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Image of the quote is loading... SaveSave Everything changed after AIDS,” Dr. Molnár had just explained to him. “From then on, blood was more dangerous than shit. - Quote by David Cronenberg

Everything changed after AIDS,” Dr. Molnár had just explained to him. “From then on, blood was more dangerous than shit.

David Cronenberg
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To me it's very obvious there are huge cultural differences between Americans and Canadians. But a lot of what we are is American.
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It had occurred to her that the ultimate expression of Tom Wolfe’s ‘saturation reporting’ was possibly at hand: the copycat murder of the journalist, with the murderer finishing the piece and filing it, complete with photographs and videos.
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I don't think there's anything man wasn't meant to know. There are just some stupid things that people shouldn't do.
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The internet is now a forum for public prosecution.
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I apologize to my priestess. I underestimated her. I equated her with the global media, which is where I found those easily digestible raw materials for my banal and bourgeois account of My Life with Poor Terminal Celestine. There are so many blogs and articles in the 'Living' sections of online newspapers pouring out the synthetic emotions and the mundane details and the shocking bodily consequences of any disease you can think of or even invent. Honestly, Celestine and I felt we had to fully understand the phenomenon of the internet, because consumerism and the internet had fused, they had become one thing, even though on a certain level it was anathema to us, noxious to the strange, introverted, and, yes, relentlessly snob personal culture we had spent years developing together. But also we realized we needed the net in order to understand what was the basic human condition, what a current human being really was, because we had lost touch with that, our students made that clear to us, and so we were also using the internet to research our roles playing normal human beings.
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To not be photographed daily, even by oneself, to not be recorded and videoed and dispersed into the turbulent winds of the net, was to court nonexistence.
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Somehow, Naomi was of another, newer, generation than Nathan, despite the fact that they were the same age. Nathan seemed to have absorbed his sense of journalistic ethics from old movies about newspaper reporters. For Naomi, internet sampling and scratching was a completely valid form of journalism, presenting no ethical clouds on its open-source horizon. To not be photographed daily, even by oneself, to not be recorded and videoed and dispersed into the turbulent winds of the net, was to court nonexistence.
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He wouldn't perform without a recording now, she was certain, like a poet working in the oral tradition who had been contaminated by the advent of the recording device and so insisted that all improvisations be saved for posterity.
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