,and until I wake I believeI will die of grief, for I knowthat this boy grew into a manwho was a faithful friendwho died.
Wendell Berry
Rather a thousand times the county jail than to lie under this marble figure with wings and this granite pedestal bearing the words "pro patria." What do they mean anyway?
Edgar Lee Masters
Poetry leads us to the unstructured sources of our beings, to the unknown, and returns us to our rational, structured selves refreshed. Having once experienced the mystery, plenitude, contradiction, and composure of a work of art, we afterward have a built-in resistance to the slogans and propaganda of oversimplification that have often contributed to the destruction of human life. Poetry is a verbal means to a nonverbal source. It is a motion to no-motion, to the still point of contemplation and deep realization.
A.R. Ammons
I’ve come down from the skylike some damned ghost, delayedtoo long…To the abandoned fieldsthe trees returned and grew.They stand and grow. Time comesTo them, time goes, the treesStand; the only placeThey go is where they are.Those wholly patient ones…They do no wrong, and theyAre beautiful. What moreCould we have thought to ask?...I stand and wait for lightto open the dark night.I stand and wait for prayerto come and find me here.” Sabbaths 2000 IX
Wendell Berry
When people talk about poetry as a project, they suggest that the road through a poem is a single line. When really the road through a poem is a series of lines, like a constellation, all interconnected. Poems take place in the realm of chance, where the self and the universal combine, where life exist. I can’t suggest to you that going through a line that is more like a constellation than a road is easy—or that the blurring of the self and the universal doesn’t shred a poet a little bit in the process. The terrain of a poem is unmapped (including the shapes of the trees along the constellation-road). A great poet knows never to expect sun or rain or cold or wind in the process of creating a poem. In a great poem all can come to the fore at once. It would be worse yet, if none are there at all.
Dorothea Lasky
Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames.Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts.Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard
A tree forms itself in answerto its place and the light.Explain it how you will, the onlything explainable will beyour explanation.” Sabbaths 1999 IV
Wendell Berry
The music of revelation announces itself to the reader in somber brooding tones or in melodies light as air and one is invited to dance with the most captivating of partners: poetry.
Aberjhani
When Rachel Carson accepted the National Book Award, she said, 'if there is poetry in my book about the sea it is not because I deliberately put it there but because no one could write truthfully about the sea and leave out poetry.
Jim Lynch
How can love's spaciousnessbe conveyed in the narrowconfines of one syllable?
Diane Ackerman
The poet is the sayer, the namer, and represents beauty. He is a sovereign, and stands on the centre. For the world is not painted, or adorned, but is from the beginning beautiful; and God has not made some beautiful things, but Beauty is the creator of the universe. Therefore the poet is not any permissive potentate, but is emperor in his own right. Criticism is infested with a cant of materialism, which assumes that manual skill and activity is the first merit of all men, and disparages such as say and do not, overlooking the fact, that some men, namely, poets, are natural sayers, sent into the world to the end of expression, and confounds them with those whose province is action, but who quit it to imitate the sayers. The poet does not wait for the hero or the sage, but, as they act and think primarily, so he writes primarily what will and must be spoken, reckoning the others, though primaries also, yet, in respect to him, secondaries and servants; as sitters or models in the studio of a painter, or as assistants who bring building materials to an architect.
Ralph Waldo Emerson
The WeaverMy life is but a weavingbetween my Lord and me;I cannot choose the colorsHe worketh steadily.Oft times He weaveth sorrowAnd I, in foolish pride,Forget He sees the upper,And I the underside.Not til the loom is silentAnd the shuttles cease to fly,Shall God unroll the canvasAnd explain the reason why.The dark threads are as needfulIn the Weaver's skillful hand,As the threads of gold and silverIn the pattern He has planned.
Benjamin Malachi Franklin
They miss the whisper that runsany day in your mind,"Who are you really, wanderer?"--and the answer you have to giveno matter how dark and coldthe world around you is:"Maybe I'm a king.
William Stafford
A little bunny or some kind of ferret was probablythere too, and bore witness as only rodents can.
John Ashbery
Fragmentary BlueWhy make so much of fragmentary blueIn here and there a bird, or butterfly,Or flower, or wearing-stone, or open eye,When heaven presents in sheets the solid hue?Since earth is earth, perhaps, not heaven (as yet)--Though some savants make earth include the sky;And blue so far above us comes so high,It only gives our wish for blue a whet.
Robert Frost
The house burned in the fire. Her house. Her prison of lies and of denial. Her American dream turned nightmare.”~Unbreakable Heart
Kimberly Kinrade
Haunted by demons of the past, hounded by demons not yet met, the nevermore and evermore left her little peace.” ~A Tale of Two Women
Kimberly Kinrade
Jag föddes för att kränga rosor på de dödas avenyer
Charles Bukowski
I keep following this sort of hidden river of my life, you know, whatever the topic or impulse which comes, I follow it along trustingly. And I don't have any sense of its coming to a kind of crescendo, or of its petering out either. It is just going steadily along.
William Stafford
Writing poetry is supernatural. Or, it should be.
Katerina Stoykova-Klemer
For me, the short story is not a character sketch, a mouse trap, an epiphany, a slice of suburban life. It is the flowering of a symbol center. It is a poem grafted onto sturdier stock.
William H. Gass
Love could never be forever only for a lifetime, only God can love eternally.
Jeannette Scollard
I don't understand the whole thrilling verse, but I love the way poetry turns ordinary words into winged things that rise up and soar!
Margarita Engle
My earliest poems appear almost skeletal to me now - it seems I've learned to add meat, muscle and a nice suit of clothes.
Wanda Lea Brayton
Stone-cutters fighting time with marble, you fore defeated Challengers of oblivion Eat cynical earnings, knowing rock splits, records fall down, The square-limbed Roman letters Scale in the thaws, wear in the rain. The poet as well Builds his monument mockingly; For man will be blotted out, the blithe earth die, the brave sun Die blind and blacken to the heart: Yet stones have stood for a thousand years, and pained thoughts found The honey of peace in old poems.
Robinson Jeffers
something genuine like a mark in a toilet, graced with guts and gutted with grace
E.E. Cummings
We are all poets, really.
Walter Lowenfels
Poetry will die when love and pain cease to exist.
Kellie Elmore
once I trained for the Olympics but panic is not a sport
Daniel Bailey
And the testicles of the fathers hang down like old lace
Robert Penn Warren
Poets find their voices when they articulate the wishes of the dead, especially those slain as sacrificial talismans to a larger frame of existence.
Michael S. Harper
I believe that open-heart surgery is a mustfor all human beings
Daniel Bailey
maybe silent hurting is the new Mid-Western love
Daniel Bailey
Listen. Outside this frame I can see light,heavy as pardon, reliable as granite.Help me. Help me drag it into the picture.
Jeanne Murray Walker
...prose unfolds in time; and time contains both obstacles and revelations. Prose develops, the way characters and situations do. It requires a flow. A poem is an instant, lightning across the sky. Prose is before the storm, the storm, after the storm.
Molly Peacock
I want a marriage of companions—one of shared lives and shared poems,' he murmured. 'If we were husband and wife, we would collect books, read, and drink tea together. As I told you before, I'd want you for what's in here.'Again he pointed to my heart, but I felt it in a place far lower in my body.
Lisa See
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