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Image of the quote is loading... SaveSave This is my gift to you, this story that is also a song, these words that are a part of Fokir. Such flaws as there are in my rendition of it I do not regret, for perhaps they will prevent me from fading from sight, as a good translator should. For once, I shall be glad if my imperfections render me visible. - Quote by Amitav Ghosh

This is my gift to you, this story that is also a song, these words that are a part of Fokir. Such flaws as there are in my rendition of it I do not regret, for perhaps they will prevent me from fading from sight, as a good translator should. For once, I shall be glad if my imperfections render me visible.

Amitav Ghosh
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The hours are slow in passing as they always are when you are waiting in fear for you know not what: I am reminded of the moments before the coming of a cyclone, when you have barricaded yourself into your dwelling and have nothing else to do but wait. The moments will not pass, the air hangs still and heavy; it is as though time itself has been slowed by the friction of fear.
Amitav Ghosh
I'd been surprised by the depth of emotion that was invested in that curiously archaic phrase 'great power'. What would it mean, I'd asked myself, to the lives of working journalists, salaried technocrats and so on if India achieved 'great power status'? What were the images evoked by this tag?Now, walking through this echoing old palace, looking at the pictures in the corridors, this aspiration took on, for the first time, the contours of an imagined reality. This is what the nuclearists wanted: to sign treaties, to be pictured with the world's powerful, to hang portraits on their walls, to become ancestors. On the bomb they had pinned their hopes of bringing it all back.
Amitav Ghosh
That particular fear has the texture you can neither forget nor describe. It is like the fear of the victims of an earthquake, of people who have lost faith in the stillness of the earth. And yet it is not the same. It is without analogy for it is not comparable to the fear of nature, which is the most universal of human fears, nor to the fear of violence of the state, which is the commonest of modern fears. It is the fear that comes from the knowledge that normalcy is utterly contingent, that spaces that surround one, the streets that one inhabits, can become, suddenly and without warning, as hostile as a desert in a flash flood. It is this that sets apart the thousand million people who inhabit the subcontinent from the rest of the world - not language, not food, not music - it is the special quality of loneliness that grows out of the fear of the war between oneself and one's image in the mirror.
Amitav Ghosh
Why don’t they complain?""They do sometimes. But usually there's nothing in particular to complain about. Take the case of Hardy's appointment: Who was to blame? Hardy himself? The men? It certainly wasn't the CO. But that's how it always is. Whenever one of us doesn't get an appointment or a promotion, there's always a mist of regulations that makes things unclear. On the surface everything in the army appears to be ruled by manuals, regulations, procedures: it seems very cut and dried. But actually, underneath there are all these murky shadows that you can never quite see: prejudice, distrust, suspicion.
Amitav Ghosh
Need is not transitive, one may need without oneself being needed.
Amitav Ghosh
That unthinkable, adult truth: that need is not transitive, that one may need without oneself being needed.
Amitav Ghosh
He said: 'You don't understand. We never thought that we were being used to conquer people. Not at all: we thought the opposite. We were told that we were freeing those people. That is what they said—that we were going to set those people free from their bad kings or their evil customs or some such thing. We believed it because they believed it too. It took us a long time to understand that in their eyes freedom exists wherever they rule.
Amitav Ghosh
It's something you don't see until it's gone-the shapes and things have and the ways in which the people around you mould the shapes.
Amitav Ghosh
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