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Haruki Murakami Quotes
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Anonymous
Japanese
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Author
January 12, 1949
Japanese
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Author
January 12, 1949
Dreams are things from the past. They aren't from the future. That wasn't you imprisoned there. You imprison your dreams. You understand?Yeah, I'd say. But I wasn't convinced.
Haruki Murakami
Samsa certainly had no idea what lay ahead. He was in the dark about everything: the future, of course, but the present and the past as well . What was right, and what was wrong? Just learning how to dress was a riddle.
Haruki Murakami
At some point the future becomes reality. And then it quickly becomes the past.
Haruki Murakami
You throw a stone into a deep pond. Splash. The sound is big, and it reverberates throughout the surrounding area. What comes out of the pond after that? All we can do is stare at the pond, holding our breath.
Haruki Murakami
With each passing moment I'm becoming part of the past. There is no future for me, just the past steadily accumulating.
Haruki Murakami
A person’s destiny is something you look back at afterwards, not something to be known in advance.
Haruki Murakami
A certain something, he felt, had managed to work its way in through a tiny opening and was trying to fill a blank space inside him. The void was not one that she had made. It had always been there inside him. She had merely managed to shine a special light on it.
Haruki Murakami
What I want is for the two of us to meet somewhere by chance one day, like, passing on the street, or getting on the same bus.
Haruki Murakami
Living and dying are, in a sense, of equal value.
Haruki Murakami
Living like an empty shell is not really living, no matter how many years it might go on
Haruki Murakami
No truth can cure the sadness we feel from losing a loved one. No truth, no sincerity, no strength, no kindness, can cure that sorrow. All we can do is see that sadness through to the end andlearn something from it, but what we learn will be no help in facing the next sadness that comes to us without warning.
Haruki Murakami
If there's any guy crazy enough to attack me, I'm going to show him the end of the world -- close up. I'm going to let him see the kingdom come with his own eyes. I'm going to send him straight to the southern hemisphere and let the ashes of death rain all over him and the kangaroos and the wallabies.
Haruki Murakami
The strength I'm looking for isn't the type where you win or lose. I'm not after a wall that'll repel power coming from outside. What I want us the kind of strength to be able to absorb that kind of power, to stand up to it. The strength to quietly endure things - unfairness, misfortunes, sadness, mistakes, misunderstandings.
Haruki Murakami
once your get your hopes up, your mind starts acting on its own. And when your hopes are dashed you get dissapointed, and dissapointment leads to a feeling of helplessness. You get careless and let your guard down. And right now, she though, that si the last thing I can afford.
Haruki Murakami
Most of the psychological differences between men and women seem to come from differences in their reproductive system
Haruki Murakami
I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.
Haruki Murakami
What I was chasing in circles must have been the tail of the darkness inside me.
Haruki Murakami
Forgive me for stating the obvious, but the world is made up of all kinds of people. Other people have their own value to live by, and the same holds true with me.
Haruki Murakami
Every person should decide for himself how happy, or unhappy, our society might be.
Haruki Murakami
The laugh left a bitter taste in our mouths, but we laughed out all the same.
Haruki Murakami
If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals . . . We are all human beings, individuals, fragile eggs. We have no hope against the wall: it's too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us -- create who we are. It is we who created the system. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)
Haruki Murakami
A giant octopus living way down deep at the bottom of the ocean. It has this tremendously powerful life force, a bunch of long, undulating legs, and it's heading somewhere, moving through the darkness of the ocean… It takes on all kinds of different shapes—sometimes it's 'the nation,' and sometimes it's 'the law,' and sometimes it takes on shapes that are more difficult and dangerous than that. You can try cutting off its legs, but they just keep growing back. Nobody can kill it. It's too strong, and it lives too far down in the ocean. Nobody knows where its heart is. What I felt then was a deep terror. And a kind of hopelessness, a feeling that I could never run away from this thing, no matter how far I went. And this creature, this thing doesn't give a damn that I'm me or you're you. In its presence, all human beings lose their names and their faces. We all turn into signs, into numbers.
Haruki Murakami
The woman glares at him and, after taking a breath, forges on. "One other issue I'd like to raise is how you have authors here separated by sex.""Yes, that's right. The person who was in charge before us cataloged these and for whatever reason divided them into male and female. We were thinking of recataloging all of them, but haven't been able to as of yet.""We're not criticizing you for this," she says.Oshima tilts his head slightly."The problem, though, is that in all categories male authors are listed before female authors," she says. "To our way of thinking this violates the principle of sexual equality and is totally unfair."Oshima picks up her business card again, runs his eyes over it, then lays it back down on the counter. "Ms. Soga," he begins, "when they called the role in school your name would have come before Ms. Tanaka, and after Ms. Sekine. Did you file a complaint about that? Did you object, asking them to reverse the order? Does G get angry because it follows F in the alphabet? Does page 68 in a book start a revolution just because it follows 67?""That's not the point," she says angrily. "You're intentionally trying to confuse the issue."Hearing this, the shorter woman, who'd been standing in front of a stack taking notes, races over."Intentionally trying to confuse the issue," Oshima repeats, like he's underlining the woman's words."Are you denying it?""That's a red herring," Oshima replies.The woman named Soga stands there, mouth slightly ajar, not saying a word."In English there's this expression red herring. Something that's very interesting but leads you astray from the main topic. I'm afraid I haven't looked into why they use that kind of expression, though.""Herrings or mackerel or whatever, you're dodging the issue.""Actually what I'm doing is shifting the analogy," Oshima says. "One of the most effective methods of argument, according to Aristotle. The citizens of ancient Athens enjoyed using this kind of intellectual trick very much. It's a shame, though, that at the time women weren't included in the definition of 'citizen.'""Are you making fun of us?"Oshima shakes his head. "Look, what I'm trying to get across is this: I'm sure there are many more effective ways of making sure that Japanese women's rights are guaranteed than sniffing around a small library in a little town and complaining about the restrooms and the card catalog. We're doing our level best to see that this modest library of ours helps the community. We've assembled an outstanding collection for people who love books. And we do our utmost to put a human face on all our dealings with the public. You might not be aware of it, but this library's collection of poetry-related material from the 1910s to the mid-Showa period is nationally recognized. Of course there are things we could do better, and limits to what we can accomplish. But rest assured we're doing our very best. I think it'd be a whole lot better if you focus on what we do well than what we're unable to do. Isn't that what you call fair?
Haruki Murakami
It was as if-this is something I thought of only later, of course-she was gently peeling bcd one layer after another hat covered a person's heart, a very sensual feeling.
Haruki Murakami
It was as if - this something I thought of only later, of course - she were gently peeling back one layer after another that covered a person's heart, a very sensual feeling.
Haruki Murakami
It was as if - this something I thought of only later, of course - she was gently peeling back one layer after another that covered a person's heart, a very sensual feeling.
Haruki Murakami
There are some things in this world that can be done over, and some that can't. And time passing is one thing that can't be redone. Come this tar, and you can't come back.
Haruki Murakami
There are some things in this world that can be done over, and some that can't. And time passing is one thing that can't be undone. Come this far, and you can't go back.
Haruki Murakami
Next she turned the gun upward and thrust the muzzle into her mouth. Now it was aimed directly at her cerebrum-- the gray labyrinth where consciousness resided.
Haruki Murakami
The new day is almost here, but the old one is still dragging its heavy skirts. Just as ocean water and river water struggle against each other at a river mouth, the old time and the new time clash and blend.
Haruki Murakami
Memory is like fiction: or else it's fiction that's like memory.
Haruki Murakami
Memory is like fiction: or else it' fiction that's like memory.
Haruki Murakami
Exactly. When is comes to anything halfway important, you just don't get it. It's amazing to me that you can put a piece of fiction together''Yeah, well, that's a whole different thing.'(from Honey Pie)
Haruki Murakami
It was a strange feeling, like touching a void.
Haruki Murakami
In the end, like so many beautiful promises in our lives, that dinner date never came to be.
Haruki Murakami
Your heart is like a great river after a long spell of rain, spilling over its banks. All signposts that once stood on the ground are gone, inundated and carried away by that rush of water. And still the rain beats down on the surface of the river. Every time you see a flood like that on the news you tell yourself: That’s it. That’s my heart.
Haruki Murakami
The music world is where child prodigies go to die.
Haruki Murakami
Adults constantly raise the bar on smart children, precisely because they're able to handle it. The children get overwhelmed by the tasks in front of them and gradually lose the sort of openness and sense of accomplishment they innately have. When they're treated like that, children start to crawl inside a shell and keep everything inside. It takes a lot of time and effort to get them to open up again. Kids' hearts are malleable, but once they gel it's hard to get them back the way they were.
Haruki Murakami
Many are the women who can take their clothes off seductively, but women who can charm as they dress?
Haruki Murakami
Sex with a married woman ten years his senior was stress free and fulfilling, because it couldn't lead to anything
Haruki Murakami
It's a funny thing sensing someone else's sex drive. After a while, you get to mistaking it for your own.
Haruki Murakami
Once you’re lost, you panic. You’re in total despair, not knowing what to do. I hate it when that happens. Sex can be a real pain that way, ‘cause when you get in the mood all you can think about is what’s right under your nose - that’s sex, all right.
Haruki Murakami
Her cry was the saddest sound of orgasm that I had ever heard.
Haruki Murakami
I wasn't in love with her. And she didn't love me. For me the question of love was irrelevant. What I sought was the sense of being tossed about by some raging, savage force, in the midst of which lay something absolutely crucial. I had no idea what that was. But I wanted to thrust my hand right inside her body and touch it, whatever it was.
Haruki Murakami
Reality is created out of confusion and contradiction, and if you exclude those elements, you're no longer talking about reality. You might think that --by following language and a logic that appears consistent-- you're able to exclude that aspect of reality, but it will always be lying in wait for you, ready to take its revenge.
Haruki Murakami
When you prick a person with a needle, red blood comes out- that's the real world.
Haruki Murakami
The better you were able to imagine what you wanted to imagine, the farther you could flee from reality.
Haruki Murakami
Look at the rain long enough, with no thoughts in your head, and you gradually feel your body falling loose, shaking free of the world of reality. Rain has the power to hypnotize.
Haruki Murakami
What we needed were not words and promises but the steady accumulation of small realities.
Haruki Murakami
But you knoe, she's right. Every single day, each time I see her face, see her, it's utterly precious.
Haruki Murakami
You’re here,” I continued. “At least you look as if you’re here. But maybe you aren’t. Maybe it’s just your shadow. The real you may be someplace else. Or maybe you already disappeared, a long, long time ago. I reach out my hand to see, but you’ve hidden yourself behind a cloud of probablys.
Haruki Murakami
To what extent facts we recognize as such really are as they seem, and to what extent these are facts merely because we label them as such, is an impossible distinction to draw. Therefore, in order to pin down reality as reality, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the maintenance of this chain which produces the sensation that we are actually here, that we ourselves exist. But something can happen to sever that chain and we are at a loss. What is real? Is reality on this side of the break in the chain? Or over there, on the other side?
Haruki Murakami
Still, though, I can’t be sure if the zoo as I recall it was really like that. How can I put it? I sometimes feel that it’s too vivid, if you know what I mean. And when I start having thoughts like this, the more I think about it, the less I can tell how much of the vividness is real and how much of it my imagination has invented.
Haruki Murakami
But in real life things don't go so smoothly. At certain points in our lives, when we really need a clear-cut solution, the person who knocks at our door is, more likely than not, a messenger bearing bad news. It isn't always the case, but from experience I'd say the gloomy reports far outnumber the others. The messenger touches his hand to his cap and looks apologetic, but that does nothing to improve the contents of the message. It isn't the messenger's fault. No good to blame him, no good to grab him by the collar and shake him. The messenger is just conscientiously doing the job his boss assigned him. And this boss? That would be none other than our old friend Reality.
Haruki Murakami
Haida stopped and glanced at the clock on the wall. Then he looked at Tsukuru. He was, of course, Haida the son, but Haida the father has been the same age in his story, and so the two of them began to overlap in Tsukuru's mind. It was an odd sensation, as if the two distinct temporalities had blended into one. Maybe it wasn't the father who had experienced this, but the son. Maybe Haida was just relating it as if his father had experienced it, when in reality he was the one who had. Tsukuru couldn't shake this illusion.
Haruki Murakami
But in real life things don't go smoothly. At certain points in our lives, when we really need a clear-cut solution, the person who knocks at our door is, more likely than not, a messenger bearing bad news. It isn't always the case, but from experience I'd say the gloomy reports far outnumber the others. The messenger touches his hand to his cap and looks apologetic, but that does nothing to improve the contents of the message. It isn't the messenger's fault. No good to blame him, no good to grab him by the collar and shake him. The messenger is just conscientiously doing the job his boss assigned him. And this boss? That would be none other than our old friend Reality.
Haruki Murakami
Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response.
Haruki Murakami
As soon as I sat down across from her, she ordered me to put the entire contents of my pants pockets on the table. I did as I was told, saying nothing. My reality seemed to have left me and was now wandering around nearby. I hope it can find me, I thought.
Haruki Murakami
it occurred to me what a simple thing reality is, how easy it is to make it work. It's just reality. Just housework. Just a home. Like running a simple machine. Once you learn to run it, it's just a matter of repetition. You push this button and pull that lever. You adjust a gauge, put on the lid, set the timer. The same thing, over and over.
Haruki Murakami
It's just that you're about to do something out of the ordinary. And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. But don't let appearances fool you. There's always only one reality.
Haruki Murakami
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