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Ursula K Le Guin Quotes
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October 21, 1929
American
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October 21, 1929
For if it's all the rest of us who are killed by the suicide, it's himself whom the murderer kills; only he has to do is over, and over, and over.
Ursula K Le Guin
The premise is: everybody's like me and we all think alike.The corollary is: people who don't think like me don't matter.
Ursula K Le Guin
Her despair grew so great that it burst her breast open and like a bird of fire shattered the stone and broke out into the light of day--the light of day, faint in her windowless room.
Ursula K Le Guin
But she knew, though very vaguely, that she was crying, because hope hurts terribly when it breaks through the resignation in which you have lived for days.
Ursula K Le Guin
What you love, you will love. What you undertake you will complete. You are a fulfiller of hope; you are to be relied on. But seventeen years give little armor against despair…Consider, Arren. To refuse death is to refuse life.
Ursula K Le Guin
Up here on the Ice each of us is singular, isolate, I as cut off from those like me, from my society, and its rules, as he from his.
Ursula K Le Guin
The revolution is in the individual spirit, or it is nowhere. It is for all or it is nothing. If it is seen as having any end, it will never truly begin. We can't stop here. We must go on. We must take the risks.
Ursula K Le Guin
You know there’s always prejudice in a revolutionary movement.
Ursula K Le Guin
The duty of the individual is to accept no rule, to be the initiator of his own acts, to be responsible. Only if he does so will the society live, and change, and adapt, and survive. We are not subjects of a State founded upon law, but members of a society formed upon revolution. Revolution is our obligation: our hope of evolution.
Ursula K Le Guin
You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.
Ursula K Le Guin
Truth is a matter of the imagination. The soundest fact may fail or prevail in the style of its telling: like that singular organic jewel of our seas, which grows brighter as one woman wears it and, worn by another, dulls and goes to dust. Facts are no more solid, coherent, round, and real than pearls are.
Ursula K Le Guin
o. It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren’t beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can’t always have what you want, or even what you need, because there isn’t enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free—possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes—the wall, the wall!
Ursula K Le Guin
It is not wonderful. It is an ugly world. Not like this one. Anarres is all dusty and dry hills. All meager, all dry. And the people aren’t beautiful. They have big hands and feet, like me and the waiter there. But not big bellies. They get very dirty, and take baths together, nobody here does that. The towns are very small and dull, they are dreary. No palaces. Life is dull, and hard work. You can’t always have what you want, or even what you need, because there isn’t enough. You Urrasti have enough. Enough air, enough rain, grass, oceans, food, music, buildings, factories, machines, books, clothes, history. You are rich, you own. We are poor, we lack. You have, we do not have. Everything is beautiful here. Only not the faces. On Anarres nothing is beautiful, nothing but the faces. The other faces, the men and women. We have nothing but that, nothing but each other. Here you see the jewels, there you see the eyes. And in the eyes you see the splendor, the splendor of the human spirit. Because our men and women are free—possessing nothing, they are free. And you the possessors are possessed. You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes—the wall, the wall!
Ursula K Le Guin
Because there is nothing, nothing on Urras that we Anarresti need! We left with empty hands, a hundred and seventy years ago, and we were right. We took nothing. Because there is nothing here but States and their weapons, the rich and their lies, and the poor and their misery. There is no way to act rightly, with a clear heart, on Urras. There is nothing you can do that profit does not enter into, and fear of loss, and the wish for power. You cannot say good morning without knowing which of you is ‘superior’ to the other, or trying to prove it. You cannot act like a brother to other people, you must manipulate them, or command them, or obey them, or trick them. You cannot touch another person, yet they will not leave you alone. There is no freedom. It is a box—Urras is a box, a package, with all the beautiful wrapping of blue sky and meadows and forests and great cities. And you open the box, and what is inside it? A black cellar full of dust, and a dead man. A man whose hand was shot off because he held it out to others.
Ursula K Le Guin
He had been taught as a child that Urras was a festering mass of inequity, iniquity, and waste. But all the people he met, and all the people he saw, in the smallest country village, were well dressed, well fed, and contrary to his expectations, industrious. They did not stand about sullenly waiting to be ordered to do things. Just like Anaresti, they were simply busy getting things done. It puzzled him. He had assumed that if you removed a human being's natural incentive to work -- his initiative, his spontaneous creative energy -- and replaced it with external motivation and coercion, he would become a lazy and careless worker. But no careless workers kept those lovely farmlands, or made the superb cars and comfortable trains. The lure and compulsion of profit was evidently a much more effective replacement of the natural initiative than he had been led to believe.
Ursula K Le Guin
He tried to read an elementary economics text; it bored him past endurance, it was like listening to somebody interminably recounting a long and stupid dream. He could not force himself to understand how banks functioned and so forth, because all the operations of capitalism were as meaningless to him as the rites of a primitive religion, as barbaric, as elaborate, and as unnecessary. In a human sacrifice to deity there might be at least a mistaken and terrible beauty; in the rites of the moneychangers, where greed, laziness, and envy were assumed to move all men's acts, even the terrible became banal.
Ursula K Le Guin
The truth is that as a man's real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing but does only and wholly what he must do.
Ursula K Le Guin
Great artists make the roads; good teachers and good companions can point them out. But there ain't no free rides, baby. No hitchhiking. And if you want to strike out in any new direction — you go alone. With a machete in your hand and the fear of God in your heart.
Ursula K Le Guin
In the airport, luggage-laden people rush hither and yon through endless corridors, like souls to each of whom the devil has furnished a different, inaccurate map of the escape route from hell.
Ursula K Le Guin
. . . chronosophy does involve ethics. Because our sense of time involves our ability to separate cause and effect, means and end. The baby, again, the animal, they don't see the difference between what they do now and what will happen because of it. They can't make a pulley, or a promise. We can. Seeing the difference between now and not now, we can make the connection. And there morality enters in. Responsibility. To say that a good end will follow from a bad means is just like saying that if I pull a rope on this pulley it will lift the weight on that one. To break a promise is to deny the reality of the past; therefore it is to deny the hope of a real future.If time and reason are functions of each other, if we are creatures of time, then we had better know it, and try to make the best of it. To act responsibly.
Ursula K Le Guin
... privilege was obligation; command was service; power, the gift itself, entailed a heavy loss of freedom.
Ursula K Le Guin
What is an anarchist? One who, choosing, accepts the responsibility of choice
Ursula K Le Guin
A people that doesn't live at the center of the world, as defined and described by its poets and storytellers, is in a bad way. The center of the world is where you live fully, where you know how things are done, how things are done rightly, done well.
Ursula K Le Guin
I always wondered why the makers leave housekeeping and cooking out of their tales. Isn't it what all the great wars and battles are fought for -- so that at day's end a family may eat together in a peaceful house? The tale tells how the Lords of Manva hunted & gathered roots & cooked their suppers while they were camped in exile in the foothills of Sul, but it doesn't say what their wives & children were living on in their city left ruined & desolate by the enemy. They were finding food too, somehow, cleaning house & honoring the gods, the way we did in the siege & under the tyranny of the Alds. When the heroes came back from the mountain, they were welcomed with a feast. I'd like to know what the food was and how the women managed it.
Ursula K Le Guin
Cinders patter, falling with the snow. We creep infinitesimally northward through the dirty chaos of a world in the process of making itself. Praise then Creation unfinished!
Ursula K Le Guin
Orr slept. He dreamed. There was no rub.
Ursula K Le Guin
The sleeper turns his back on everyone.
Ursula K Le Guin
His eyes saved him. What they insisted on seeing and reporting to him took him out of the autism of terror.
Ursula K Le Guin
We make sense of the world intentionally. Faced with chaos, we seek or make the familiar, and build up the world with it. Babies do it, we all do it; we filter out most of what our senses report.
Ursula K Le Guin
And not only narrativity but the quality of the writing is of the first importance to me. Rightly or not, I believe a dull, inept style signals poverty or incompleteness of thought. I see the accuracy, scope, and quality of Darwin’s intellect directly expressed in the clarity, strength, and vitality of his writing — the beauty of it.
Ursula K Le Guin
There seems to be a firewall in my mind against ideas expressed in numbers and graphs rather than words, or in abstract words such as Sin or Creativity. I just don’t understand. And incomprehension is boredom.
Ursula K Le Guin
The world is sacred, of course, it is full of gods, numina, great powers and presences. We give some of them names – Mars of the fields and the war; Vesta the fire; Ceres the grain; Mother Tellus the earth; the Penates of the storehouse. The rivers, the springs. And in the stormcloud and the light is the great power called the father god. But they aren’t people. They don’t love and hate, they aren’t for or against. They accept the worship due them, which augments their power, through which we live.
Ursula K Le Guin
To make a thief, make an owner; to create crime, create laws.
Ursula K Le Guin
Manhood is patience. Mastery is nine time patience
Ursula K Le Guin
Grieving, like being blind, is a strange business; you have to learn how to do it. We seek company in mourning, but after the early bursts of tears, after the praises have been spoken, and the good days remembered, and the lament cried, and the grave closed, there is no company in grief. It is a burden borne alone.
Ursula K Le Guin
One of the rocks in my soulbag, a little grey rock that I had picked up on a certain day in a certain place in the hills above the river in the Silver Time, a little piece of my world, that became my world. Every night I took it out and held it in my hand while I lay in bed waiting to sleep, thinking of the sunlight on the hills above the river, listening to the soft shushing of the ship’s systems, like a mechanical sea.
Ursula K Le Guin
There was something lacking – in him, he thought, not in the place. He was not up to it. He was not strong enough to take what was so generously offered. He felt himself dry and arid, like a desert plant, in this beautiful oasis. Life on Anarres had sealed him, closed off his soul; the waters of life welled all around him, and yet he could not drink.
Ursula K Le Guin
It takes a while to spoil a world, but it can be done.
Ursula K Le Guin
I never thought before,” said Tirin unruffled, “of the fact that there are people sitting on a hill, up there, on Urras, looking at Anarres, at us, and saying, ‘Look, there’s the Moon.’ Our earth is their Moon; our Moon is their earth.” “Where, then, is Truth?” declaimed Bedap, and yawned. “In the hill one happens to be sitting on,” said Tirin.
Ursula K Le Guin
As a boy, Ogion like all boys had thought it would be a very pleasant game to take by art-magic whatever shape one liked, man or beast, tree or cloud, and so to play at a thousand beings. But as a wizard he had learned the price of the game, which is the peril of losing one's self, playing away the truth. The longer a man stays in a form not his own, the greater this peril. Every prentice-sorcerer learns the tale of the wizard Bordger of Way, who delighted in taking bear's shape, and did so more and more often until the bear grew in him and the man died away, and he became a bear, and killed his own little son in the forests, and was hunted down and slain. And no one knows how many of the dolphins that leap in the waters of the Inmost Sea were men once, wise men, who forgot their wisdom and their name in the joy of the restless sea.
Ursula K Le Guin
If nobody teaches us the words, the thoughts, we stay ignorant. If nobody shows a little child, two, three years old, how to look for the way, the signs of the path, the landmarks, then it gets lost in the mountain, doesn't it? And dies in the night, in the cold.
Ursula K Le Guin
So the first step out of childhood is made all at once, without looking before or behind, without caution, and nothing held in reserve.
Ursula K Le Guin
The doctor was not, he thought, really sure that anyone else existed, and wanted to prove they did by helping them.
Ursula K Le Guin
With eye and hand and breath and will.
Ursula K Le Guin
I have this, this gift, I know that; and I know my obligation to it.
Ursula K Le Guin
Happiness has to do with reason, and only reason earns it.
Ursula K Le Guin
The nod of a head is such a small thing, it can mean so little, yet it is the gesture of assent that allows, that makes to be. The nod is the gesture of power, the yes. The numen. the presence of the sacred, is called by its name.
Ursula K Le Guin
Tenar, I go where I am sent. I follow my calling. It has not yet let me stay in any land for long. Do you see that? I do what I must do. Where I go, I must go alone. So long as you need me, I’ll be with you in Havnor. And if you ever need me again, call me. I will come. I would come from my grave if you called me, Tenar! But I cannot stay with you.
Ursula K Le Guin
Excerpt from Ursula K Le Guin's speech at National Book AwardsHard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality.Right now, we need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this – letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.I’ve had a long career as a writer, and a good one, in good company. Here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit. Its name is freedom.
Ursula K Le Guin
Until then I had rejected him, refused him his own reality. He had been quite right to say that he, the only person on Gethen who trusted him, was the only Gethenian I distrusted. For he was the only one who had entirely accepted me as a human being: who had liked me personally and given met entire personal loyalty: and who therefore had demanded of me an equal degree of recognition, of acceptance. I had not been willing to give it. I had been afraid to give it. I had not wanted to give my trust, my friendship to a man who was a woman, a woman who was a man.
Ursula K Le Guin
He, after all, had no standards of manliness, of virility, to complicate his pride.
Ursula K Le Guin
Pride kept her from confiding in the other girls, and caution kept her from confessing to the older women.
Ursula K Le Guin
Other people's stories may become part of your own, the foundation of it, the ground it goes on.
Ursula K Le Guin
Judgement is poverty.
Ursula K Le Guin
Nothing said in words ever came out quite even. Things in words got twisted and ran together, instead of staying straight and fitting together.
Ursula K Le Guin
«I am tired,» he said. «I did a lot today. That is, I did something. The only thing I have ever done. I pressed a button. It took the entire will power, the accumulated strength of my entire existence, to press one damned OFF button.»«You have lived well,» the Alien said.
Ursula K Le Guin
It's a queer business, making oneself blind.
Ursula K Le Guin
What is an anarchist? One who, choosing, accepts the responsibility of choice.
Ursula K Le Guin
This was a great magic. Festin had no more performed it than has any man who in exile or danger longs for the earth and waters of his home, seeing and yearning over the doorsill of his house, the table where he has eaten, the branches outside the window of the room where he has slept. Only in dreams do any but the great Mages realize this magic of going home.
Ursula K Le Guin
You shall not go down good twice to the same river, nor can you go home again. That he knew; indeed it was the basis of his view of the world. Yet from that acceptance of transience he evolved his vast theory, wherein what is most changeable is shown to be fullest of eternity, and your relationship to the river, and the river's relationship to you and to itself, turns out to be at once more complex and more reassuring than a mere lack of identity. You CAN go home again, the General Temporal Theory asserts, so long as you understand that home is a place where you have never been.
Ursula K Le Guin
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