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Ian McEwan Quotes
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Anonymous
British
-
Screenwriter
&
Author
June 21, 1948
British
-
Screenwriter
&
Author
June 21, 1948
You can tell a lot from a person's nails. When a life starts to unravel, they're among the first to go.
Ian McEwan
…the way people understood things had a lot to do with the way people were, how they had been shaped, what the wanted; tricks of rhetoric would not shift them.
Ian McEwan
The Anglican service today was more familiar to me from movies. Like one of the great Shakespeare speeches, the graveside oration, studded in fragments in the memory, was a succession of brilliant phrases, book titles, dying cadences that breathed life, pure alertness, along the spine.
Ian McEwan
I was irritated by the way he conflated his own shifting needs with an impersonal destiny. I want it, therefore...it's in the stars!
Ian McEwan
I'm sorry to disappoint you, but my experience belongs to me, not the collective bloody unconscious.
Ian McEwan
It's a matter of dishonour, and when it gets out, which it's bound to, this will be the one act you'll be remembered for. Everything else you achieved will be irrelevant. Your reputation will rest only on this, because ultimately reality is social, it's among others that we have to live and their judgements matter. - Pg. 198
Ian McEwan
I craved a form of naive realism. I paid special attention, I craned my readerly neck whenever a London street I knew was mentioned, or a style of frock, a real public person, even a make of car. Then, I thought, I had a measure, I could guage the quality of the writing by its accuracy, by the extent to which it aligned with my own impressions, or improved upon them. I was fortunate that most English writing of the time was in the form of undemanding social documentary. I wasn't impressed by those writers (they were spread between South and North America) who infiltrated their own pages as part of the cast, determined to remind poor reader that all the characters and even they themselves were pure inventions and the there was a difference between fiction and life. Or, to the contrary, to insist that life was a fiction anyway. Only writers, I thought, were ever in danger of confusing the two.
Ian McEwan
I've never outgrown that feeling of mild pride, of acceptance, when children take your hand.
Ian McEwan
...children are at heart selfish, and reasonably so, for they are programmed for survival.
Ian McEwan
Her purity of spirit would never be in doubt, though she moved through a blemished world.
Ian McEwan
But soon I loved her completely and wished to possess her, own her, absorb her, eat her. I wanted her in my arms and in my bed, I longed she would open her legs to me
Ian McEwan
Sex is a different medium, refracting time and sense, a biological hyperspace as remote from conscious existence as dreams, or as water is from air
Ian McEwan
They were beyond the present, outside time, with no memories and no future. There was nothing but obliterating sensation, thrilling and swelling, and the sound of fabric on fabric and skin on fabric as their limbs slid across each other in this restless, sensuous wrestling. ... They moved closer, deeper and then, for seconds on end, everything stopped. Instead of an ecstatic frenzy, there was stillness. They were stilled not by the astonishing fact of arrival, but by an awed sense of return - they were face to face in the gloom, staring into what little they could see of each other's eyes, and now it was the impersonal that dropped away.
Ian McEwan
When the wounded were screaming, you dreamed of sharing a little house somewhere, of an ordinary life, of a family line, connection. All around him, men were walking silently with their thoughts, reforming their lives, making resolutions. If I ever get out of this lot... They could never be counted, the dreamed-up children, mentally conceived on the walk into Dunkirk, and later made flesh.
Ian McEwan
She had not thought it would be so easy to slip into the old roles. Cambridge had changed her fundamentally and she thought she was immune. No one in her family, however, noticed the transformation in her, and she was not able to resist the power of their habitual expectations.
Ian McEwan
Either I've always spoken to her from the heart in times like this, or I never have and I don't know what it means.
Ian McEwan
Dearest Cecilia, You’d be forgiven for thinking me mad, the way I acted this afternoon. The truth is I feel rather light headed and foolish in your presence, Cee, and I don’t think I can blame the heat.
Ian McEwan
Clive was losing sensation in his feet, and as he stamped them the rhythm gave him back the ten note falling figure, ritardando, a cor anglais, and rising softly against it, contrapuntally, cellos in mirror image. Her face in it. The end.
Ian McEwan
When she found a place of her ownand packed her bags he asked her to marry him. She kissed him, and quoted in his ear,"He married a woman to stop her getting away, Now she’s there all day.
Ian McEwan
When love dies and marriage lies in ruins, the first casualty is honest memory, decent, impartial recall of the past. Too inconvenient, too damning of the present. It's the spectre of old happiness at the feast of failure and desolation. So, against that headwind of forgetfulness I want to place my little candle of truth and see how far it throws its light.
Ian McEwan
When he thought of her, it rather amazed him, that he had let that girl with her violin go. Now, of course, he saw that her self-effacing proposal was quite irrelevant. All she had needed was the certainty of his love, and his reassurance that there was no hurry when a lifetime lay ahead of them. Love and patience- if only he had had them both at once- would surely have seen them both through.
Ian McEwan
Adversity forced awareness on us, and it works, it bites us when we go too near the fire, when we love too hard. Those felt sensations are the beginning of the invention of the self. And if that works, why not feeling disgust for shit, fearing the cliff edge and strangers, remembering insults and favours, liking sex and food? God said, Let there be pain. And there was poetry. Eventually.
Ian McEwan
I've heard it argued that long ago pain begat consciousness...Adversity forced awareness on us, and it works, it bites us when we go too near the fire, when we love too hard. Those felt sensations are the beginning of the invention of the self...God said, Let there be pain. And there was poetry. Eventually.
Ian McEwan
The luxury of being half-asleep, exploring the fringes of psychosis in safety.
Ian McEwan
This was when he first suspected that the kindly child-loving God extolled by his headmistress might not exist. As it turned out, most major world events suggested the same. But for Theo’s sincerely godless generation, the question hasn’t come up. No one in his bright, plate-glass, forward-looking school ever asked him to pray, or sing an impenetrable cheery hymn. There’s no entity for him to doubt. His initiation, in front of the TV, before the dissolving towers, was intense but he adapted quickly. These days he scans the papers for fresh developments the way he might a listings magazine. As long as there’s nothing new, his mind is free. International terror, security cordons, preparations for war — these represent the steady state, the weather. Emerging into adult consciousness, this is the world he finds.
Ian McEwan
She knew enough to recognize that memories were crowding in, and there was nothing he could do. They wouldn’t let him speak. She would never know what scenes were driving that turmoil.
Ian McEwan
These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before the war, before the sight of a corpse became a banality.
Ian McEwan
At best he read popular science magazines like the Scientific American he had now, to keep himself up-to-date, in layman's terms, with physics generally. But even then his concentration was marred, for a lifetime's habit made him inconveniently watchful for his own name. He saw it as if in bold. It could leap out at him from an unread double page of small print, and sometimes he could sense it coming before the page turn.
Ian McEwan
At best he read popular science magazines like the Scientific American he had now, to keep himself up-to-date, in layman's terms, with physics generally. But even then his concentration was marred, for a lifetime's habit made him inconveniently watchful for his own name. He saw it as if in bold. It could leap out at him from an unread double page of small print, and sometimes he could sense it coming before the page turn.
Ian McEwan
He was thinking of that time, the way one does on long journeys when rootlessness and boredom, lack of sleep or routine can summon from out of nowhere random stretches of the past, make them as real as a haunting. --Solar
Ian McEwan
Waiting. Simply one person doing nothing, over time, while another approached.
Ian McEwan
For children, childhood is timeless. It is always the present. Everything is in the present tense. Of course, they have memories. Of course, time shifts a little for them and Christmas comes round in the end. But they don’t feel it. Today is what they feel, and when they say ‘When I grow up,’ there is always an edge of disbelief—how could they ever be other than what they are?
Ian McEwan
However close you get to others, you can never get inside them, even when you're inside them.
Ian McEwan
She had lolled about for three years at Girton with the kind of books she could equally have read at home--Jane Austen, Dickens, Conrad, all in the library downstairs, in complete sets. How had that pursuit, reading the novels that others took as their leisure, let her think she was superior to anyone else?
Ian McEwan
No one knows anything, really. It's all rented, or borrowed.
Ian McEwan
The childhood of a spoiled prince could be framed within half a page, a moonlit dash through sleepy villages was one rhythmically emphatic sentence, falling in love could be achieved in a single word - a glance. The pages of a recently finished story seemed to vibrate in her hand with all the life they contained.
Ian McEwan
At that moment, the urge to be writing was stronger than any notion she had of what she might write.
Ian McEwan
Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?
Ian McEwan
A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.
Ian McEwan
He saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply and lovers he had not owned up to.
Ian McEwan
He would work through the night and sleep until lunch. There wasn't really much else to do. Make something, and die.
Ian McEwan
Above all, she wanted to look as though she had not given the matter a moment's thought, and that would take time.
Ian McEwan
Everyone knew as much as they needed to know to be happy.
Ian McEwan
There's a taste in the air, sweet and vaguely antiseptic, that reminds him of his teenage years in these streets, and of a general state of longing, a hunger for life to begin that from this distance seems like happiness.
Ian McEwan
We go on our hands and knees and crawl our way towards the truth
Ian McEwan
He knew these last lines by heart and mouthed them now in the darkness. My reason for life. Not living, but life. That was the touch. And she was his reason for life, and why he must survive.
Ian McEwan
If life was a dream, then dying must be the moment when you woke up. It was so simple it must be true. You died, the dream was over, you woke up. That's what people meant when they talked about going to heaven. It was like waking up.
Ian McEwan
And though you think the world is at your feet, it can rise up and tread on you.
Ian McEwan
This is how the entire course of a life can be changed: by doing nothing.
Ian McEwan
The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse.
Ian McEwan
Finally he spoke the three simple words that no amount of bad art or bad faith can every quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.
Ian McEwan
The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.
Ian McEwan
When it's gone, you'll know what a gift love was. You'll suffer like this. So go back and fight to keep it.
Ian McEwan
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