Camille Paglia Quotes

Gay men are guardians of the masculine impulse. To have anonymous sex in a dark alleyway is to pay homage to the dream of male freedom. The unknown stranger is a wandering pagan god. The altar, as in pre-history, is anywhere you kneel.
Camille Paglia
Not untill all babies are born from glass jars will the combat cease between mother and son. But in a totalitarian future that has removed procreation from woman's hands, there will also be no affect and no art. Men will be machines, without pain but also without pleasure. Imagination has a price, which we are paying every day. There is no escape from the biologic chains that bind us.
Camille Paglia
Criticism at its best is re-creative, not spirit-killing.
Camille Paglia
If sexual physiology provides the pattern for our experience of the world, what is woman's basic metaphor? It is mystery, the hidden. Karen Horney speaks of a girl's inability to see her genitals and a boy's ability to see his as the source of "the greater subjectivity of women as compared with the greater objectivity of men." To rephrase this with my different emphasis: men's delusional certitude that objectivity is possible is based on the visibility of their genitals. Second, this certitude is a defensive swerve from the anxiety-inducing invisibility of the womb. Women tend to be more realistic and less obsessional because of their toleration for ambiguity which they learn from their inability to learn about their own bodies. Women accept limited knowledge as their natural condition, a great human truth that a man may take a lifetime to reach.The female body’s unbearable hiddenness applies to all aspects men’s dealings with women. What does it look like in there? Did she have an orgasm? Is it really my child? Who was my real father? Mystery surrounds women’s sexuality. This mystery is the main reason for the imprisonment man has imposed on women. Only by confining his wife in a locked harem guarded by eunuchs could he be certain that her son was also his.
Camille Paglia
Charisma is the numinous aura around a narcissistic personality. It flows outward from a simplicity or unity of being and a composure and controlled vitality. There is gracious accommodation, yet commanding impersonality. Charisma is the radiance produced by the interaction of male and female elements in a gifted personality. The charismatic woman has a masculine force and severity. The charismatic man has an entrancing female beauty. Both are hot and cold, glowing with presexual self love.
Camille Paglia
Reunion with the mother is a siren call haunting our imagination. Once there was bliss, and now there is struggle. Dim memories of life before the traumatic separation of birth may be the source of Arcadian fantasies of a lost golden age.
Camille Paglia
Eroticism is mystique; that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.
Camille Paglia
The male orientation of classical Athens was inseparable from its genius. Athens became great not despite but because of its misogyny.
Camille Paglia
My advice, as in everything, is to read widely and think for yourself We need more dissent and less dogma.
Camille Paglia
Men chase by night those they will not greet by day.
Camille Paglia
Men have sacrificed and crippled themselves physically and emotionally to feed, house, and protect women and children. None of their pain or achievement is registered in feminist rhetoric, which portrays men as oppressive and callous exploiters.
Camille Paglia
Society is a system of inherited forms reducing our humiliating passivity to nature.
Camille Paglia
Everything is melting in nature. We think we see objects, but our eyes are slow and partial. Nature is blooming and withering in long puffy respirations, rising and falling in oceanic wave-motion. A mind that opened itself fully to nature without sentimental preconception would be glutted by nature’s coarse materialism, its relentless superfluity. An apple tree laden with fruit: how peaceful, how picturesque. But remove the rosy filter of humanism from our gaze and look again. See nature spuming and frothing, its mad spermatic bubbles endlessly spilling out and smashing in that inhuman round of waste, rot, and carnage. From the jammed glassy cells of sea roe to the feathery spores poured into the air from bursting green pods, nature is a festering hornet’s nest of aggression and overkill. This is the chthonian black magic with which we are infected as sexual beings; this is the daemonic identity that Christianity so inadequately defines as original sin and thinks it can cleanse us of. Procreative woman is the most troublesome obstacle to Christianity’s claim to catholicity, testified by its wishful doctrines of Immaculate Conception and Virgin Birth. The procreativeness of chthonian nature is an obstacle to all of western metaphysics and to each man in his quest for identity against his mother. Nature is the seething excess of being.
Camille Paglia
The only road to freedom is self-education in art. Art is not a luxury for any advancedcivilization; it is a necessity, without which creative intelligence will wither and die. Evenin economically troubled times, support for the arts should be a national imperative.Dance, for example, requires funding not only to secure safe, roomy rehearsal space butto preserve the indispensible continuity of the teacher-student link. American culture hasbecome unbalanced by its obsession with the blood sport of politics, a voracious vortexconsuming everything in its path. History shows that, for both individuals and nations,political power is transient. America's true legacy is its ideal of liberty, which has inspiredinsurgencies around the world. Politicians and partisans of both the Right and the Leftmust recognize that art too is a voice of liberty, requiring nurture without intrusion. Artunites the spiritual and material realms. In an age of alluring, magical machines, thesociety that forgets art risks losing its soul.
Camille Paglia
We cannot have a world where everyone is a victim. "I'm this way because my father made me this way. I'm this way because my husband made me this way." Yes, we are indeed formed by traumas that happen to us. But then you must take charge, you must take over, you are responsible.
Camille Paglia