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Image of the quote is loading... SaveSave Oh, never mind the fashion. When one has a style of one's own, it is always twenty times better. - Quote by Mrs. Oliphant

Oh, never mind the fashion. When one has a style of one’s own, it is always twenty times better.

Mrs. Oliphant
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This was true enough, though it did not throw any light upon my perplexity. If we had heard of it to start with, it is possible that all the family would have considered the possession of a ghost a distinct advantage. It is the fashion of the times. We never think what a risk it is to play with young imaginations, but cry out, in the fashionable jargon, 'A ghost! - nothing else was wanted to make it perfect.' I should not have been above this myself. I should have smiled, of course, at the idea of the ghost at all, but then to feel that it was mine would have pleased my vanity. Oh, yes, I claim no exemption. The girls would have been delighted. I could fancy their eagerness, their interest, and excitement. No; if we had been told, it would have done no good - we should have made the bargain all the more eagerly, the fools that we are. ("The Open Door")
Mrs. Oliphant
And there has been no attempt to investigate it,' I said, 'to see what it really is?''Eh, Cornel,' said the coachman's wife, 'wha would investigate, as ye call it, a thing that nobody believes in? Ye would be the laughing-stock of a' the country-side, as my man says.''But you believe in it,' I said, turning upon her hastily. The woman was taken by surprise. She made a step backward out of my way.'Lord, Cornel, how ye frichten a body! Me! there's awful strange things in this world. An unlearned person doesna ken what to think. But the minister and the gentry they just laugh in your face. Inquire into the thing that is not! Na, na, we just let it be.' ("The Open Door")
Mrs. Oliphant
... Miss Marjoribanks was of the numerous class of religionists who keep up civilities with heaven, and pay all the proper attentions, and show their respect for the divine government in a manner befitting persons who know the value of their own approbation.
Mrs. Oliphant
There is a great deal in choosing colours that go well with one's complexion. People think of that of that for their dresses, but not for their rooms., which are of so much more importance. I should have liked blue, but blue gets so soon tawdry. I think, (...) that I have enough complexion at present to venture upon a pale spring green.
Mrs. Oliphant
Then there rose up before her a vision of a parish saved, a village reformed, a county reorganised, and a triumphant election at the end, the recompense and crown of all, which should put the government of the country itself, to a certain extent, into competent hands.
Mrs. Oliphant
There is a great deal in choosing colours that go well with one's complexion. People think of that for their dresses, but not for their rooms., which are of so much more importance. I should have liked blue, but blue gets so soon tawdry. I think, (...) that I have enough complexion at present to venture upon a pale spring green.
Mrs. Oliphant
As she stepped into the steamboat at Dover which was to convey her to scenes so new, Lucilla felt more and more that she who held the reorganisation of society in Carlingford in her hands was a woman with a mission.
Mrs. Oliphant
In the park which surrounded our house were the ruins of the former mansion of Brentwood, a much smaller and less important house than the solid Georgian edifice which we inhabited. The ruins were picturesque, however, and gave importance to the place. Even we, who were but temporary tenants, felt a vague pride in them, as if they somehow reflected a certain consequence upon ourselves. The old building had the remains of a tower, an indistinguishable mass of mason-work, overgrown with ivy, and the shells of walls attached to this were half filled up with soil. I had never examined it closely, I am ashamed to say. There was a large room, or what had been a large room, with the lower part of the windows still existing, on the principal floor, and underneath other windows, which were perfect, though half filled up with fallen soil, and waving with a wild growth of brambles and chance growths of all kinds. This was the oldest part of all. At a little distance were some very commonplace and disjointed fragments of the building, one of them suggesting a certain pathos by its very commonness and the complete wreck which it showed. This was the end of a low gable, a bit of grey wall, all encrusted with lichens, in which was a common doorway. Probably it had been a servants' entrance, a backdoor, or opening into what are called "the offices" in Scotland. No offices remained to be entered-pantry and kitchen had all been swept out of being; but there stood the doorway open and vacant, free to all the winds, to the rabbits, and every wild creature. It struck my eye, the first time I went to Brentwood, like a melancholy comment upon a life that was over. A door that led to nothing - closed once perhaps with anxious care, bolted and guarded, now void of any meaning. It impressed me, I remember, from the first; so perhaps it may be said that my mind was prepared to attach to it an importance, which nothing justified. ("The Open Door")
Mrs. Oliphant
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